Peter Brüchmann (b. 1932), Leaving The American Sector,

LEAVING IT BEHIND (HG.34), 1970-71, color screenprint, signed and numbered 62/100 in pencil, published by London Arts with blind stamp lower left, sight 21 ½ x 28 ½”, frame 29 x 36

Path amongst mature trees with bicycle in distance, watercolor on paper, signed and dated lower left: Wini Smart '82. Born in New Jersey, Wini Smart is a watercolorist and oil painter of marine and la

Oil on canvas 33 x 29 in

GIRL WITH SQUIRREL, oil painting on canvas, signed lower right, 36 x 24”, frame 40 ½ x 28 ½”.

Oil on canvas 30 x 36 in

Resting pelicans on posts near the shore, watercolor, signed and dated bottom center: Wini Smart ‘84. Born in New Jersey, Wini Smart is a watercolorist and oil painter of marine and landscapes, many

ART & TECHNOLOGY, LACMA (G.394), 1971, color lithograph poster, signed in pencil, numbered 122/300, sheet 31 x 23", printed by Gemini G. E. L., with blind stamp lower right, framed.

† Peter Howell (b. 1932), Horses and Jockeys before the Race Start, signed 'Howell' (lower left), oil on canvas, 100.5 x 126 cm, framed 113 x 139 cm

δ Peter Blake (b. 1932)London - Abbey Road ParadeScreenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove pape

δ Peter Blake (b. 1932)Union JackPigment print in colours, 2011, signed in pencil, numbered from the edition of 50, printed and published by Paul Stolper Gallery, London, on wove paper, the full sh

δ Peter Blake (b. 1932)Vichy- A Convention of Comic Book CharactersScreenprint in colours, 2010, signed and numbered from the edition of 125 in pencil, on wove paper, with full margins, image 380

δ Peter Blake (b. 1932)London - Regent Street (Dancing)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wov

δ Peter Blake (b. 1932)Old GloryPigment print in colours, 2011, signed in pencil, numbered from the edition of 50, printed and published by Paul Stolper Gallery, London, on wove paper, the full she

δ Peter Blake (b. 1932)London - Petticoat Lane (One Hundred Women)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on S

δ Peter Blake (b. 1932)MarilynScreenprint in colours with diamond dust, 2010, signed in pencil, numbered from the edition of 150, published by Paul Stolper, London, on Somerset wove paper, with f

δ Sir Peter Blake (b.1932)Babe RainbowScreenprint in colours on metal, 1968, from the edition of 10,000, printed and published by Dodo Designs, London, the full sheet printed to the edges, sheet

δ Peter Blake (b. 1932)London - Horse Guards Parade (Horses and Horsemen)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, Londo

δ Peter Blake (b. 1932)London - Regent's Park (The Runaway Donkeys)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on So

δ Peter Blake (b. 1932)Paris - Circus IScreenprint in colours, 2010, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the ful

δ Peter Blake (b. 1932)The Letter XScreenprint in colours with embossing and UV glaze, 2007, signed in pencil, numbered from the edition of 60, published by Paul Stolper Gallery, London, on Somer

δ Peter Blake (b. 1932)Paris-Charabanc OutingScreenprint in colours, 2010, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery London, on Somerset wove paper, th

Peter Blake (b.1932) Babe Rainbow , original printed tin sign produced by Metal Box Carlisle 1968 - 66 x43 cm The sign was acquired directly from Hudson Scott (Metal Box) at the time of production. Co

δ Peter Blake (b. 1932)Secret LoveScreenprint in colours with diamond dust, 2005, signed, titled, dated in gold ink, numbered from the edition of 75, published by Paul Stolper Gallery, London, on

BABE RAINBOW, 1968, color screenprint on tin, text on verso, 26 x 17”, some scuffs, small scratches and dings, otherwise in good condition.