White Cut To Cranberry Moorish Windows Oil Lamp

An unusual example of a well known pattern, this Moorish Windows has an extra cut added to the middle part of the fancy windows. The colours contrast well and it displays on a typical brass and marble

White Cut to Blue Overlay Oil Lamp circa 1860. White overlay on powder blue opaline with Moorish window pattern base. With period burner, engraved shade, and chimney. Ht. 25 3/8 in. The lifelong colle

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

Fancy Victorian Oil Lamp. Cut overlay stand lamp. Opaque white cut to ruby large windows between punties font, alabaster/clambroth stem, single-step marble base. Holmes, Booth & Haydens Brilliant No.

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

Cranberry Cut to Clear Oil Lamp - white opaque base, floral cut font, 11" H. Good condition.

with gilt details, bronze mounts, marble bases. 32" high (without shade extensions: 19" high, 21 1/4" high). Bases 6 3/4" wide, 6 3/4" deep. Losses to marble bases, small lamp with crack to oil reserv

Kosmos Brenner Oil Lamp, with frosted glass shade, now electrified, in a copper and glass lantern case with handle; together with an antique kerosene lamp, and a white glass lamp with cranberry cut to

Cranberry "Washington" Overlay Oil Lamp circa 1860. Deep cranberry glass cut to clear with Washington pattern on an opalescent white glass base. period burner and shade. Ht. 22 3/4 in. Eldred's, East

Massachusetts, mid 19th century. Cranberry cut to clear font in the "Washington" pattern. Brass tooled column and white marble base. Base has edge flakes. 7.75"h. From the collection of the late Chris

With etched pink shade with gilt metal mountings. Previously oil, now electrified. Marked as shown. 31" to top of chimney.

Boston and Sandwich Glass Company Cranberry Overlay Oil Lamp circa 1860. Cranberry and Ruby cut to clear with punties Morrish windows and gilded band of vine and leaves on marble and brass. Period bur

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

19th century. Well-detailed lamps with handsome form. The pieces are converted electric and drilled for cord at the side, otherwise good condition with some good consistent wear to the foot for age. H

Great example of this windows pattern oil lamp in cranberry opalescent. It measures 6" tall to the collar.

Our selection of lighting for this sale is so nice. Wonderful examples like this one abound. Always a favorite among collectors. This stands 8" tall.

Stand lamp, 7 1/2" H to top of collar. Several good fluid lamps in this auction.

Matched Pair Bohemian Cameo glass White Cut to Cranberry Table Lamps Hand Painted Flowers. size: 34 x 8.25

converted to electric. 28" high overall; 15" high to collar, 5 1/2" wide, 5 1/2" deep. Soiling, stone variations, small flaking to base; oxidation.

Nice cranberry opalescent example of a miniature oil lamp in the windows pattern. Nice!

Another fan fovorite among collectors. One superior example after the next. What you have all come to expect from Magnum Auctions. This measures 2 1/2" tall.

WHITE OPALESCENT 'WINDOWS' PEDESTAL BASE OIL LAMP WITH BRASS AND CAST IRON BASE - BRASS BURNER AND 'SWIRLED' CHIMNEY - UNDAMAGED - 17 1/2" HIGH

DESCRIPTION: A vintage Bohemian Czech white cut to cranberry glass table lamp. The luster design was created by hand-cutting the white cased glass to the layered transparent cranberry glass. Finished