Scarborough. Carolina Metalworkers. // Brunk. May We

Scarborough. Carolina Metalworkers. // Brunk. May We All Remember Well. Vol I (Western (N. Carolina). // Bivins & Alexander. The Regional Arts of the Early South. // Burroughs. Southern Antiques.

REFERENCE BOOK FOR NC AND SC PEWTER.

eight strands, 3.5 - 5.0mm, clasp stamped "925", sterling silver, cascading in length from 18 -20 in., 195.9 grams Provenance: Private Asheville, North Carolina Collection Note: Brunk Auctions makes n

Folk Artist Quincy Sarborough from Fayetteville, NC one of his first ever face jugs. Great folky detail to mouth. A devil face jug height 10.5" stamped on the back side.

a fabulous quilt with tite stitches. Found in North Carolina. From the Quincy Scarborough collection. Aprox. 80" wide by 84" long.

Artist Unknown (European, 20th century) Family Embracing, 1934 oil on board signed and dated lower right 31" x 25" Provenance: Brunk Auctions, Asheville, North Carolina, 04 February 2022, Lot 123 (la

very rare North Carolina Pewter Plate - from the Quincy Scarborough collection. 8" plate stamped/ marked on back

very rare North Carolina Pewter Plate - from the Quincy Scarborough collection. 8" plate stamped/ marked on back

(American/South Carolina, 1876-1958) In the Reserve at Coming-Tee, signed lower right "Alice R Huger Smith", watercolor on Whatman's board, original label verso, 26 x 16 in.; wood frame, 25-1/2 x 30-1

(Charleston, South Carolina, 1915-1999) Summer?s Cauldron, signed lower right "Halsey", signed and titled on stretcher verso, oil on canvas, 72 x 52 in.; unframed Note: Original labels verso: Telfair

(French, 1920-2013) Girl with a Flowering Branch, signed lower right "Jansem", oil on canvas, 39-1/2 x 19-3/4 in.; mid century frame, 44-1/8 x 24-5/8 in. . Provenance: Private North Carolina Collectio

(American/South Carolina, 1915-1999) New England Summer, signed lower right "Halsey", inscribed verso "New England Summer, (Castle Hill Ipswich Mass) William Halsey", oil on paper, 22 x 28-1/2 in.; gi

(American/South Carolina, 1876-1958)Marsh with Herons, signed lower right "Alice R Huger Smith", watercolor on Whatman's board, 16-1/2 x 21-3/4 in.; wood frame, 25-1/2 x 30-1/2 in. Provenance: Purchas

(Edgefield, South Carolina, b. circa 1800, d. after 1873) attributed to Dave Drake, made at Lewis Miles Stoneware Manufactory, Horse Creek Valley, Edgefield District, circa 1860, olive green alkaline

(North Carolina/Georgia, 1899-1971) Untitled Abstract, signed lower right "H Thomas", oil on canvas, 40 x 50 in.; painted wood frame, 43 x 52-1/2 in. Provenance: Lee Hansley Gallery, Raleigh, North Ca

South Carolina, 1760-1780, documented by MESDA (and with label remnants), mahogany with cypress and ash, highly figured molded top opening to a baize lined playing surface, figured skirt and molded le

(American, 1921-2013) The Regatta, signed lower left "Ray Ellis 85", oil on canvas, 40 x 50 in.; cove molded wood frame, 49-1/2 x 59-1/2 in. - Provenance: A South Carolina Collector

double strand, graduated oval beads ranging from approx. 16.5 to 21.5mm, non-gold clasp, 22-1/2 in. lg., 145.3 grams Provenance: Collection of Keith Jennings, North Carolina

(American/South Carolina, 1838-1921) Pair of Cotton Picker paintings, both signed lower left "WAWalker", oil on board, 8 x 4 in.; gilt wood frames, 12-1/2 x 8-1/4 in. Provenance: Maxwell Galleries, 55

(South Carolina/Kansas, born 1932) Frozen Hollow #736, 1986, signed lower right "Blair", oil on canvas, 29-1/2 x 35-3/4 in.; framed, 34-1/2 x 40 in.

(North Carolina/New York, born 1951) Untitled, blue and black abstract composition, signed verso "Sultan", oil on canvas, 47-3/4 x 59-3/4 in.; unframed, gallery stretcher Provenance: Estate of the Art

(Mississippi, 1904-1995) Blue Figure on Red, not apparently signed, enamel on board, 24 x 31-3/4 in.; wood frame, 27 x 34-3/4 in. Provenance: At Home Gallery, Greensboro, North Carolina; The Collectio

(Edgefield, South Carolina, b. circa 1800 d. after 1873) glossy light olive green alkaline glaze, rutile glaze runs at handle, neck and lower body, slightly lopsided ovoid form, two applied strap hand

Stands most Chinese, various configurations, 3 in. to 11 in. diameter. Condition: most in good repair. Provenance: Private Collection, Asheville, North Carolina