Thomas Rowlandson & Augustus Pugin Microcosm o

Lot of 94 original hand colored aquatints from a broken set of Ackerman's Microcosm of London, 1808. From the first edition with many of the most desirable plates. Dimensions: (Paper) H 11.25" x W 14"

After Thomas Rowlandson (English, 1757-1827). 2 prints after engravings by Thomas Rowlandson. Four o'clock in Town and Four o'clock in the Country. Each 11 1/2" x 14 1/4" (with frames 19 1/4" x 22 1/4

Giclee print after Thomas Rowlandson, titled "Four O' Clock In The Country". Housed in gilt wood frame, originally published in 1788. Light discoloration. 18" H x 21" W Commensurate age and use. 18" H

Thomas and Pugin Rowlandson (English 1756-1827)- ''Royal Cock Pit''- etching with hand-coloring, mat burned and some staining; along with 3 Cruikshank prints- ''The Shop and The Shay''; ''Blood Heat a

Thomas Rowlandson (British, 1756-1827)A New Law of Keyes, Eat to Live, Not Live to Eatink on paper laid downtitled lower left11 1/2 x 9in (29 x 23cm) Provenance:With Salander O'Rei

FOUR O'CLOCK IN THE COUNTRY AND "FOUR O'CLOCK IN TOWN". FRAMED UNDER GLASS. TOTAL SIZE 17" X 19 3/4". Terms: PLEASE READ CAREFULLY - Terms for Purchasing and Shipping of Auction Items. Please read car

Four O'Clock in the Country Etching with Aquatint after English caricaturist Thomas Rowlandson. Thomas Rowlandson, the originals, part of a "Country" series, was printed in 1788. This is a high qualit

London.- Ackermann (Rudolph) Microcosm of London, 3 vol., first edition, wood-engraved titles, engraved dedication leaves, 104 hand-coloured aquatint plates after Rowlandson and Pugin, some light offs

First edition. by T. Rowlandson & A. C. Pugin. Text by John Summerson, Deputy Director National Buildings Record. Publishers cream boards with black title and black vignette. Name on inside. Frontispi

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

Thomas Rowlandson (1757-1827), 2 Grotesque Borders Portfolios (12 each), 24 works total, colored lithographs, measures 13.5 x 19.25" Condition: a few showing mold damage We happily provide seamless sh

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired

Thomas Rowlandson (British, 1756-1827) A horse with a pack of hounds resting pencil, pen and ink and watercolour on paper laid down on card 11.6 x 20.4cm (4 9/16 x 8 1/16in).

ROWLANDSON, Thomas (1756-1827). "Captain Barclay in his famous walking match against time, a thousand hours, a thousand miles." Watercolor on paper. Signed lower right. 8 5/8" x 13 3/8" sheet, 20 1/2"

Thomas O'Brien, pair Art Deco style bookcases, Early 21st c. USA, white-washed oak, with channel-carved front edge, asymmetrical compartments, unmarked, for Hickory Furniture, 26"h x 48"w x 12"d Prove

Thomas O'Brien for Aero, massive custom farm bench, Early 21st c., USA, solid knotted pine, the 2" thick seat with natural edge, slanted legs with mortise and tenon construction, unmarked, 20.5"h x 12

Thomas O'Brien, pair Art Deco style bookcases, Early 21st c. USA, white-washed oak, with channel-carved front edge, asymmetrical compartments, unmarked, for Hickory Furniture, 26"h x 48"w x 12"d Prove

A group of Animation Cels from The Aristocats Walt Disney Studios, 1970, comprising 4 animation cels: 1) Thomas O' Malley and Duchess, gouache on full celluloid applied to a color printed background 2