Western Manuscripts and Miniatures 2024-06-27 Auction - 71 Price Results - Freeman's in IL
ITALIAN ROMANESQUE ARTIST A partial leaf from an “Atlantic” Bible, with a largeITALIAN ROMANESQUE ARTIST Partial leaf from a De patriarchis, with decorated initial ‘S’ITALIAN ROMANESQUE ARTIST A partial leaf from an “Atlantic” Bible, with illuminated
Done
Chicago, IL, United States
Auction Details

Western Manuscripts and Miniatures

For its inaugural sale of Western Manuscripts and Miniatures, Freeman | Hindman is honored to work with the Senior Consultant, Dr. Sandra Hindman, who curated the selection and prepared the catalogue. Manuscripts and miniatures from four major collections are included: those of Robert “Bob?? McCarthy (London and Hong Kong), Kenneth W. Rendell (Massachusetts), Dr. Scott Schwartz (New York City), and an anonymous California collector. Highlights include a handsome group of Books of Hours, among which the large Hours of Anne Seurot in its original blind-stamped binding by a close follower of the Boucicaut Master, the Master of the Harvard Hannibal, stands out. The earliest group of leaves, including “Atlantic?? Bible fragments, comes from the McCarthy Collection, recently characterized as “arguably the largest and most important private collection of illuminated cuttings, miniatures, and leaves in the world.?? There are attractive illuminated Bible leaves from some of the most sought after and well-known thirteenth-century Bibles – the Chester Beatty Bible, the Mailhac-Faber Bible, and the St. Albans Bible. Miniatures include those from Books of Hours by certain of the best illuminators of fifteenth-century France, the Falstoff Master, the Master of Coetivy, Robert Boyvin, among others. There are some pleasant surprises: the first Calendar Leaf to resurface from the famed Llangattock Breviary (along with other leaves from this Renaissance masterpiece), a Hebrew page from the Cairo Genizah of Maimonides discussing marriage, a signed and dated Polish Choir Book, a document of an English knight featured in Shakespeare’s Richard II.