CHARLES BEVAN (ATTRIBUTED) FOR JAMES LAMB, MANCHESTER

CHARLES BEVAN (ATTRIBUTED) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT SIDE CABINET, CIRCA 1870 ebonised wood and amboyna, gilt highlights, brass fittings and inlaid stringing, stamped LAMB MANCHEST

BRUCE J. TALBERT (1838-1881) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT DAVENPORT DESK, CIRCA ebonised wood, inset with carved, inset with carved hardwood, tooled leather skiver and brass fittings,

Metamorphic library table made in Pollard Oak stamped James Lamb Manchester Beautiful little table that swivels, rises and opens up book stands.30H x 30W x 15.5D inches

CHARLES BEVAN (1815-1891); ATTRIBUTED TO Inlaid Writing Table circa 1865 model no. 3019, for Gillow & Co., oak, inlaid with ebony, walnut, stamped 'GILLOW & CO. 301', leather top height 21 1/2in (75cm

James Lamb, Lamb of Manchester, Cabinet on stand, c. 1870. 54 1/2" x 29 1/2" x 4"

CHARLES BEVAN (ACTIVE 1860-CIRCA 1882) (ATTRIBUTED DESIGNER) GOTHIC REVIVAL MIRROR, CIRCA 1870 inlaid and ebonised oak, with mirrored plate(147cm wide, 208.5cm high. 15cm deep)

A Moche Fineline Stirrup Vessel Peru, Circa 400-700 A.D. Height 10 1/2 inches (26.5 cm). Property from the Collection of Dr. James Dawson, Manchester, Kentucky Provenance: Charles Gerhardt, Lebanon, O

LAMB, CHARLES. Autograph Letter Signed, "ci-devant Elia [formerly Elia]," to publishers John Taylor and James Augustus Hessey, requesting that no more copies of the Elia essays be sent to this address

attributed to JOSEPH HORACE EATON (American 1815-1896) PASTEL ON PAPER, "The Nightingale of Boston," likely inspired by the original hand colored lithograph after James E. Buttersworth, Charles Parson

Charles Lamb RHA RUA (1893-1964) In-shore Fishermen Oil on canvas, 50 x 60cm (19¾ x 23½) Signed Exhibited: Dublin, Hugh Lane Gallery, Charles Lamb Memorial Exhibition 1969 Certainly not

Charles Lamb RHA RUA (1893-1964) Portrait of a Fisherman with Lobster Oil on canvas, 93 x 87cm (36½ x 34¼) Signed Provenance: In private ownership with the same family since acquired Cha

Charles Lamb RHA RUA (1893-1964) Cloudy Day Oil on board, 32 x 39cm (12½ x 15¼) Signed; inscribed on artists label verso

Jerry Garcia guested, visited, and played with the Grateful Dead on the Chelsea Hotel's roof garden on numerous occasions. Jerry Weinstein, the former front desk manager at the Chelsea, remembers Jerr

Charles Lamb RHA (1893-1964) Coastal Landscape Near Carraroe, Connemara Oil on board, 26 x 34cm (10¼ x 13¼) Signed

JOHN OPIE (BRITISH, 1761–1807) OIL ON CANVAS, H 49.5" W 39.5" PORTRAIT OF CHARLES JAMES FOX BY RAEBURN Depicting the Portrait of the Rt. Hon. Charles James Fox, in a dark coat and white vest, re

A Gothic Revival oak open bookcase, A Gothic Revival oak open bookcase, 19th century, in the manner of Charles Bevan, the moulded cornice with incised cross and trident detail, above five open shelves

Attributed James Hamilton (1819 - 1878) Rocky Shoreline at Sunset. Oil on Canvas. Bearing signature verso on canvas. Areas of restoration to upper left corner. Sight Size: 18.25 x 28.25 in. Overall Fr

attributed Sir James Thornhill (1675-1734), Venus Presenting Arms to Aeneasoil on canvas (lined), appears unsigned, presented in an antique 19th century gilt cove molded frame. Stretcher size 30 5/8 x

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Oil on canvas - Original John Leech framer label affixed verso

Attributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36

Oil on board attributed to James Mcneil Whistler depicting a city scene. Shows some scratching to the board as well as some frame wear. Please see all photos. Measures approx 12.5" x 9" (16&#3

(British, 1745?1821) An Elegant Couple Racing Horses Through a Village, unsigned, oil on canvas, 46-3/4 x 54-1/2 in.; period style Newcomb-Macklin carved and gilt wood panel frame, 52-1/2 x 62-1/2 in.

Attributed to James Montgomery Flagg (1877-1960): Untitled Ink on paper, signed 'James Montgomery Flagg' lower right. 27 1/4 x 19 1/2 in. (sheet), 36 x 32 1/2 in. (frame).