Rembrandt van Rijn, etching, c. 1642

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn, etching, Rembrandt van Rijn (Dutch, 1606-1669), "The Bathers", etching on laid paper, signed in the plate lower left, possibly c. 1651 (marked B195, 1651 on frame verso), hinged in

After Rembrandt Van Rijn, etching, After Rembrandt van Rijn (Dutch, 1606-1699), A Blessing, 1642, signed and dated lower left "Rembrandt", 7.75"l x 8.75"w (sheet), unframed

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impress

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox

Rembrandt, Van Rijn Original Etching of Lieven Willemsz van Coppenol, Writing Master, Circa.1658. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good wi

Rembrandt van Rijn (1606-1669), "The Artist's Mother Seated at a Table Looking Right," 19th c., etching, possibly by Armand Durand, France, H.- 6 1/2 in., W.- 5 1/4 in.

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

After Rembrandt 17th century Etching. Titled "Three Crosses". 1653. Signed along bottom. Scene depicting Christ crucified between the two thieves. Rembrandt Harmenszoon Van Rijn (1606 - 1669) was acti

Rembrandt Van Rijn, (Dutch, 1606-1609) Old Man Seated Seen from Behind, c.1641. Original etching with front view and verso showing a collector’s mark: Lugt 57a (Earl of Aylesford, London). A str

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt Van Rijn (1606-1669 Netherlands) etching and drypoint "Adoration of the Shephards: A Night Piece" circa 1652. Bequest of John Bass to the Bass Museum of Art collection. Image size measures 6

After Rembrandt Harmenszoon Van Rijn. (1606-1669). The Great Jewish Bride. Antique hand pulled copper plate etching on laid paper after the original by a master etcher. c. 1880 . Excellent. Image Size

After Rembrandt Harmenszoon Van Rijn. (1606-1669). The Great Jewish Bride. Antique hand pulled copper plate etching on laid paper after the original by a master etcher. c. 1880 . Excellent. Image Size

After Rembrandt Harmenszoon Van Rijn. (1606-1669). Portrait D'une Vieille Dame (Portrait of an Old Lady). Antique Hand Pulled Copper Plate Etching on Laid Paper after the Original 1600's Oil Painting

After Rembrandt Harmenszoon Van Rijn. (1606-1669). The Spanish Gypsy (Preciosa). Hand pulled copper plate etching on laid paper after the original by master engraver Amand Durand (1831 - 1905). 1873.

Rembrandt van Rijn Landscape with Cottage & Hay Barn Plate Signed Etching. Image 9 1/4"c 3 3/4". Professionally framed and double matted under non glare glass. In frame 15 1/4"x10 1/4"x1" Weight 2 pds

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Continental, 17th century (c.1635). A copperplate engraving on lined paper measuring 4 x 3 inches. Overall good condition, no watermark or signature present. Possibly New Hollstein's first state (of

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig