Modern & Post-War Art 2025-12-18 Auction - 176 Price Results - Swann Auction Galleries in NY - Page 3
March Avery, Bearsville Landscape, 1968.Al Loving, Flight, 1968.Ray Parker, Untitled, #3, 1964.
Done
New York, NY, United States
Auction Details

Modern & Post-War Art

Before Will Barnet became a household name in the art world, recognized for his Neo-Classical compositions rendering intimate domestic scenes, he was an active member of the Artists Union, an organization that was instrumental in bringing awareness and funding to unemployed artists through art programs as part of FDR's New Deal. Lollipops and Balloons is an abstracted still-life painting by Barnett, created around the time he was employed under the WPA/FAP. In this early painting, his mastery of compositional balance is clearly established. In this era of constant connection through smartphones and texting, the eloquence of correspondence seems to have ebbed. In the late 1950s and early 1960s, Mail Art and later Fluxus became facets of the art scene, bringing new dimensions to the parcel post. Key figures in this genre offered here are Ray Johnson, Joe Brainard, George Brecht, and Nam June Paik.
Auction Curator:
Harold Porcher
Harold Porcher
Modern & Post War Art
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Will Barnet, Lollipops and Balloons, circa 1940.: Will Barnet (1911-2012) Lollipops and Balloons. Oil on canvas, circa 1940. Signed at lower left. 14 x 28 in. (35.6 x 71.1 cm.) Provenance: Collection of the artist, New York. Thence by descent to
0050: Will Barnet, Lollipops and Balloons, circa 1940.Est. $7,000-$10,000
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Will Barnet, Untitled (Indian Space ink drawing # 45).: Will Barnet (1911-2012) Untitled (Indian Space ink drawing # 45). Ink on paper envelope. Signed in pencil at lower left. Provenance: Collection of the artist, New York. Thence by descent to current
0052: Will Barnet, Untitled (Indian Space ink drawing # 45).Est. $1,200-$1,800
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Will Barnet, Groping.: Will Barnet (1911-2012) Groping. Watercolor on paper. Signed in watercolor at lower right, recto. Signed, inscribed as titled and with the artist's address in pencil, verso. 30 x 22 1/4 in. (76.2 x
0054: Will Barnet, Groping.Est. $4,000-$6,000
Gertrude Barrer, Forest, (Abstract).: Gertrude Barrer (1921-1992) Forest, (Abstract). Gouache on paper. Signed in gouache at lower right. 30 x 22 in. (76.2 x 55.9 cm.) Frame: 37 3/4 x 32 in. (95.9 x 81.3 cm.)
0055: Gertrude Barrer, Forest, (Abstract).Est. $1,000-$1,500Lot Passed
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Joseph Cornell, Untitled (Derby Hat), 1972.: Joseph Cornell (1903-1972) Untitled (Derby Hat). Color photogravure, 1972. With the artist's signature ink stamp and estate blind stamp, lower right. Numbered 18/125 in pencil, lower left. From
0056: Joseph Cornell, Untitled (Derby Hat), 1972.Est. $1,000-$1,500
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Joseph Cornell, How to Make a Rainbow, 1972.: Joseph Cornell (1903-1972) How to Make a Rainbow. Color screenprint with stencil and varnish on white wove paper, 1972. Signed and numbered 18/125 in pencil, lower margin. Printed by Styria Studio,
0057: Joseph Cornell, How to Make a Rainbow, 1972.Est. $1,000-$1,500
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Joseph Cornell, Hotel du Nord, 1972.: Joseph Cornell (1903-1972) Hotel du Nord. Color screenprint with stencil and varnish on buff wove paper, 1972. Signed and numbered 18/125 in pencil, lower margin. Printed by Styria Studio, Inc., New
0058: Joseph Cornell, Hotel du Nord, 1972.Est. $3,000-$5,000
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Roberto Matta, Mots desserre-freins, 1972.: Roberto Matta (1911-2002) Mots desserre-freins. Portfolio with complete text and set of 6 color etching and aquatints on Japon nacré, 1972. Each signed and numbered 66/100 in pencil, lower
0062: Roberto Matta, Mots desserre-freins, 1972.Est. $2,000-$3,000
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Samuel Bak, Untitled.: Samuel Bak (b.1933) Untitled. Gouache on paper. Signed and dated at upper right. 20 x 25 3/4 in. (50.8 x 65.4 cm.) Provenance: Private collection, New Jersey. Thence by descent to the current
0063: Samuel Bak, Untitled.Est. $1,200-$1,800
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Jan Lebenstein, Figure, 1961.: Jan Lebenstein (1930-1999) Figure. Ink on illustration board, 1961. Signed and dated in ink at lower right, recto. Inscribed as titled in ink at lower left. 9 1/2 x 9 3/4 in. (24.1 x 24.8 cm.) Frame:
0064: Jan Lebenstein, Figure, 1961.Est. $1,200-$1,800
Tony Palladino, S-Public Shelter, 1960.: Tony Palladino (1930-2014) S-Public Shelter. Flashe on steel, 1960. Signed at lower right, recto. 14 x 21 x 6 in. (35.6 x 53.3 x 15.2 cm.) Provenance: Ivan Chermayeff, New York. Private collection.
0067: Tony Palladino, S-Public Shelter, 1960.Est. $1,000-$1,500Lot Passed
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Hans Hofmann, Untitled, 1961.: Hans Hofmann (1880-1966) Untitled Offset color lithograph, screenprint and stencil on wove paper, 1961 Signed, dated and numbered 16/50 in ballpoint pen, lower margin. Published by Fratelli Pozzo,
0070: Hans Hofmann, Untitled, 1961.Est. $2,000-$3,000
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Mark Tobey, Untitled, 1944.: Mark Tobey (1890-1976) Untitled. Tempera on cream paper, 1944. Signed and dated, lower right. 11 x 15 in. (27.9 x 38.1 cm.) Provenance: Private collection. Achim Moeller, managing principal of The
0071: Mark Tobey, Untitled, 1944.Est. $2,500-$3,500
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Mark Tobey, Florentine Shadows, 1954.: Mark Tobey (1890-1976) Florentine Shadows. Tempera on paper board, 1954. Signed and dated, lower right. 6 1/4 x 2 in. (15.9 x 5.1 cm.) Provenance The Collection of Gerald E. Lieberman, New York.
0072: Mark Tobey, Florentine Shadows, 1954.Est. $8,000-$12,000
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Aristodimos Kaldis, Untitled, (Landscape with Horse).: Aristodimos Kaldis (1899-1979) Untitled, (Landscape with Horse). Oil on canvasboard. Initialed at lower left. 12 x 16 in. (30.5 x 40.6 cm.)
0073: Aristodimos Kaldis, Untitled, (Landscape with Horse).Est. $1,500-$2,500