(THE NEW YORKER) RICHARD TAYLOR (1902-1970) "So Professor Hadleigh--our paths cross again!"

(THE NEW YORKER) RICHARD TAYLOR (1902-1970) "So Professor Hadleigh--our paths cross again!" Cartoon published in The New Yorker, November 12, 1954. Ink and wash on board. 381x431 mm; 15x17 inches (boa

(THE NEW YORKER) RICHARD TAYLOR (1902-1970) Group of three cartoons. Unmarked, but most likely published or intended for the New Yorker. Ink, wash, and watercolor on board. All signed "R. Taylor" in i

Richard Taylor (American, 1902-1970), original New Yorker Magazine illustration "Don't Write, Send a Night Letter", gouache and ink on paper, depicts a group of men seated around plinth of monument to

RICHARD TAYLOR (1902-1970) "It's never happened before in the history of the ideal mortuary." * "Just once more, and we'll have 'em sold on 'the age-test hermetical vault.'" Together, two cartoons for

[FINE BINDING-KHAYYAM, OMAR] BJERREGAARD, C.H.A. Sufi Interpretations of The Quatraine of Omar Khayyam and Fitzgerald. New York: J.F. Taylor and Co., 1902. Number 19 of 26 copies, signed by the author

from Lee Lorenz estate/ The New Yorker incl. Wm Sakren, Woodman, Donald Reilly, Alan Dunn, Th Cheney, S. Gross, Gahan Wilson, FP Modell, Al Ross and Richard Decker, plus Lorenz

AL HIRSCHFELD (1903-2003) Elizabeth Taylor and Richard Burton in "Private Lives", with inscription from Richard Burton. Pen, ink, and graphite on board, 1983, signed "Hirschfeld" at lower right with a

[DODO] OWEN, RICHARD, with a historical introduction by BRODERIP, WILLIAM JOHN. Memoir of the Dodo . London: Taylor and Francis, 1866. First edition. Original green patterned cloth, gilt lettered spin

1970-71 Topps New York Knicks NBA Championship Series #175

UNRESERVED. Serial#: 1669. John D'Angelico, one of the finest independent guitar builders of the 20th century, birthed a keystone model that he dubbed the "New Yorker." This was an elaborately-decorat

UNRESERVED. Serial#: 1779. John D'Angelico, one of the finest independent guitar builders of the 20th century, birthed a keystone model that he dubbed the "New Yorker." This was an elaborately-decorat

This is an Original Watercolor. Constantin Alajalov was an Illustrator for Saturday Evening Post and the New Yorker. This piece is titled Gourmet Cook and was the cover for the April 13, 1946 Saturday

CONSTANTIN ALAJALOV (1900-1987) Family Tree. Cover illustration for The New Yorker, published February 12, 1938. Watercolor and gouache over graphite on board. 350x255 mm; 13¾x10 inches, on 16x12

Saul Steinberg (American, 1914-1999) EAT signed, dated, and inscribed 'STEINBERG/1960/New Yorker Labyrinth' (lower right), inscribed and signed 'Copyright ©1960 by Saul Steinberg' (lower left), i

Clementine Hunter. Black Jesus On The Cross. 1970. Initialed and dated on front. Oil on canvas panel. Excellent condition. Image is 16" w x 24"h. Frame is 20" w x 28"h. Provenance: The Gary Davenport

Louise Nevelson (American, 1899-1988) Dawnscape, 1975 cast paper relief signed, dated, and numbered 25/75 in pencil 24 x 27 inches. Provenance: Pace Editions, New York Richard Gray, Chicago Van Straat

A set of twelve American sterling silver dinner plates, New York circa 1970 by Tiffany and Co of octagonal form with a bamboo pattern edge (est. 1961). (12) Length – 27 cm / 10.6 inches Weight – 9

Federal Inlaid Mahogany Tall Case Clock, Attributed to Wood & Taylor, Florida, New Yorkcirca 1810, white pine, poplar back board, hood with pronounced arched pediment featuring inlaid stars at the scr

Randy Leo "Frenchy" Frechette (American/New Orleans, b. 1970) "Dreams Come True: Big Chief Bo Dollis", 2015 acrylic on canvas signed lower right, and signed, titled, dated and inscribed "Official Jaz

Tiffany Studios / Tiffany Glass & Decorating Co. Butterfly inkwell, #27421 New York, New York, 1900-1902 bronze stamped marks 5"dia x 1 7/8"h Provenance: The Ira Simon Collection, Chicago, Illinois

A French Gilt Metal and Iron Mirror After Gilbert Poillerat (French, 1902-1988) Circa 1970 Height 63 x width 29 inches.

Bruce Conner The Sick Lady Collage 1958mixed media collage 6.5 h × 6.5 w in (17 × 17 cm) Provenance: The Artist | The Alan Gallery, New York | Collection of Richar

Julian Stanczak (American, b. Poland 1928-2017) Untitled, 1965, acrylic on canvas, inscribed Stanczak in pencil verso, framed. Exhibited: The New Gallery, Cleveland Ohio, 1970's. Dimensions: 36 x 35.

George Nakashima (American, 1905-1990)A Fine "Conoid" Dining Table, New Hope, Pennsylvania, circa 1970 Walnut, rosewood. H: 29, L: 92 1/2, W: 44 1/2 in. PROVENANCE: Anthony DeLorenzo, 1950 Gallery, Ne