Reginald Marsh, G-String, Original Etching

Medium: original etching. One of the better known Reginald Marsh etchings, this impression is from the edition of 100, issued by the Whitney Museum in 1969. The catalogue reference is Sasowsky 171 vi/

NEW YORK/ VERMONT, 1898-1954 An engraving on wove paper of a burlesque dancer by Reginald Marsh. Titled "G-String", the work is one of 23 proofs pencil signed and initialed by Reginalds wife Felicia M

Reginald Marsh (American, 1898-1954) Print. Title - Pavonia Ave. Original etching print. Signed in the plate Reginald Marsh and dated 1928. Numbered 21 in pencil lower left.Sasowsky 55. Tape hinged at

This is an original etching by artist Reginald Marsh (American, 1898–1954). Marsh is most notable for his depictions of life in New York City in the 1920s and 1930s. This etching, dated for 193

This is an original etching by artist Reginald Marsh (American, 1898–1954). Marsh is most notable for his depictions of life in New York City in the 1920s and 1930s. This etching features a vie

Unsigned original etching attributed to Reginald Marsh. Written in pencil is "R. Marsh" verso. Good to very good condition with light foxing. Measures 8" x 6" image size and 10" x 8 1/8" sheet size. U

(American, 1898-1954) G String (Sasowsky 172), 1936, one of 40 proofs, final state, signed lower right in pencil "Reginald Marsh", engraving, plate 9-3/4 x 7-13/16 in., sheet 11-3/4 x 9-5/8 in.; gilt

Reginald Marsh (American, 1898-1954) Print. Title - Gaiety Burlesk. Original 1930 etching print. Sasowsky 102. Signed in plate lower left Reginald Marsh 1930. Signed Proof in pencil lower left. Whitne

Reginald Marsh (1898-1954) Etching "Locomotive Waiting to be Junked, pencil signed lower right, "Reginald Marsh", numbered lower left, "13", and titled in pencil in his hand writing lower left "P.R.R.

Reginald Marsh (American 1898-1954)- ''Coney Island Beach'' (Sasowsky 153)- etching, 1934, numbered 33/100 in pencil, from the Whitney Museum edition printed in 1971, Museum blindstamp lower right, ve

Reginald Marsh (1898-1954) ''Two Flappers Walking'' (Sasowsky 64) etching, 1929, signed and numbered 10/50 in pencil, 4 3/4 x 3 3/4''

Reginald Marsh (American 1898-1954)- ''Coney Island Beach #1'' (Sasowsky 191)- etching, 1939, initialed and dated in plate, ed. 19/100 in pencil with ''WM'' blindstamp lower margin, Whitney edition of

Reginald Marsh (American 1898-1954)- ''Flying Concellos'' (Sasowsky 163)- etching, 1936, inscribed in pencil 'Working Proof Second State', white line on right side of image and margin. 7 3/4 x 9 3/4''

Reginald Marsh- Kenneth Hayes Miller (Portrait) (Sasowsky 108 vi/VIII)- etching, 1931, good condition. 7 x 5''

Reginald Marsh (American 1898-1954)- ''Morning in May'' (Sasowsky 169)- etching, 1936, numbered 94/100 in pencil, Whitney Museum publication as blindstamped WM in lower right margin. 8 1/8 x 11 1/4''

Reginald Marsh (1898-1954) ''Modern 1939 Venus'' (Sasowsky 184)- etching, 1939, numbered 9/100, published in 1969 by the Whitney Museum of Art, light struck. 8 x 12''

Reginald Marsh (American 1898-1954)- ''Skyline from Pier 10, Brooklyn'' (Sasowsky 129)- etching, 1931, numbered 94/100 in pencil, Whitney Museum publication, small ding near center of image, blind sta

Reginald Marsh (American 1898-1954) Etching, "Loco--Going Through Oneida, " 1930, etching, signed Reginald Marsh (F.M) by the artist's widow in pencil lower right, matted and framed. Sasow

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masqu

Attributed to Reginald Marsh original pastel or mixed media that appears to be a study for the 1936 painting Down at Jimmy Kelly's. Measures 32 in. x 26.5 in. image size and is drawn on mat board meas

Reginald Marsh (American, 1898-1954) etching "People's Follies", etching on paper, blindstamp "WM" for Whitney Museum, edition 35/100, Associated American Artists card on reverse, -1/4" x 11-3/4" plat

Laurels Number One, 1947, signed ltd. ed., Laurel Gallery, May 1947, #15/300, with color wood engraving signed Anne Ryan, engraving signed Reginald Marsh, etching signed George Constant, and lithograp

The G.P. original etching from 1976 edition 62/300 with COA, The CPA Artist Proof and The Tennis Player 118/250. Framed.

Reginald Marsh (1898-1954) original tempera on artist board. Signed 'R. Marsh' lower right. Measures 9.5" x 4.75" (image size). Unframed, loose and not glued or mounted. Excellent condition. Provenanc