PEPPINO MANGRAVITE (American 1896-1978,). Mounted Poet, circa 1947, lithograph on paper. Pencil

PEPPINO MANGRAVITE (American 1896-1978,). Mounted Poet, circa 1947, lithograph on paper. Pencil signed and titled at base. Unframed. Note: The artwork is not glued down to a hard surface; it is mounte

Norman Rockwell (American 1894-1978) Bicentennial Celebration - offset lithograph on paper - pencil signed 159/950 - 25 x 19" 34 x 28" as framed.

Philip Pearlstein (American b.1924) "Legs," 1978, lithograph on paper, signed and dated in pencil lower right, titled, numbered 35/100, float matted in frame. Dimensions: 17.5 x 14 in. sheet s

THOMAS HART BENTON (American 1889-1975) A PRINT, "West Texas," CIRCA 1952,  lithograph on paper, signed in margin in pencil, "Thomas H. Benton," and signed in plate, "S.M.U. Benton '52," 11 1/2"

Richard Lindner (American / Germany 1901-1978) 'Profile', 1969, lithograph on paper depicting a modernist profile of a man, pencil signed to lower right. Marked as an Artist Proof to lower left. Sight

Bev DoolittleAmerican, (b. 1947)Pintos, 1978lithograph, ed. 800/1000signed and numbered in pencil lower left, framed.18 x 18 inches (visible)

Untitled (circa 1970) Colour lithograph on wove paper Signed and numbered 61/95 in pencil Size: 29.5 x 43.5 in. Provenance: Albert White Gallery, Toronto; stock no. C-51; Private Collection, Toronto,

13 proof illustrations from Moby Dick photo-lithographs on paper h. 8 w. 6 in. (largest sight) overall: 21 x 11 in. (largest frame) circa 1930, all signed in pencil lower margin, framed together in gr

Norman Rockwell (AMERICAN, 1894–1978) pencil on paper. Drawing depicting an artist studying a painting in a museum. Signed lower right.

Roy Lichtenstein (American (New York), 1923-1997). "Pyramids" - 1969, artist proof color lithograph on paper, pencil signed and dated lower right margin, proof number inscribed lower left "A/P II". Ed

LOZOWICK, Louis (Russian/American 1893-1973), Minneapolis (Flint # 5), 1925, lithograph on wove paper, pencil signed and dated '25 in pencil lower right margin, ( a proof apart from the later edition

Frederick Kiesler, pencil drawing on paper, 1962, Frederick Kiesler (Austrian/American,1896-1965), Endless House Study, pencil initialed lower left, placed on cardboard, illegibly pen inscribed, dated

Thomas Hart Benton (American 1889-1975) The Race lithograph on paper signed lower left in plate pencil signed lower right margin 9 x 13"

Jasper Johns (American, b. 1930), "Flag (Moratorium)," 1969, offset lithograph in colors on wove paper, pencil signed lower right, edition 97/300, published by the Committee Against the War in Vietnam

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed in pencil, editioned 54/75, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa Barbara, Cal

a later example outside the limited edition of 300; offset lithograph on smooth wove paper, unframed; pencil-signed lower right 27 3/4 x 19 1/4 inches

Lichtenstein, Roy, (American 1923-1997), Shipboard Girl, 1965, offset lithograph on white wove paper, signed in pencil lower right, full sheet 68.7 x 51.4 cm, image 66.3 x 48.7 cm, unframed, published

Ellsworth Kelly (American, 1923-), abstract color lithograph circa 1964-65, signed "Kelly" in pencil, editioned 67/75, 35" h x 23 1/2" w (view), 36" h x 24" w (frame). Provenance: from the Santa Barba

Chuck Close (American, 1940-2021), Self Portraitlithograph and screenprint in colors on wove paper, 2007, pencil signed, dated, and numbered 92/118 lower margin, with full margins, framed. Image size

Dorothea Tanning (American, 1910-2012), Hommage à Max Ernstlithograph in colors on wove paper, 1976, pencil signed and numbered 15/500 at lower margin, published by Center National de L'Art Contempor

Louise Nevelson (American, 1899-1988) Morning Haze, 1978 cast paper relief, diptych signed, dated, and numbered 93/125 in pencil 33 3/4 x 45 3/8 inches.

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 62/75 in pencil, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa B

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 46/75 in pencil, 35" h x 23 1/2" w. Provenance: from the Santa Barbara, California and Madison