Stefano Tofanelli (attributed) - Allegory of Architecture

Lot 110 Stefano Tofanelli (attributed) Italian (1752-1810) Allegory of Architecture oil on panel 7 3/4 x 12 5/8 inches unframed Provenance: From the Estate of David Schorr

Lot 6 Stefano Tofanelli (attributed) Italian (1752-1810) Untitled (Greek Gods) oil on canvas 6 1/8 x 8 1/8 inches unframed Provenance: From the Estate of David Schorr

Antonio Molinari attributed, Allegory of Music oil on canvas within gilt wood frame, Venezia 1655 - 1704 Dimensions: 95x72.5 cm.

Four depictions of the Roman gods Mercury, Jupiter, Saturn, and Venus after Raphael and Stefano Tofanelli, 19th century, with hand tinted coloring, each approximately 10 by 14 inches, in wooden frames

18th -19th C. Italian Neoclassical Engravings, Stefano Tofanelli, Italian, 1752-1820, 1 engravings; Bernardino Nocchi, Italy, 1741-1812, 6 engravings20 1/4 x 14 3/4Collection from a Hamptons Long Isla

18th -19th C. Italian Neoclassical Engravings, sacred and historical subjects, includes Stefano Tofanelli, Italian, 1752-1820, 18 Engravings; Bernardino Nocchi, Italy, 1741-1812, 7 Engravings; Theodor

17-18-19 the Century etchings and engravings. Italian and French After Stefano Tofanelli was an Italian painter during the Neoclassic period of FAUNO, Gavinus Hamilton 1768 The Allegrofrom Milton and

Italy.- Italian School (18th century) Allegory of Architecture, possibly a design for a frontispiece, black chalk heightened with white, on blue-coloured laid paper, affixed onto 18th century laid pap

(Italian, 1822-1901) Julius II Consigning a Letter to an Emissary, 1890, signed lower right "S. Ussi 1890", oil on canvas, 31-1/8 x 26 in.; gilt wood frame, 37-3/4 x 32-1/2 x 1-7/8 in. Provenance: The

Replica based on an original in the Galileo Museum collection attributed to Stefano Buonsignori (died 1589). Unmarked. 7 3/4 inches

"Allegory for the Coming of Spring" - Neo-Classical figures over a pastoral background. Antique painting attributed to Gaspard Dughet (1615-1675), aka Gaspard Poussin. Oil on canvas. Flaws, lacks and

Honoris Causa Medal 1887 attributed to Mr. A. Niculescu for architecture projects, Bronze (52 mm, 47.8 g). VF

Attributed to Andrew dell'Asta (Italian, 1673-1721), titled "Allegory of Plenty: a Bozzetto for a Ceiling Decoration." Sight size: 10"h x 37-1/2"w Provenance: Anonymous sale, New York, Christie's, Apr

Attributed to Jacob de Wit (c.1695-1754) Dutch. 'Allegory of Summer', en grisaille, Oil on Canvas, 7.75" x 9", and a companion piece, 'Putti with a Scythe and Hay', a Pair (2).

吳冠中油畫《巴黎街景圖》 Chinese oil painting attributed to Wu Guanzhong. Depicting the street view and Europe architecture in P

Attributed to Charles-Louis Clérisseau (French, 1722–1820); Inscribed on back of frame: "Set Design for an Imaginary Palace, Charles-Louis Clerisseau." Dated 1781 in ink lower left recto; custom ha

Frame: 17" x 14" No COA Shipping in USA $ 65. Paul Delvaux was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in co

Attributed to Emiliano Sorini (Italian/American, 1931-1999), 1956 lithograph on paper depicting Mediterranean architecture, illegibly titled in ink lower left, illegibly signed and dated in ink lower

Melissa Jander is an accomplished artist known for her expressive oil paintings. She has a diverse educational background in technical drawing, architecture, graphic design, and foreign language and l

Featuring several buildings attributed to Jefferson, copyright 1991 L'Affiche, A Gallery of Art Posters. Framed. Visible image: approx. 23 1/2" x 35 1/2". Frame: approx. 24 1/4" x 36 1/4". #1359249-08

A pair of antique architecture etchings on paper. Albrecht Bruck, German, 1874 to 1964, etching on paper, Nurnberg. Signed in pencil lower right. Titled in pencil lower left. Matted. Attributed to Alb

A pair of antique architecture etchings on paper. Albrecht Bruck, German, 1874 to 1964, etching on paper, Nurnberg. Signed in pencil lower right. Titled in pencil lower left. Matted. Attributed to Alb

Arthur Clifton Goodwin Massachusetts, New York, New Hampshire,1864-1929 Attributed to Arthur Clifton Goodwin depicting a Boston waterfront with traditional brick architecture.Oil on board Board 24" x

Attributed to Piero Dorazio, it does not have a COA. Medium: oil canvas. 18 x 14.5 inches. Provenance: private owner. Biography: Since 1945 Piero Dorazio studied architecture in Rome. At the same time