The Settler and The Savage

A Tale of Peace and War in South Africa. Publishers red cloth with red and gilt title, grey vignette. Red and gilt title and vignette to spine. Full-page illustrations. In this tale the author has end

Toy Package Art includes Script and 10 Originals. Great Lot of Kubert Work. Various Sizes. From the Joe Kubert Estate.

Eugene Francis Savage (Am. 1883-1978), an important study for the mural at Covington, Indiana Courthouse (Savage was born in Covington), together with an unsigned charcoal/graphite on paper sketch of

attributed to Augusta Christine Savage (American, 1900-1962), bronze bust sculpture of a young African-American male. Roman Bronze Works, foundry mark to the reverse of the base. 12 1/2" high, 6" wide

(CIVIL WAR--ILLINOIS.) Scrapbook kept by Abraham Jonas, an early Jewish settler of Quincy, IL who had sons fighting on both sides. Clippings, manuscripts, and ephemera, mounted to 63 scrapbook leaves.

A rare work by an important, talented artist, Augusta Christine Fells (Moore) Savage (American, 1892-1962), a key member of the Harlem Renaissance, titled "Gamin". "Gamin" was her best-known work of t

AUGUSTA CHRISTINE SAVAGE (American, 1892 - 1962). Lift Every Voice and Sing (The Harp), circa 1939, Small-scale cast white metal with bronze patina of Augusta Savage's plaster sculpture "Lift Every Vo

Eugene Francis Savage (Am. 1883-1978), study for mural for the north wall mural in the Hall of State building completed in 1936 for the Texas Centennial Exposition in Dallas at Fair Park; depicting sc

Augusta Savage1892-1962Gamin1929 (year of original design; later casting)bronze with black patina8 1/2 (h) x 5 (w) x 4 (d) inches (bronze)6 x 6 x 1 1/2 inches (base)

Heading: Author: Savage, William Title: Practical Hints on Decorative Printing Place Published: London Publisher:Longman, Hurst, et al. Date Published: 1822 Description: [1

40 cm. tall.

George Pal Massive Production Archive for the Making of Doc Savage the Man of Bronze. Warner Bros., 1974. Extensive production archive of 1000+ pages of materials and photos including 1-studio bound a

Eugene Francis Savage (Am. 1883-1978), two related studies mural for Communications Building, New York World's Fair, 1939, each titled and signed. Unframed: 15" high, 19" wide. Soiling, edge wear.

Eugene Francis Savage (Am. 1883-1978), signed lower right, study for Communication Building, New York World's Fair, 1939. Unframed: 45" high, 30" wide. Losses with tear upper left, edge losses.

Alison Saar (Born 1956) Outsider Art. Mixed media assemblage, Savage's Secrets - 1985. including painted tin, plaster, wood and various found objects, 12 x 12 inches

Eugene Francis Savage (Am. 1883-1978) Hawaiian and tropical scenes. Largest: 17" high, 23" wide. All with estate stamp. Estate found condition, losses. Please refer to photos.

Eugene F. Savage (American 1883-1978) Oil / Canvas on Panel "Revolt of the Puppets" Signed lower left, dated '70 inverso exhibition label National Academy of Design 1971.Measures 40"H x 30-1/2"W. Fram

A rare three-piece set of Canadian silver by Montreal silversmiths Savage, Lyman & Co., consisting of a teapot, cream jug & sugar pot. Each piece shows lovely repoussé work of flowers and scrolls

Allegorical study for the Grand Reception Hall mural of the Elks Veterans Memorial and Headquarters, Chicago, IL, signed lower left: Eugene Savage, watercolor on paper under Plexiglas, oval size: 43.2

Eugene Francis Savage (Am. 1883-1978) each titled, all unsigned. Largest: 13" high, 16" wide. All with estate stamp. Estate found condition. Please refer to photos.

Frederic Remington (1861-1909) "Savage" Bronze, Roman Bronze Works NY and number 155 stamped on bottom portion. Provenance: Private Sarasota Florida collection. Height: 12.5 in (including base).

In the Manner of Edward Savage (1761-1817), "Portrait of George Washington, late 18th/Early 19th c., oil on canvas, presented in a period wide gilt and gesso frame, H.- 25 in., W.- 20 in. Provenance:

Brushed metal. Signed. 84 1/2"h x 62" w x 45" d.

Eugene Francis Savage (Am. 1883-1978), an unsigned complex allegory laid on masonite, together with a framed example, signed verso. Larger: 25 3/4" high, 14 3/4" wide. Damage to edges, tears, sold as