Samuel Margolies (1897-1974), "Bridge to Babylon," 1949, Etching and aquatint on wove paper, Plate:

Samuel L. Margolies (American, 1897-1974) aquatint and etching, "Builders of Babylon," 1937, depicting construction workers atop a steel I-beam with the New York City skyline below. Pencil signed in t

Samuel Margolies (American, 1897-1974) "Man's Canyons", etching and aquatint, edition of 25, titled and signed. Sight size: 12.25" x 9.25" Titled and signed lower right in pencil, circa 1936. Provenan

Samuel Margolies (American, 1897-1974) "Storm Over City Hall", etching and aquatint, edition of 25, circa 1936. Sight size: 12.375" x 9.5" Provenance: From the original collection of Richard and Linda

DAVID HOCKNEY (b. 1937) "CONTREJOUR IN THE FRENCH STYLE"Year: 1974Etching and aquatint in colours on wove paperDimensions: 99.2x92 cmSigned and dated in pencil, numbered XX/75 (there were also 18 arti

Samuel Margolies (American 1897-1974) Men of Steel, c.1940, drypoint etching, signed in pencil lower right, from an edition of 250, published by Associated American Artists, matted and framed. Dimens

(New York, 1785-1851) White Ibis, Plate CCXXII, from [The Birds of America], London, 1827-1838, Havell edition, handcolored engraving with etching and aquatint on wove paper with watermark for "J. Wha

JOAN MIRO, Spanish (1893-1983), Plate VII from Serie Mallorca, 1973,etching and aquatint on Guarro wove paper, 21 1/4 x 26 1/2 inches (plate, sight), signed in pencil "Miro" lower right, numbered in p

LE MARTEAU SANS MAITRE (C.216), 1976, plate 11, color aquatint etching on wove paper, a rare impression signed in pencil and inscribed as some type of a proof, plate 11 ¾ x 8”, sheet 17 ¾ x 13 ¼�

Edgar Degas (French, 1834-1917) Au Louvre - La Peinture (Mary Cassatt)  soft ground etching with aquatint and drypoint on cream wove paper first edition from the cancelled plate, printed in 1915

After John James Audubon, "Scaup Duck" engraving with etching, aquatint, and handcoloring on wove paper by Robert Havell, 1834. Marked upper left, "No. 46" and upper right, "Plate CCXXIX". Watermark i

plate 3; 1976; etching with aquatint in colors on wove paper; pencil-signed lower right; numbered 11/50 lower left; blind stamp lower left; matted and framed under acrylic; 41 1/4 x 35 1/2 inches shee

Untitled, Plate 2 from "Gravures pour une exposition," 1973 Etching and aquatint in colors on wove paper, watermark Arches, under glass Edition 50/75 (there were also 15 artist proofs and 5 hors com

Untitled, Plate 3 from "Gravures pour une exposition," 1973 Etching and aquatint in colors on wove paper, watermark Arches, under glass Edition 50/75 (there were also 15 artist's proofs and 5 hors c

Birds.- Audubon (John James) Common Gallinule (Plate CCXLIV), First edition, Common Moorhen, from "The Birds of America", etching and aquatint with hand-colouring, on Whatman wove paper with watermark

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Daniell (Thomas) and William Daniell. Three plates from 'Oriental Scenery', etchings and aquatint with full hand-colouring, excellent impressions on Whatman wove paper, each platemark approx. 490 x 65

Salt (Henry) Three plates from 'Twenty Four Views in St. Helena, the Cape, India...', etchings and aquatint, by D. Havell, all with vibrant hand-colouring, on thick Whatman wove paper with watermarks,

Reuben Nakian, American, 1897-1986, Leda And The Swan 2, Circa 1980, Aquatint Etching On Paper, Edition Number 65/75 Lower Left, Signed Lower Right In Pencil, Plate 19.5 X 30.5 Inches, Matted Glazed I

Builders of Babylon. [USA, ca. 1940]. Aquatint. Signed. Aquatint: 28X36 cm, leaf: 33.5X42 cm. Good condition. Pieces of paper pasted to upper margins of the leaf. Dark margins.

(Spanish, 1881-1973) Femme acrobate au maquillage paillet‚ et spectateurs, (Bloch 1739), 1968, edition 26/50, signed lower right "Picasso", etching on wove paper, plate 7 x 8-3/4 in., sheet 12-1/4 x

Frantisek Kupka, (3) prints, c. 1912, Frantisek Kupka (Czech/French,1871-1957), (3) Abstract Compositions, including one color drypoint etching, on wove paper, plate dated 1913, 5.75"h x 15"w (plate),

(Spanish, 1881-1973) Femme acrobate au maquillage paillet‚ et spectateurs, (Bloch 1739), 1968, edition 26/50, signed lower right "Picasso", etching on wove paper, plate 7 x 8-3/4 in., sheet 12-1/4 x

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

Joan Miro (1893-1983 Spanish) ''Soleil Ebouillante'' (Dupin 518) 1969 Etching with Aquatint on Wove Paper 39''x23.5'' Impression. Pencil signed and numbered 34 of 75 edition lower image and margin. Pu