PIERRE BONNARD Correspondances

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arche

circa 1917; oil on paper laid down on canvas; signed 'Bonnard' lower right; Provenance: Private Collection. Artcurial- Paris, 3 December 2013 [lot 124]; Exhibited: Paris, Galerie Huguette Beres, "Bonn

Pierre Bonnard (1867-1947) The Belle Epoque Paris Street Scene pastel on paper 35x50 cm Provenance available upon request.

"The In-Laws"/20.25 inches high and 26.75 inches wide including the frame. The composition is roughly 13.5 inches high and 19.5 inches wide./signed "Bonnard"/near mint or mint condition

Pierre Bonnard (1867-1947)Rue le soir sous la pluie, from Quelques Aspects de la Vie de Paris (Bouvet 68)Lithograph printed in colours, 1899, signed in pencil, numbered from the edition of 100, on Chi

After Pierre Bonnard (1867 - 1947), still life with flowers, unsigned, oil on relined canvas, gallery number and Christie's tag on back, 19th century gilt frame, 22 x 30 1/2 inches.

Original lithograph poster. Referenced in Marx #p.32 ; Bouvet #30. Extremely scarce in such a condition, especially with the paper not yellowed as in most of the proof. Museum quality! Dimensions: + S

PIERRE BONNARD (1867-1947) LA REVUE BLANCHE. 1894.30¼x22½ inches, 76¾x57¼ cm. Edw. Ancourt, Paris.Condition B+: slight darkening in margins; minor creases and abrasions in

Pierre Bonnard (1867-1947), "La Loge", translates to 'The Theater Box' 1898, four color lithograph, measures 8 1/2 x 7 1/4" Purchased by the McNay Art Museum from the William Weston Gallery (London, U

PIERRE BONNARD (AFTER) Les Fleurs. Color lithograph, 1942. 650x400 mm; 25x15¾ inches, full margins. Artist's proof, aside from the edition of 80. Initialed and inscribed "T/T" in pencil, lower ma

Watercolor on paper 14 x 11.1/8 in. Signed on bottom left. Excellent condition. Framed. Private collection

PIERRE BONNARD (FRENCH 1867-1947) L'estampe et l'affiche, 1897 color lithograph 81.5 x 59 cm (32 1/16 x 23 1/4 in.) [sight]

1925; lithograph on Arches paper; signed lower right; Condition: slight foxing to right-hand side of image; 15 x 9 inches sight; 24 x 17 1/2 inches frame

"Le Chanson du Grand-Pere", lithograph from "Petites Scenes Familieres", initialed in margin at left with red brushed watercolor (as an artist's proof), R.M. 11, Ed. 20. in aluminum casement frame, ma

PIERRE BONNARD Femme debout dans sa baignoire. Lithograph, 1925. 300x200 mm; 11x7¾ inches, full margins. Third state (of 4). The deluxe edition of 25. Signed in pencil, lower margin. Published by

Femme et Chien, Color aquatint, etching and roulette, 1924-25. 502x245 mm; 19 3/4x9 3/4 inches, full margins. Signed by Bonnard and numbered 109/200 in pencil, lower margin. Etched by Jacques Villon.

Pierre Bonnard (1867-1947): Le Bain (deuxième planche) Lithograph in black on thin grey wove paper, c. 1925, signed in pencil. 14 x 10 3/4 in. (sheet), 19 1/4 x 16 1/2 in. (frame). Literature: Bo