American Southern New Orleans Punch Laddle 1840

Roland G. Hazard (1801-1888) American Financier, leading businessman, author and philosopher. He accumulated a large fortune in mercantile & manufacturing. While in New Orleans in 1841-42, he was thre

Southern American Cypress Cupboard, 20th c., probably New Orleans, the stepped ogee crown above two long fielded panel doors on a base with two fielded panel doors, flanked by fielded side panels, on

American Impressionist Southern City Scene oil Painting, could be New Orleans, Louisiana or Charleston, South Carolina, or another town based on the architecture of the buildings. Circa 1920's-30's. I

American Antebellum Southern Market Cherry and Sycamore Tester Bed, mid-19th century, the molded cornice raised on shaped octagonal posts with tapering candles, supporting a paneled headboard with an

Jack Spencer (American, b. 1951) "The Resurrection Flags, Como, Mississippi" gelatin silver print pencil-signed and numbered "3/50" lower margin, a "Gallery of Southern Photographers, New Orleans, LA"

Dressing bureau. Burl walnut, walnut and oak. New Orleans, circa 1840-1860, attributed Prudent Mallard, two part dressing bureau with finely heavily carved pierced crown with embossed fruit, center me

Alexander John Drysdale (American/New Orleans, 1870-1934), "Pirogue on the Bayou", oil on burlap laid on board, signed lower right, "Jean Bragg Gallery of Southern Art, New Orleans, LA" label on backi

Alexander John Drysdale (American/New Orleans, 1870-1934), "City Park", oil wash on board, signed lower right, "Jean Bragg Gallery of Southern Art, New Orleans, LA" label with artist and title on back

New Orleans, Louisiana. Mid 20th century. Softwood. An unsigned folk art carving of a southern American Black woman seated in a rocking chair, with an open Bible in her lap. The barefoot lady is weari

American Victorian Carved Mahogany Full Tester Bed, 19th c., for the Southern market, possibly New Orleans, the pierced arched scroll carved headboard flanked by cluster column posts, to wooden rails

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Tall Pines at Water's Edge", pastel on paper, initialed lower right, 7 3/4 in. x 9 7/8 in., framed. Proven

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Four Pines at Water's Edge", pastel on paper, initialed lower right, 8 5/8 in. x 10 5/8 in., framed Proven

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Midday at the Beach", pastel on board, initialed lower right, 11 3/4 in. x 10 in., framed. Provenance: Est

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Beach at Dawn", pastel on board, initialed lower right, pencil-titled en verso, 8 5/8 in. x 5 5/8 in., fra

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "The Signboard on the Beach", "The Bluff" and "Waves Carress [sic] the Beach", 3 watercolors on paper, each

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Late Evening", "Trees - by a Shed" and "Pool in the Marsh", 3 watercolors on paper, one pencil-monogrammed

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "The Covered Stairway" and "Trees From the Road", one watercolor and graphite on paper and one watercolor o

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936) , "River Landscape", watercolor on paper, initialed lower right, 12 in. x 9 in., framed Condition: Overall f

Earl "Mr. Earl" Hebert (American/Louisiana, 1942-2006) "Southern Decadence, French Quarter", 1995 oil on canvas signed and dated lower right. Framed. 30" x 40", framed 38" x 48"

Group of Five British and American Copperplate Engravings of Southern Scenes, third quarter 19th century, including "The Valley of The Shenandoah", after William Henry Bartlett (British, 1809-1854), e

American Late Classical Mahogany Bookcase , c. 1840, probably New Orleans, stepped ogee molded cornice above two glazed and paneled doors, molded base, ogee bracket feet, h. 90 in., w. 62 in., d. 20 1

John Neagle (American/Philadelphia, 1796-1865, active New Orleans early 1820s) "Portrait of Mrs. Negus (1789-1879) with Her Granddaughter Sarah Negus (1840-1915)", 1851 oil on fine linen signed, dated

Attributed to Asher Brown Durand (American, 1796-1886) "Pastoral Landscape with Cattle and Prayer Service", ca. 1840-1842 oil on canvas unsigned. Framed. 29" x 34", framed 38" x 42" Provenance: Privat

John Evans (American/Massachusetts, b. 1945) "Boston Common", 1976 oil on canvas unsigned. Unframed. 60" x 76-1/2" Provenance: Deaccessioned property of a Southern institution.