SUZUKI HARUNOBU (1725-1770) AND KATSUKAWA SHUNCHO (ACTIVE CIRCA 1780-1801) Two chuban yoko-e pri...

MANIFATTURA COZZI, VENEZIA, CIRCA 1770-1780 bassa e decorata con arma araldica e fiorellini dorati; poche minime usure Marca di fabbrica Alt. cm 3,9, diam. piattino cm 11,7 A VENICE PORCELAIN ARMORIAL

Courtesans Woodblock print Including 2 full-length courtesans by Katsukawa Shunsen (Japanese, active circa 1781–1801, note the modernized spelling of his name is different than what is on the labe

SUZUKI []TORA (ACTIVE CIRCA 1900) A Large Bronze Model of a Lion Meiji era (1868-1912), circa 1900 Cast in two sections, the large animal shown walking up an incline, looking to the left and opening h

IN ARGENTO DORATO, MOSCA, XVIII SECOLO Tempera su tavola; restauri e mancanze - circa 1770, cm 12,5x9,5 ; 1766, orafo P. Antonov, cm 11x8,5 TWO RUSSIAN ICONS OF METROPOLITAN DMITRY WITH SILVER-GILT OK

ATTRIBUTED TO KITAO SHIGEMASA (1739-1820) AND KATSUKAWA SHUNSHŌ (1726-1792) A Set of 24 Prints Edo period (1615-1868), circa 1768/69 A complete set of 24 vertical koban tate-e prints of famous pl

CHARLES W. BARTLETT (1860-1940) Surf Riders, Honolulu, circa 1921 An ōban yoko-e print entitled Surf Riders, Honolulu, sealed CWB and signed in red pencil in the lower margin Charles W. Bartlett,

comprising three oban yoko-e prints; including two from the same series The Storehouse of Loyal Retainers, a Primer (Kanadehon Chushingura), one entitled Act V (Godanme), the other Act VI (Rokudanme);

A GEORGE III FIGURED MAHOGANY SERPENTINE COMMODE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 The panel doors incorporating false drawer fronts and opening to a fitted interior incorporating two sm

Circa 1770. Having a brilliant upper case with broken arch pediment over well carved center drawer flanked by two candle drawers over four slightly graduated drawers at upper case over the lowercase h

MIYAO EISUKE (ACTIVE LATE 19TH CENTURY) A Bronze Model of a Samurai Meiji era (1868-1912), circa 1880-1890 Cast in two shades of bronze as a samurai drawing his sword, the tassets and shoulder guards

J. & E. Stevens Company Connecticut - Circa 1905 The “Calamity Bank” portrays collegiate football as it was played at the beginning of the 20th Century. In this particular example, we find two def

Porcellana policroma. Marca: ancora in rosso. Altezza cm 18 circa. Conservazione: ottima, insignificante felatura al bordo superiore, , Vaso a balaustro dal piede svasato circolare con due manici a pr

CHIPPENDALE WING CHAIRPhiladelphia, Circa 1780In mahogany. Nicely arched back. Legs with beautiful foliate-carved knees and claw & ball feet. Stripped of upholstery. Back height 48”. Seat height

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

A George III Giltwood Confidante Sofa Attributed to John Linnell, Circa 1780 Height 44 x width 126 1/2 x depth 37 1/4 inches. Property from the Art Institute of Chicago Note: Tripartite sofas such as

English, circa 1780. Three-tiered with pierced domed foot, with figure of "Plenty" on finial, each tier forming radiating moulded bowls. All three tiers are with S-Scroll support around reeded baluste

CIRCA 1780's ADAM'S TASTE CARVED WHITE CARRARA MARBLE WITH SIENNA MARBLE INSETS FIREPLACE SURROUND. 52"H X 75"W X 10"D. INTERIOR DIMENSIONS=36"h X 44.5"w.

An early stick Windsor arm chair in elm wood with a nicely worn and shaped wide seat. Most likely from England, circa 1780. 28” H, 21” W (seat), 13” D (seat).

A PAIR OF GEORGE III CARVED GILTWOOD WALL MIRRORSIN THE MANNER OF JOHN LINNELL, CIRCA 1770 each 190cm high, 110cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesA pair of mirrors

NATURAL PEARL AND DIAMOND NECKLACE, CIRCA 1930 The two rows of 156 natural pearls, measuring between 4.3mm - 9.0mm and graduating in size towards the centre, on a marquise-cut diamond clasp, diamond

Apollonio Domenichini, alternatively identified as Master of the Langmatt Foundation Views (active Venice circa 1740-1760) Venice, a view of the Grand Canal looking south from the Palazzo Foscari and

A Chinese Export Porcelain Dinner Service Qianlong Period, Circa 1760-1780 comprising: 22 luncheon plates 13 soup plates 1 large round serving platter 1 medium round serving platter 2 small round serv

Pennsylvania, circa 1770, the Prentiss-Wilkin family set, each with serpentine crest centering boldly carved cabochon, pierced and fluted splat, shell carved front seat rails, ball and claw feet, each

carving attributed to John Pollard, Philadelphia, circa 1770, works by David Patterson, Sunderland, England, an impressive and fully developed clock with exceptional carving, the hood with rocaille an