William Sydney Cooper, Oil on Canvas

British, 1854-1927..plaque with title reads Evening in Strode Park, Kent..signed W. Sidney Cooper 1923 lower right..craquelure and surface dust, scuffs to canvas from shifting frame..gold tone gesso f

(19th/20th century) Cows Grazing in an Open Field, bears spurious signature lower left "Sydney Cooper" (British, 1803-1902), oil on canvas, 22 x 36 in.; fine American gilt wood and composition frame,

William Cooper (Tennessee 1811-1900) oil on canvas portrait of a little boy in brown suit, plain background. Circa 1855. Unsigned. Sight: 30" H x 25" W. Framed: 32 1/2" H x 27 1/2" W. Biography: Willi

ATTRIBUTED TO THOMAS SYDNEY COOPER Sheep in a Pastoral Landscape Oil on canvas, 29.5 x 39.5cm Signed With wax seal mark verso

Thomas Sydney Cooper Listed British Artist 1802-1906 Renowned Cattle and Animal Painter Original Oil on Canvas Royal Academy of London . Signed and dated lower right. 16"x20" Original carved g

Richard W. Whitney, Keene, NH (20th/21stC), Oil on canvas copy of a C1850 painting of William Cooper Halsey and his brother, executed in 1976, a letter from Whitney in 1982 appraising it is attached,

William Savage Cooper, U.K. (1880-19260) A woman with a bouquet in her lap, oil on canvas in elaborate carved wood frame with open work, plaque on bottom center. Measures 38.5"H x 32"W framed; 31.75"H

Signature to read Cooper, W.S. This painting is possibly by William Sidney Cooper (1854-1927), a British artist from Canterbury Art School, and was known for his landscapes and paintings of the countr

William (Bill) Grunstein Large Original Oil Painting on canvas, Signed Lower Left: B Grunstein, Titled Verso: Sydney Harbor III. 1987. Framed art is approx 37 1/2" x 31 1/2". Image is approx 29" x 23

William (Bill) Grunstein Large Original Oil Painting on canvas, Signed Lower Left: B Grunstein, Titled Verso: Sydney Harbor III. 1987. Framed art is approx 37 1/2" x 31 1/2". Image is approx 29" x 23

(8) Unframed artworks prints & painting, (2) lithographs signed "Phil Cooper", and an unsigned stretched oil on canvas, largest sheet size 40-1/2" x 28-1/2", poor to good condition, age cracking on pa

Anthony Cooper, (American, 1907-1992), Chicago Lake Front, oil on canvas, signed AS Cooper, 24" x 30", framed 32-1/2" x 38-1/2", very good condition

(Australian, 1882-1939). Signed and dated "E. Gruner, 1911" lr, 9 x 12 1/4 in., framed; MacQuarie Galleries, Sydney, Australia label on verso

(American, b. 1952). Oil on canvas, signed "William R. Davis" lr, 72 x 36 1/2 in., framedPrivate collection, Baltimore, MD The Christina Gallery, Martha's Vineyard, MA

(American, 1923-2003). Oil on canvas, signed "William A. Slaughter" ll, titled on hand written label on verso, 22 x 28 in., framed; Simic Galleries, CA

(Dutch, 1620-1678). Oil on canvas, signed "T. Boeyermans" lr, wax seal on stretcher on verso, 16 1/2 x 23 1/4 in., framed; Estate of Dr. William M. King, Fort Lauderdale, FL.

Diana Surprised by Actaeon, oil on canvas, unsigned, 11 x 16 in., framed; Estate of Dr. William M. King, Fort Lauderdale, FL.

(British, 1787-1849). Oil on canvas, unsigned, attribution and title on old label on verso, 16 x 23 in., framed.

Attributed to William Hepburn (Scottish/ American, 1817-1891), Self Portrait Holding a Palette, oil on canvas, unsigned, possible pencil attribution on stretcher,15 x 12 in., framed.

Oil on canvas, showing a view of the Castel and Ponte Sant'Angelo from the Tiber river, attributed to Antonio Dali and dated 1778 on verso, 16 3/4 x 32 1/2 in., framed; Estate of Dr. William M. King,

(American, 1890-1985). Oil on canvas, signed and dated "W.R. Watkins, 1921" lr, sight size: 18 x 22 in., framed size: 24 x 28 x 3 inches.

Unsigned, 27 1/2 x 35 1/4 in., framed; Estate of Dr. William M. King, Fort Lauderdale, FL.

(British, 1810-1877). Oil on canvas, unsigned, attribution on frame plaque, 30 x 25 in., framed

(American, 1836-1890). Signed "W. Ongley" ll, 26 3/4 x 21 1/2 in., framed