[SLAVERY & ABOLITION] -- [BROWN, John]. Photograph of John Brown's Grave. Lake Placid, NY: Chester

[SLAVERY & ABOLITION] -- [BROWN, John]. Photograph of John Brown's Grave. Lake Placid, NY: Chester D. Moses & Co., n.d. 3 7/8 x 5 in. silver gelatin photograph on cardstock mount (toning, spotting, an

(SLAVERY & ABOLITION.) Martin M. Lawrence, photographer. Portrait of John Brown. Salted paper photograph, 7¼ x 5¼ inches oval, on original plain mount with photographer's embossed stamp; lig

including: Paul Smith's St. Regis Lake; John Brown's Grave; Adirondack RR Bridge over Sacondaga; Bog River 5 1/4" x 8 1/2". From the Albert Gates Estate.

“If our dear father (as well as brothers) are to be sacrificed to the God of Slavery, we shall not believe they have died in vain.” - Ruth Thompson, daughter of John Brown Historic, unpu

Still life with cantaloupe, peaches and grapes, signed with conjoined initials lower right: WMBrown, oil on canvas laid to canvas, 21'' H x 17'' W, est: $8000/12,000 Provenance: Private Collection, Sa

B flat. "Nevers' 2nd Regiment Band, 3rd New Hampshire Volunteers". Purchased at auction in 1967 from the descendents of D. Arthur Brown (band leader). unsigned. Trumpet appears in photograph taken at

Male figure in motion, 1920 Bronze, dark brown patina Signed and dated to base; further marked: Roman Bronze Works NY 15.5" H x 6" H x 8.25" D 15.5" H x 6" W x 7.5" D

John Steuart Curry "John Brown" limited edition signed original lithograph dated 1939 from the Associated American Artist series. Art measures approx 10.75" W x 14.75" H and frame measures approx 17.2

Brown, John George (American, 1831-1913) “Boot Black”. Oil on canvas painting of a 19th century shoe shine boy street urchin. Signed lower left “J. G. Brown N.A. 1884”. Painting is in good con

This is a numbered Pike ordered by Brown and the number 276 on the hilt matches that on the collar where it meets the wooden shaft. Circa 1860. Having a nice hand forged blade meeting the hilt into th

JOHN GEORGE BROWN, N.A. (AM.1831-1913) OIL ON CANVAS, 1877/78, H 29", W 20", LOBSTERMAN BRINGING HOME HIS SAILS, GRAND MANAN Depicting Lobsterman carrying mast, boom, and sails from a beached and anch

John George Brown, Am., 1831-1913, "Pals" (Boy with his dog), Oil on canvas, signed "J.G. Brown NA" lower left Note: Similar paintings of this popular subject by Brown are documented in the Archives o

John George BrownNew York/California, (1831-1913)Cheer Up, 1905oil on canvassigned and dated lower left, gilt-framed.Brown was born and raised in poverty in Durham, England, where he worked as an appr

The Young Beggar Boy, oil on canvas, signed lower left and marked copyright, circa 1890, he is depicted in tattered clothing, seated on a crate against the limestone base of a large urban building, ho

A fine whimsical American Victorian era oil painting on canvas titled THE TOY TRAIN by JOHN GEORGE BROWN (American 1831-1913) set in gold gilt frame. This is atypical of Brown's work that often depict

Jon Brown- Memorial for Robert and Merron Gilchrist. 'Inscribed John Gilcrist'. Signed Jon Brown. Watercolor on paper. Circa 1828. Frame: H 15-1/4" W 22". Sight: H 12" W 18-3/4". Condition: Excellent

Fourth quarter 19th century. Stoneware with brown glaze. Incised "Compliments of John Golratz, with a little good old Bourbon in Cairo, St. Louis the future capital, Miss. River, Mounda, Anna Pottery,

BUCK, PEARL S. 1892-1973. The Good Earth. New York: The John Day Company, 1931. 8vo. Publisher's light brown cloth stamped in blind and gilt on spine and upper cover, top edge stained in brown, tan du

Circa 1860s, finely woven of cream, brown, indigo blue and cochineal-dyed red wool, of banded design with floating bars to the central and outer bands, 4'8.5'' H x 6'0'' W, est: $10,000/15,000 Note: D

20th century Exterior with blue and and brown foliate and shell designs throughout 19'' H x 27'' Dia. Provenance: Private Collection, Malibu, CA.

AN EARLY 19TH CENTURY CHINESE JIAQING MARK & PERIOD MONOCHROME PORCELAIN HU VASE, the sides applied with a lustrous brown glaze, the base incised beneath the glaze with a Jiaqing seal mark, 3.3in(8.5c

Portrait of an English Setter, signed and inscribed lower right: Frederic Remington / To my friend, Louis Brown, oil on canvas laid to masonite mounted on wooden stretchers, 20.75'' H x 28'' W, est: $

Third quarter 19th century Banded design with intercepting red-field bars of stacked cream and blue triangles, brown, cream, with cochineal-dyed red and indigo-dyed blue yarns 5'4'' H x 4'7.5'' W Prov

Circa 1870 Woven of churro wool in red, cream and dark brown horizontal stripes 51.5" L x 61" W Provenance: Private Collection Tucson, AZ, acquired in 1976 Notes: First Phase blankets of this er