After Michelangelo, Aquatint with Archers

C. Bach (18th century) after Michelangelo (1475 - 1564) Detail of the last judgment, Sistine chapel Aquatint - engraving 21,7 x 15,5 cm - 20,5 x 14,5 cm Michelangelo di Lodovico Buonarroti Simoni or m

Gene Kloss | 1903 - 1996 NA The Archer Signed l/l: Artists Proof The Archer; l/r: Gene Kloss Imp Drypoint & aquatint on paper 15 by 12 inches

Engravings, Aquatint and Etchings. Examples by Langford, Westall, Samuel Ireland, Archer, The Portfolio, Grose, Britton, Finden, Dugdale and others. Paper Size: Up to 14 x 10 inch (36 x 25cm) Good con

very important patinated and ormolu mantle clock on a black marble base.It is in the empire - directoire style but dating from theNapoleon III period (ca. 1870). Beautiful subject with two women holdi

Bronze statue by Mathurin Moreau (1822-1912)Representation of a young women styled in the greek manner, sitting on a rock with a small bouquet of flowers in her hand,barely dressed with a fine sheet o

Beautiful bronze statue from Auguste Moreau (Born AugusteLouis Mathurin Moreau in Dijon in 1834, died in 1917 in Malesherbes)Representing a young girl sitting on a rock with a mandoline.The sculpture

Important bronze sculpture from Mathurin Moreau.(Dijon, 18 Novembre 1822 - Paris, 14 February 1912)Extensively detailed piece in the romantic manner, typicalfor the Mathurin Dynasty and certainly for

Young peasant girl on her way back from the marketPatinated bronze representing a bearfooted young peasant girl with a basket filled with fruit and vegetables in her one hand and a hen in her other.Fi

Fine bronze with clear patina after Clodion Claude Michel,named Clodion) ( Dijon,December 20, 1738 – Paris, March 29, 1814)One of the typical themes derived from the Bacchanalia with a Faun,Bacchant

Barge on a canalOil on canvas from the hand of Félix Carpentier representinga barge on a canal.Belgian school XIXth-XXth Century.The work is signed by the author and dated 1882.Beautiful gilded frame

Oil on canvas depicting a harbour scene at the portuary city ofRouen.Signed P. Villars and dated ,97 (1897)Regional french painter mostly active in the last quarter of the XIXth Century. His seascapes

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ