Richard Earlom after Johann Zoffany THEIR MOST SACRED

18th C Richard Earlom Hand Colored and Framed Lithograph of Mordaunt's Cock Match. Colonel Mordaunt's Cock Match at Lucknow, 1786 after Johann Zoffany R.A. 24 inches x 30 inches

RICHARD EARLOM 1743 London - 1822 ebenda 'A BLACKSMITH'S SHOP' (NACH JOSEPH WRIGHT OF DERBY) (1771) Mezzotinto auf Papier. SM 59 x 42 cm (R. 84 x 63,5 cm). Unten rechts in der Platte bez. 'Richd Earlo

After JOHANN ZOFFANY(British 1733-1810)George III Family Portrait - circa 1800Watercolor and gouacheUnsigned, verso with numerous old labels18.25 inches x 21.5 inches (46.3 x 54.6 cm) SHIPPING NOTICE:

Richard Earlom (British, 1743-1822) After Frans Snyders (1579-1657) Published by John Boydell, London, 1 December 1778 A Concert of Birds, 1778 engraving 14 1/4 x 22 1/4 inches. This lot is located in

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

ALLEGORICAL SUBJECTS, 1786-1789, a collection of thirteen monochromatic engravings after Cipriani, eleven by Earlom and one by Catherine Preftel and one anonymous, sheets 19 x 13 ”, each with a coll

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Richard Earlom (British, 1743-1822), "Landscape with Figures and Cattle" and "Seascape", plates 188 & 200, c. 1777, 2 etchings with mezzotint, after Claude Lorraine (French, 1600-1682), from Liber Ver

Richard Earlom After Claude Lorrain Etching & Mezzotint, English 1743-1822. Published in 1775 by John Boydell engraver in Cheapside England. Etching is die sunk 10x8", framed 18x15". Excellent conditi

Two plates published by John Boydell 1776. Dimensions: (Frame) H 15.5" x W 17.5", (Sight) H 8.25" x W 10.5" Condition: Some cracks in frame surface.

Richard Earlom (1743-1822), after Claude Lorrain (1605-1682), 18th century, Engraving, No. 139 from Liber Veritatis, a book of drawings by Claude Lorrain, depicting The coast of Naxos with Bacchus and

Richard Earlom (British, 1743-1822) Four Landscapes After Claude Lorrain. Etching and aquatint dated to 1766 Each: 8" x 10.25" Frames: 16.75" x 18.75"

Lot of 4 Sepia Toned Mezzotint Engraved Etchings by Richard Earlom (English 1743-1822) after Claude Lorrain (French 1600-1682) Depicting Pastoral Landscapes titled "Lorraine View" 17" L 15" H Art 11"

Richard Earlom (1743-1822), etching after a drawing by Claude le Lorrain number 178 from the Original Collection of the Duke of Devonshire, 1776, published by John Boydell. Visible approx. 11.5 x 14.7

Set 4 17774 Antique B&W Etchings Duke of Devonshire by Richard Earlom, all unframed. Measurements in inches: 16 x 11 1/2 Condition:Has toning, tears, creases and mild staining Shipping:We offer in-hou

"A Collection of Prints after the Original Designs of Claude de Lorrain" by Richard Earlom, with numerous illustrations, published by John Boydell, London, in three volumes. Full red leather bindings

Engraving by Richard Earlom and printed in London, 1772 and 1781 by John Boydell. Beautifully framed and matted. 19 3/4 x 15 1/2 each image size

Seven engravings after Claude LorrainSeven mezzotint engravings by Richard Earlom after the original drawings by C. Lorrain (1604-1682) in the collection of the Duke of Devonshire; published by John B

Landscape based on Claude Lorrain's "Tobias and the Angel" from "Liber Veritatis" (the version engraved by Richard Earlom in 1774); anonym, antique hand colored lithograph, 1820s-1840s with picture ma