Thomas Luny (1759-1837) British. A Shipping Scene in

Attributed To Thomas Luny, British, 1759-1837, Marine Scene, Oil On Canvas Laid On Masonite, Unsigned, 14 X 17 Inches, Giltwood Frame 19 X 24 X 3 Inches, Discolored Varnish Layer, Scattered Craquelure

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Thomas Luny (British, 1759-1837), Battle of Tory Island, 12th October 1798oil on canvas (lined), signed and dated 1825 at lower left, presented in a later gilt composition frame with gallery plaque re

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

Thomas Luny (1759-1837) English, 'The Ness at Teignmouth', oil on canvas, a Royal Navy frigate anchored off the coast under dark clouds, flying the Red Ensign, with figures on the shore and further sh

Thomas Luny (English, 1759-1837) Seascape oil on canvas 15 1/2 x 23 1/2 inches. Property from the Estate of Beatrice Weiskopf, Buffalo Grove, Illinois

Thomas Bush Hardy (1842-1897) British. "Off Whitby", a Shipping Scene, Watercolour, Signed, Inscribed and Indistinctly Dated 1879, 5" x 8.5".

Edwin Henry Eugene Fletcher (1857-1945) British. A Shipping Scene at Sunset, with a Boat Towing a Dingy, Oil on Canvas, Signed, 21" x 17".

Charles Taylor (act.1841-1883) British. A Shipping Scene, Watercolour, in a Maple Frame, 16" x 30".

Attributed to George Knight (19th Century) British. A Shipping Scene, Oil on Canvas, Unframed, 8" x 12", together with three other oil paintings, by various hands, four (4).

William Lionel Wyllie (1851-1931) British. A Shipping Scene, Etching, 8.25" x 12.75".

with all 14 scenes framed in 12 frames measuring 26.5" wide x 7" high some light scuff marks on framesS & L Fuller Temple of Fancy 1822, 1.) Solvilur Acris Hyems- We must be off to Melton 2.) Go I Fan

Thomas Moran (1837-1926) Venetian Scene signed with conjoined initials and dated 'T. Moran / 1896' (lower right) oil on canvas 10 x 14 in. (25.4 x 35.6 cm.) Painted in 1896. Footnotes: Provenance

Chinese watercolor / gouache painting of a shipping scene with British merchants and people packing boxes as a prerequisite to the Opium War. Highly detailed painting, unknown artist. Measures approxi

Attributed to Thomas Buttersworth (British, 1768-1842)Shipping off Gibraltaroil on canvas34 x 48in (86 x 122cm)

Thomas Noel Smith (British, 1840-1900) A Pastoral Scene watercolor signed 'Noel Smith' (lower left) 14 1/2 x 24 1/2 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida

After Thomas Moran (British/American, 1837-1926) Grand Canyon of Arizona, from Hermit Rim Road, 1912 color lithograph signed and dated in plate lower left copyright 1913 by the Atchison, Topeka & Sant

British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portraits each watercolor and gouache including (Attr.) Thomas Richmond (British, 1771-1837), "Welsh Gentleman in a Double-Br

Attributed to Thomas Moran (American: 1837 - 1926) Venice canal scene watercolor painting on paper. Hand signed to lower right. Dated: 1879 to lower left. Sheet: 6-7/8" W x 11-1/4" H. Matte: 11-1/4" W

Edwin Thomas Roberts (British,1840-1917) Genre interior scene depicting a man reading to an elderly woman, signed lower left, oil on canvas, 19th century. Image: 18" H x 16" W; frame: 25" H x 23" W.

Thomas "Tom" Seymour (British, 1844-1904) large landscape scene in North Yorkshire with the River Swale and Richmond Castle overlooking, signed lower right. Frame size: 36" high, 55" wide; sight size:

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

DAVIDSON, Thomas, (British, 1842-1919): "The Missing Key", interior genre scene of a man searching through keys to a cabinet, Oil/Wood Panel, pencil signed, dated 1845, and titled verso, 9.5" x 6.25",

THOMAS WILLIAM MORLEY (BRITISH 1859-1925), WATERCOLOR, DUTCH HARBOR SCENE, SIGNED '14. 9 X 12"; FRAMED 11 X 14"