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Print "Stanislaw Przybyszewski" after Edvard Munch First Image

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Print "Stanislaw Przybyszewski" after Edvard Munch First Image

Print "Stanislaw Przybyszewski" after Edvard Munch

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Print, Edvard Munch (1 of 3)

Print, Edvard Munch Edvard Munch (Norwegian, 1863-1944), "Kvinne som tar linnetet pa" (Woman Putting on her Nightgown), 1896, drypoint etching, pencil signed lower right, image: 11"h x 7.25"w, sheet (unframed): 16.5"h x

Antique Print - Edvard Munch - Norwegian Landscape - Graphic - Germany (1 of 2)

Antique Print - Edvard Munch - Norwegian Landscape - Graphic - Germany Title: Antique Print - Edvard Munch - Norwegian Landscape - Graphic - Germany Date: 1908 Material: Paper Dimensions: 22 cm x 18 cm Description: A wonderful antique print from "Die Kunst des Radierens"

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Print, After Edvard Munch (1 of 1)

Print, After Edvard Munch After Edvard Munch (Norwegian, 1863-1944), Edvard Munch Galerie Beyeler Basel Poster, 1965, offset print, overall (with frame): 30.5"h x 21.5"w

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Edvard Munch (1863–1944), after – Anxiety (Angst) – Offset print (20th Century) (1 of 3)

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Edvard Munch (1863–1944), after – The Scream (Skrik) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – The Scream (Skrik) – Offset print (20th Century)This offset print captures Edvard Munch’s globally recognized woodcut, The Scream (Skrik), originally created in 1895. The high-contrast, black and white composition features the iconic central figu

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Edvard Munch (1863–1944), after – Separation – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Separation – Offset print (20th Century)This offset print captures Edvard Munch’s emotionally charged woodcut, Separation, which explores themes of isolation and psychological distance. The scene features two figures in the foreground, fa

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Edvard Munch, after – The Girls on the Bridge (Pigerne på broen) – Offset print (20th Century) (1 of 3)

Edvard Munch, after – The Girls on the Bridge (Pigerne på broen) – Offset print (20th Century)This offset print captures Edvard Munch's famous woodcut composition, The Girls on the Bridge (Pigerne på broen), originally created in 1912. The work features three young women standing close togeth

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Edvard Munch (1863–1944) – The Mountain – Offset print (20th Century) (1 of 3)

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Edvard Munch (1863–1944), after – Anxiety (Angst) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Anxiety (Angst) – Offset print (20th Century)This offset print captures Edvard Munch’s expressive composition titled Anxiety (Angst), originally created around 1915. The work features a group of figures huddled together on a rocky coastline, r

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Edvard Munch (1863–1944), after – Sense of Shame (Schamgefühl) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Sense of Shame (Schamgefühl) – Offset print (20th Century)This offset print captures Edvard Munch’s expressive drawing, Sense of Shame (Schamgefühl), originally created around 1895–1900. The composition features a kneeling female figure covering her fac

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Edvard Munch (1863–1944), after – Raptor Head Studies – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Raptor Head Studies – Offset print (20th Century)This offset print captures Edvard Munch’s expressive sketches of a raptor’s head, likely an eagle or hawk. The work features two studies: a profile view detailing the curved beak and sharp gaze (t

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Edvard Munch (1863–1944), after – Dual Tree and Reflection – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Dual Tree and Reflection – Offset print (20th Century)This offset print captures Edvard Munch’s expressive work, which strongly utilizes the visual theme of duality. The image features a simplified fruit-bearing tree above and its dark, contrasting, an

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Edvard Munch (1863–1944) – Anxiety (Woman in Foreground) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944) – Anxiety (Woman in Foreground) – Offset print (20th Century)This offset print is a black and white illustration of an expressive drawing or print by Edvard Munch, strongly related to his themes of Anxiety and isolation. The image depicts a female figure in the

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Edvard Munch (1863–1944), after – Lying Lioness (Liggende løvinde) – Offset print (1 of 3)

Edvard Munch (1863–1944), after – Lying Lioness (Liggende løvinde) – Offset print This offset print captures Edvard Munch’s expressive lithographic sketch titled Lying Lioness (Liggende løvinde), originally created around 1908–09. The image is rendered with loose, dynamic line

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Edvard Munch (1863–1944), after – The Voice (Stemmen) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – The Voice (Stemmen) – Offset print (20th Century)This offset print captures Edvard Munch’s evocative woodcut, The Voice (Stemmen), which features a pale, central female figure standing motionless within a dark, expressive forest landscape under a

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Edvard Munch (1863–1944), after – Baboon – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – Baboon – Offset print (20th Century)This offset print captures Edvard Munch’s expressive sketch of a seated Baboon, rendered with thick, dark, and energetic brushstrokes that emphasize the animal's powerful, intense gaze. The work ref

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Edvard Munch (1863–1944), after – The Bear (Bjørnen) – Offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944), after – The Bear (Bjørnen) – Offset print (20th Century)This offset print captures Edvard Munch’s expressive sketch, The Bear (Bjørnen), originally created around 1908–09. The print utilizes bold, energetic, and sparse lines to define the form and wei

Edvard Munch Artwork Print on Thick Paper. Approx size: (1 of 1)

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Edvard Munch Picture Print (1 of 5)

Edvard Munch Picture Print Women walking down a village street. Signed in plate on lower right. 14.5" X 11" (22" X 18.5")

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Edvard Munch (1863–1944) – The Kiss – Print (1913) (1 of 2)

Edvard Munch (1863–1944) – The Kiss – Print (1913)This illustration depicts a couple locked in an intimate embrace, their faces merging into a single, indistinct form to symbolize the loss of individual identity in the act of passion. The composition

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Edvard Munch (1863–1944) – Bathing Girls – Print (1915) (1 of 2)

Edvard Munch (1863–1944) – Bathing Girls – Print (1915)This illustration depicts a coastal scene with three female figures in various states of undress near the water's edge. The composition utilizes expressive, agitated linework and heavy shading to capt

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Edvard Munch (1863–1944),after – Harpyie – offset print (20th Century) (1 of 3)

Edvard Munch (1863–1944),after – Harpyie – offset print (20th Century)This offset print features a dark, symbolic composition where a winged female harpy with talons hovers over the skeletal remains of a figure. The work explores themes of predatory desire and mortality

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