Salvator Rosa (1615-1673) 'The death of Marcus Atilius Regulus' ca. 1661-2

Salvator Rosa (Italianate) 1615-1673. River Gods. Etching, c. 1660-1661. Bartsch 15; Wallace 96. Only state. The artist's insignia in the plate, l.r. Printed in black ink on contemporary laid paper wi

School of Salvator Rosa (1615 - 1673), oil on canvas, landscape with figure, unsigned, after Salvator Rosa, Christie's label on verso, 21 1/2" x 14 1/2".

After: Salvator Rosa, Italian (1615 - 1673) "Figural Portraits" Pair of Etchings on Paper, Facsimile Signature in the Plate. Frame measures 18-3/4" x 14-1/2". Condition: Good condition. Estimate: $100

Salvator Rosa (Italian, 1615-1673). Etching on paper titled "Saint William of Maleval," depicting the saint with his hands tied to a tree, 1661. He is depicted doing penitence in a forested

Salvator Rosa (Italian / Neapolitan, 1615-1673). "Apollo and the Cumaean Sibyl" etching and dry point on laid paper, 1661. Signed "ROSA" on base of lyre in lower right. An impressive etching on paper

Attr. Salvator Rosa (1615 - 1673) Rough scenes scene. With figures in the foreground, approaching storm. Oil/Canvas. Sight Size: 39 x 29 in. Museo Civico Filangieri inscription verso. Multiple labels

Circle of Salvator Rosa (Italian, 1615-1673) Marina with Rock Arch Oil On Canvas Painting. The original of this painting by Rosa is located in the collection of Doria Pamphili Gallery in Rome, Italy.

Italian or Continental, 19th century. "Harbor Scene or Marina del Porto" oil on canvas after original by Salvator Rosa (Italian, 1615-1673) now in the collection of the Uffizi Gallery. Apparently unsi

SALVATOR ROSA (CIRCLE) 1615 Neapel-Arenella - 1673 Rom RESTING FIGURES AND ANGLER AT THE RIVER BANK Oil on canvas (relined). 68,5 x 91 cm (F. 87 x 109 cm). Verso: Diverse old Collection or Inventory n

Salvator Rosa, follower of (Naples, 1614 - Rome, 1673) ext. 27,3x27,3 in., int. 20,8x21 in. This pair of paintings on slate depicts two crucial miracles: the healing of the blind man by Jesus and the

Archuleta Large Arbor Reel Approximately 4 1/2" diameter with Santa Rosa, C.A. on tail plate. Case included. Provenance: Thomas W. Sheppard Collection Private Collection, Massachusetts, by descent

English, 18th century, in the Italian taste, in a great standard size. Overall 48 1/2" x 58 1/2", rabbet 40" x 50", molding 5".

Roségold, gest. 585. Besetzt mit zwei nudefarbenem Chalcedonen von zus. ca. 40 ct. im Briolettschliff, akzentuiert durch Diamanten von zus. ca. 2,20 ct.; Herstellerzeichen. Gew. 27,90 g. Pa

Roségold, gest. 750. Umlaufend besetzt mit unbehandelten Saphiren in den Farben Kornblumenblau, Himbeer, Pink, Orangerot, Goldgelb und Olivgrün von zus. ca. 2,49 ct. im Baguettes

(attivo a Napoli e Roma attorno alla meta' del XVII secolo) Coppia di battaglie Olio su tela, cm 24X38,5 (2) Le caratteristiche di stile ancora influenzate da Salvator Rosa, di cui Masturzio fu alliev

English Stained Oak Ecclesiastical Ornament of the 'Virgin of Mercy' 13 1/2 x 13 in. By repute the estate of Florence H. Metz, New York and Santa Rosa, CA; gift of Bindman family, 1960s.

ARTIST: WILLIAM GARNETT TITLE: 'Sand Dunes #4, Death Valley, CA, 1954' MEDIUM: Silver Gelatin IMAGE SIZE: 10 1/2 x 13 1/2 in DESCRIPTION: Signed in pencil mount recto. Stamped, titled, and signed in p

[CIVIL WAR]. Death for Traitors! War Meeting! Broadside. [Yates County, NY]: ca 1861-2.  17 1/2 x 11 3/8 in. (sight), letterpress broadside, framed to 19 3/16 x 12 7/8 in. (some discoloration, es

[OUTLAWS]. PARSONS, G.W., photographer. Cabinet card of Bill Doolin in death. Pawhuska, Oklahoma Territory: n.d. [ca 1896].3 7/8 x 5 1/2 in. albumen photograph on cardstock mount (some surface soiling

2.H. 19.Jh. Silber/Roségold. Plastisch gestaltet in Form einer Eidechse. Kopf besetzt mit einem facettierten Saphir-Kissen ca. 0.40 ct, unbehandelt. Rubin-Augen. Gesamter Körper ausgefasst mit D

Um 1940. Platin/Weissgold. Schulterring mit zwei Altschliff-Diamanten von ca. 2.30/2.40 ct J/K-vs/si. Ringschultern mit 28 kleinen Diamanten ca. 0.60 ct. Gr. 46 mit Ringfeder. 12,6 g.

Frankreich, um 1880. Silber/Gelbgold. Elegantes Collier ausgefasst mit einer Vielzahl von Altschliff-Diamanten diverser Grösse. Zwei Altschliff-Diamanten zus. ca. 2.40 ct, elf Altschliff-Diamanten

Weißgold, gest. 750. Zentral besetzt mit zwei taubenblutroten Rubinen von zus. ca. 23 ct. im Ovalschliff, entouriert von Brillanten von zus. ca. 2,30 ct. (H/vs-si). Ges.-Gew. ca. 14,45 g. P

Frankreich, um 1950. Floralmotiv mit neun Diamant-Navetten von zus. ca. 7.70 ct (ca. 0.70–1.10 ct) und 17 Diamant-Baguetten von zus. ca. 2.80 ct. J/K-vvs/vs. 5x4,5 cm, 16,4 g. Broschierung mit