Duayne Hatchett, Study

Abstract Bronze Sculpture by Duayne Hatchett DUAYNE HATCHETT, (Oklahoma/New York, 1925-2015), BANNER, a unique fabricated abstract bronze sculpture, mounted on a wood base; 11 inches high (bronze), 9

Acrylic on canvas. "Viol". 1973. Signed, dated, and titled verso. From a Connecticut collection. - Dimensions: 46" high x 42.25" wide

Duayne Hatchett (American) Collage #4. C. 1956. Signed on reverse. Mixed media. 36" x 18". Estate of Annette McGuire Cravens, Buffalo, NY.

Large abstract minimalist sculpture or pedestal shelf. Pyramidal form. Smoked lucite and aluminum. Dimensions: H 40.5" x W 28.75" x D 27". Condition: Scuffs and scratches, watermarks, spots of tarnish

Navajo Weaving L 6'10" W 4'2" From the Professor Duayne Hatchett Estate, Buffalo, NY.

Navajo Weaving L 7'3" W 4'3" From the Professor Duayne Hatchett Estate, Buffalo, NY.

Navajo Weaving L 6'9" W 3'1" From the Professor Duayne Hatchett Estate, Buffalo, NY.

Northwest Coast Carved & Painted Totem Pole On back: "Made by Cagnawagna Indians near Lachine and Montreal". Ht. 31 1/2" From the Professor Duayne Hatchett Estate, Buffalo, NY.

Group of Woven Native American Items 2 baskets, 1 tray. Max Ht. 13 1/2" Tray D 17" From the Professor Duayne Hatchett Estate, Buffalo, NY.

** Keith Haring1958-1990 (American)Dancing Man; Unique work is a matrix study for a t-shirt design, intended for use in Haring's New York Pop Shop store but never printed.paint on plexiglass38x28 cmsi

Massive Chinese Qianlong-style enameled-porcelain study vase; Qianlong mark to bottom H: 44" (approx.)

Fine old master study with extensive pigment notations, and lengthy notes, including the date of 1653, on the reverse. Artist unknown. Red wax seal present with what appears to be an "M" on the notati

Francis Bacon 1909 - 1992 Etude pour une Corrida (after Study for Bullfight No. 1) Sabatier 10; color lithograph on Arches 1971; ed. 58/150; signed in Felt Tip Marker and numbered in pencil; published

Artist: BASQUIAT, JEAN-MICHEL Title: DOG LEG STUDY Size: 22 X 30 INCHES Year: 1982/2019 Medium: SCREEN PRINT Edition: OF 50 Description: Conceived in 1982-1983 and printed in 2019. Screenprint in colo

Gertrude Vanderbilt Whitney 5ft Battle Bronze With Study II, Battle Scene No. 2 for the Madison Square Victory Arch, a soldier with his arm raised advances before an image of the artists The Law, alte

Gertrude Vanderbilt Whitney 5ft Battle Bronze With Study I, Battle Scene No. 1 for the Madison Square Victory Arch, a soldier with his arms by his sides advances with soldiers on both sides in various

Diego Rivera Mexican, 1886-1957 Pastel Study for The Detroit Industry Murals, 1932 with Shell Oil Company Provenance. From the collection of Mr. Fernando Martinez. Includes Includes an original letter

HENRI MATISSE (FRENCH, 1869–1954) INK DRAWING ON LAID PAPER, 1912 H 7.25", W 10.75" (IMAGE), STUDY OF CATTLE Signed and dated lower right. Examined by Senior Vice President of Impressionist and

Andrew Wyeth (American, 1917-2009) On Her Knees Study, 1977 graphite on paper signed A. Wyeth (center right) 24 x 18 inches. This work will be included in Betsy James Wyeth's forthcoming catalogue rai

Roy Lichtenstein Study of Hands 1981lithograph and screenprint in colors on BFK Rives 31.5 h × 32.75 w in (80 × 83 cm) Signed, dated and numbered to lower edge '22/100 rf Lichtenst

circa 1882 pencil on paper signed and dated upper left Condition: with small 1/4 inch hole to top center and small tear to left center of the study 9 1/2 x 12 inches

J.C. Leyendecker (American, 1874-1951), Study for King of the Beachoil and graphite on canvas, unsigned, framed under glass. Frame dimensions 26 3/4 x 28 3/4 in. This is a preparatory study for King o

J.C. Leyendecker (American, 1874-1951), Study for The Saturday Evening Post Coveroil on canvas (lined), unsigned, presented in a later gilt frame with linen liner. Stretcher size 14 1/2 x 11 1/4 in.;

Francis Bacon (1909-1992) Study for the portrait of Pope Innocent X after Vélasquez (Sabatier 14) Lithograph in colours, 1989, on Arches wove paper, signed and numbered 6/60 in pencil, published