Steven Correia (20th/ 21st Century) American

Steven Bradford (American, 20th/21st century), Watching an Evil Trying to be Good, 1996, ceramic, 4"h x 12"w x 5"d Provenance: Dorothy Weiss Gallery, San Francisco, California

Steven Conant American, (20th/21st Century) Cactus, 2002 watercolor on paper signed verso. Steven Conant's work is included in the collections of the Indianapolis Museum of Art, Weatherspoon Museum of

Lot 125 Steven Harvey American (20th-21st Century) Standing Figure + Reflection (African Shadow) (1998) oil on canvas signed verso 27 x 24 inches Provenance: From a private New York collection Schl

(American, 20th/21st century) Chrysler Building, circa 1993, unsigned, maple(?) chair, 83 x 24 x 22-1/2 in. Provenance: Cognoscente, Los Angeles, California, purchased in 1993 for $3,200 (accompanied

Steven Forbes-deSoule (American (North Carolina, 20th/21st Century). A group of three ceramic objects including handled vessel, one pear, and one apple. Signed on underside on vase and under base on f

20th century studio hand blown American art glass by California artisan Steven Correia. Bulbous rounded body with open mouth flared rim. Design showcases a pulled feathered decoration against an elect

20th century studio hand blown American art glass by California artisan Steven Correia. Bulbous rounded body with open mouth flared rim. Design showcases a pulled feathered decoration against an elect

Steven Chandler, aka The Georgia Red Mud Painter (American / Georgia 20th / 21st century), "Wild Outsider Cat", 2008, mixed media and mud on cardboard, signed and dated lower left; signed, dated, titl

American School (20th/21st century), Abstract Form, stone sculpture on wood base, inscribed "N. Stevens" bottom center, overall (with base): 18"h x 14"w x 7.5"w

AMES, Steven (American, 20th century). We Didn’t Like Him. [Ca. 20th - 21st century]. Multi-media shadow box sculpture. Signed at lower right corner. Frame size 9 ¾ x 12 ¾”. Exce

Lawrence Earl (20th - 21st Century) American. "Palm Beach Polo & Country Club / Cartier v White Birch / Rolex Gold Cup Final / Won by White Birch", with Players; Carlos Gracida, Memo Gracida, Gonzalo

THE FISH IN THE RED SWEATER, 2012, acrylic painting on canvas, signed lower right, signed and titled and dated on verso, 36 x 36".

RED and ORANGE LIFESAVERS & RED M&M, three colored plastic sculptures, each signed, 9” and 8 ¾” and 9 ¼” tall including bases. (3)

A FAMILY AFFAIR: characters included: Hemlock; Curare; Lobelia; Oleandre; Foxglove; Arsenicoletta, six mixed media dolls with polymer clay and original fabric costumes with lace and bead-work, sizes 1

FLIGHT OF EXUBERANCE (Whales), 1990, patinated bronze sculpture, signed and dated at base, 47 x 17 x 23”

DANCE OF LIFE, cast bronze sculpture with dark brown patina, signed and numbered 10/155, overall 18 ½ x 15 x 8” including base.

VENETIAN SAILS, 1987, polychrome enameled metal sculpture, in three parts mounted to wood, signed and dated and titled in gold ink on side, numbered 1/12, overall 96 x 41 x 2".

DESCRIPTION: Farm and field skyscape. Michael M. Kraniski (20th/21st Century, American). Oil on board. Signed to lower left. In wood frame. Artist biography to back of frame. Michael M. Kraniski is an

JODI DEPEW MCLEANE (AMERICAN, 20TH/21ST CENTURY) (AMERICAN, 20TH/21ST CENTURY) PASTEL ON PAPER, H 13.5" W 17.5" RESTAURANT INTERIOR Signed in pencil upper right and dated 1994. In gilt wood frame H 20

ROMAN HOLIDAY, 2020, acrylic painting on canvas, signed and dated and titled on verso, 30 x 30”. Provenance: Kansas City Artists Coalition Annual Benefit Auction.

SARAH, oil painting on canvas, signed in secret Masonic text visible with black Light, 48 x 36”, in good studio condition.

KETCHUP BOTTLE & CURLY FRIES, 2009, hand-blow and frosted color glass sculptures, ketchup bottle 19 ¾”, fries average 7-8” each. Provenance: Russeek Gallery, NYC, with certificate.

LUST FOR LIFE, 1988, watercolor, ink, graphite and collage on paper, signed and dated lower left and center right and upper right, 60 x 48”, framed, in good studio condition.

SEASCAPE, oil painting on canvas, signed lower left, 24 x 36”, framed, some hairline cracking and minor surface soiling, otherwise in good studio condition.