Pitjantjatjara, Petyarre - Australian Aboriginal x4

Ann and Nancy Petyarre (20th c, Australian), 2 Aboriginal Paintings, acrylic on canvas, unstretched, inscribed on back, 36" x 23-3/4" image, good condition, Robert Steele Gallery NY; Robert Steele ope

Gloria Petyarre. Small Red, White and Blue Leaves In Motion. Signed. Oil on canvas. Excellent condition. 24"w x 23"h. Provenance: The Estate of Kevin Reid, owner of the Australian Aboriginal Art Galle

Graham Calma (Australian Pitjantjatjara Tribe, 20th/21st c) acrylic on canvas dot painting inscribed verso: "Graham Calma, Pitjantjatjara Tribe, Yulara Pulka - Uluru, Kurkadi Dreaming (Goanna)", 25"h

Naata Nungurrayi (Australian Aboriginal, 1932-2021) Women's Ceremony at Marrapinti acrylic on linen signed Naata Nungurrayi and stamped (verso) 32 2/5 x 30 inches.

DOROTHY ROBINSON NAPANGARDI (AUSTRALIAN ABORIGINAL C. 1956-2013), ACRYLIC ON CANVAS, UNTITLED-FROM WILD BLACK PLUM DREAMING SERIES, #1850, SIGNED VERSO. 35 X 50"

A large carved Australian Aboriginal wood boomerang, carved with contrasting details on one side with varying widths to grooved lines, 84cm long another Australian aboriginal club, 63cm and a Zulu clu

Australian Aboriginal Wood Polychrome Meercat Carving, on tall hollow base, drum? 6.5lbs. 34” x 9.25”.

Australian Aboriginal Tiwi Figure, Purukapali figure, attributed to Mani-Luki (Harry Carpenter) Wommatakimmi, (c.1914-80), inscribed in pen on the bottom, Purukapali by Deaf Tommy, probably after a ba

Upper Murchison, Western Australia, of wide leaf form, with incised chevron design, length 59cm Provenance: Arthur Palmer, then Private Collection, Queensland

20th Century Appears unsigned With two abstract, attenuated figures in polychrome pigments on bark in a Plexiglas shadow box 58" H x 19" W

Oceania, Australia, probably western Arnhem Land, ca. mid to late 20th century CE. An incredible sheet of eucalyptus bark incised and painted using natural pigments to form a fantastical fish, a barra

Oceania, Australia, Aboriginal people, Stone Age, ca. 3000 BCE or earlier. An extremely rare artifact from Australia known as a cylcon, a conical tapering stone with faint vertical dashes in a line. T

A carved wooden parrying shield with finely etched linear designs. wunda were used in clan war as protection against projectile weapons, such as spears and boomerangs. They were also carried by perfor

c.1850, South Eastern Australia, with bulbous head terminal and slightly tapering handle, total length 68cm Provenance: Ex Maitland Museum, NSW

Oceania, Australia, Magwila Central Arnhem Land, early to mid 20th century CE. A beautiful, hand-painted eucalyptus bark painting using traditional Aboriginal techniques and featuring iconography that

Lily Karadeda (Australian Aboriginal) Wandjina (Water Spirit)&n

Oceania, Australia, created by Billy Dulman of the Lambide clan, ca. late 20th century CE. A striking and distinctive bark painting by Aboriginal artist Billy Dulman, who is from the Gunbalanya (Oenpe

Jacky Namadali (Australian, second half of the 20th century CE), Oceania, Australia, Arnhem Land, ca. late 20th century CE. A fantastic sheet of eucalyptus bark incised and painted using natural pigme

Ronnie TJAMPITJINPA (1943) Australian Aboriginal artist acrylic on canvas. 32 3/8 in H x 16 1/8 in W. Shipping in USA or International please contact both UPS stores for quote: James Lawrence, UPS Sto

A very finely carved wooden club with excellent fluted surface and carved from a dense hard wood. Australian Aboriginal peoples and most likely 19th century. The club measures 21.5 inches tall. A meta

Australian Aboriginal Art Dreaming Botanical Painting. A wonderful painting on canvas in the style of Aboriginal artist Dorothy Robinson Napangardi. A central fruit bearing plant surrounded by colorfu

Judith Inkamala BIRD MOTIFS, two painted ceramic vessels with lids, each initialed underneath and inscribed, sizes 19 ¼” & 9 ½” tall, frog leg with scuffs and surface soiling and repair to one o

A carved wooden shield with precisely carved fluted linear designs and a flared or scooped edges to help deflect spears and arrows. The shield measures 25 x 7 inches. Provenance: The Evan Maurer colle

with bulbous pointed end and tapering support with incised cross hatched handle, good patina, length 79cm Provenance: Ashoka Arts, UK, then Private Collection, Queensland