REMBRANDT HARMENSZOON VAN RIJN (NACH) DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

Rembrandt Harmenszoon van Rijn1606 Leiden - 1669 Amsterdam - 'Die Enthauptung Johannes des Täufers' - Radierung. 12,9 x 10,3 cm. 13,7 x 11,1 cm. In der Platte bez. und dat.: Rembrandt f. 1640. Unter

Harmenszoon van Rijn REMBRANDT1606-1669Jan Antonides van der Linden.Acquaforte di 123x104 mm. Incollata su cartoncino agli angoli. Bell’esemplare.Tiratura di fine Settecento. Bella impressione d

Vollständiges Diarium von den merckwürdigsten Begebenheiten, die sich vor, in und nach der höchst-beglückten Wahl und Crönung, des Allerdurchlauchtigsten... Herrn Carls des VI

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.

HARMENSZOON VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam (Nachfolger des 19. Jh) Hauptmann mit Lanze Öl auf Leinwand. 113 cm x 92 cm. Rahmen.

(1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht. Nachtstück. Radierung um 1644. 8,9 x 5,8 cm. B-57. BB 44-2. - Beschnitten u. auf Kart. aufgezogen, mit Tuschumrahmung u. Fehlst. links obe

REMBRANDT HARMENSZ. VAN RIJN (CIRCLE) Leiden 1606 - 1669 Amsterdam MAN CUTTING A FEATHER Oil on panel. 26 cm by 23 cm. Frame. Expertise: enclosed is a statement of the Kaiser-Wilhelm-Museum in Krefeld

Zoologica Specifica Beck, Anny Zwei Bronzeplastiken der Künstlerin nach Affen des Berliner Zoos. Two bronze sculptures of the artist after monkeys of the Berlin Zoo. - Includes: as listed above. En

1. Weltkrieg - Bayern Sammlung von ca. 160 OPhotographien der Bayerischen Ballon- bzw. Fliegertruppe Schleißheim / Sonthofen vor und während des 1. Weltkriegs. Vintages. Silbergelatineabz&#2

Rembrandt Harmenszoon Van Rijn (Netherlands, 1606 - 1669) After: Self Portrait. Oil on canvas, unframed, sticker with numbers verso. Rembrandt is revered not only as a painter, but also as a supreme m

* Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ Driving the Money Changers from the Temple, 1635 etching 5 1/4 x 6 1/2 inches. Estimate $7,000-9,000 Property from the Estate of Richardson a

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria etching and drypoint 4 3/4 x 6 inches. Literature: Hind 294 Provenance: Merrill Chase Galleries

After Rembrandt Harmenszoon van Rijn1606-1669 (Dutch)Belshazzar's feastoil on copper38x50 cmOther Notes: The picture, painted c. 1635, is an example of Rembrandt's attempt to establish himself as a pa

This lot consists of hand painted oil on canvas dated to the 18-20th century. The lot depicts a women portrait illustration done in the style of Rembrandt Harmenszoon van Rijn one the most important a

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Joseph and Potiphar's wife etching 3 3/4 x 4 1/2 inches. Property from the Collection of Dr. Kianoosh Jafari

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Man Shading His Eyes with his Hand, 1639 etching 2 1/4 x 2 1/2 inches. Property from the Madison Museum of Contemporary Art Literature: Hind 169;

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Beggar Woman with Gourd, 1629 etching 4 x 2 inches. Property from a Private Collection, Chicago, Illinois

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

We copy these great paintings.Hand painting, No Frame, usually its size is 60*90cm, you can also order any other size.

We copy these great paintings.Hand painting, No Frame, usually its size is 60*90cm, you can also order any other size.

Rembrandt Harmenszoon van Rijn (1606-1669) was a Dutch painter and etcher, widely regarded as one of the greatest artists in European art history. He is known for his mastery of light and shadow, his

BAPTISM OF THE EUNUCH (B.98; HO.98; H.182), 1641, etching on thin unmarked wove paper, signed in the plate, sheet 7 3/8 x 8 3/4” with thin margins, frame 16 ¼ x 17 ¼” with Pl