Attribuée à / Attributed to William I SHAYER (1787-1879)

Equestrian Farm Scene oil on canvas unsigned Attributed to William Joseph Shayer (1787-1879) 27.5 x 35.25 inches (sight) 38.5 x 46 inches (frame) Overall good condition. Relined.

William Shayer (1787-1879)signed and dated 'W Shayer 1834' l.c., oil on canvas71 x 91cmTake advantage of our Sworders Delivery Service. Please see 'Shipping estimate' below.William Shayer Snr, British

Style of William Shayer (1787-1879) English painting on panel titled "First Love". No apparent signature. 8.5" x 5.5" (sight) and 15.75" x 12.5" w/ frame

WILLIAM SHAYER (British 1787-1879) A PAINTING, "Resting on the Road," 19TH CENTURY, oil on canvas laid down on board, signed L/L, "Wm Shayer," and indistinctly marked, "S...," 23 1/2" x 19 1/2", frame

William Shayer (British 1787-1879) .Oil on panel Signed measures 13x10 inches

William Shayer (British 1787-1879) .Oil on panel Signed measures 13x10 inches

WILLIAM SHAYER I (British 1787-1879) A PAINTING, "Two Maidens Resting by a Wooded Waterfall," oil on canvas, signed L/R faintly, "W. Shayer." 31" x 27"

William Shayer I (British, 1787-1879), "Goat Farmers", 1834, oil on canvas, signed and dated lower right, 28 in. x 36 in., framed with artist plaque, overall 32 1/4 in. x 40 in. x 1 1/2 in. Condition:

William Shayer, Sr. (British, 1787-1879) "Harbor Scene" oil on canvas signed lower right on rock. Unframed. 24" x 32-1/2" Provenance: Bruce McCashin Collection.

Minstead village scene, after William Shayer I (British, 1787-1879), oil on canvas, signed and inscribed (faintly) at lower right 'Tully Filmus / aft. Wm. Shayer', 30x36in., overall framed 35x41in. Co

William Shayer the Elder (British, 1787-1879) A Family with Donkeys Resting by a Tree oil on canvas signed W. Shayer, dated 1859 lower left 21 x 21 inches. Estimate $800-1,200

Attributed to William Shayer (English, 1788-1879), bears plaque on frame, and label verso, appears to be unsigned. Sight size: 23-1/2"h x 19-1/2"w

Oil on panel painting after William Shayer, (1788-1879), depicting a coastal landscape with locals and fisherman at a trough, signed W Shayer lower right, damage to frame, see photos for details, cond

Framed 19th C. colored engraving, "Steeple Chase Incidents" after British artist William J. Shayer, (1787-1779,) engraved by E. G. Hester, published June 15th, 1876, by Arthur Ackermann, 191 Regent St

Rural Village Scene oil on canvas unsigned framed 32 x 47 in. (sight)

''Seaport'', boats dry-docked with figures and a donkey, unsigned, titled on a frame plaque, oil on canvas laid to canvas, 27.5'' H x 40'' W, est: $800/1200 Provenance: Private Collection, Solana Beac

Attributed to: William Chadwick (American 1879 - 1962) oil on canvas, Old Lyme Conn. Spring Blossoms. 16 x 22 inches overall framed 24 x 31 inches

Attributed to WILLIAM ETTY (English 1787-1849) Sketch for Andromeda Oil on panel 25 3/8 x 19 inches / 64.45 x 48.26 cm; Frame: 31 7/8 x 24 7/8 inches Label verso from the "Etty Centenary Exhibition Yo

Attributed to William Etty (British, 1787-1849), Seated Woman with Golden Tray, oil on canvas, artist name inscribed on frame verso, inventory labels affixed stretcher bars verso, canvas: 30"h x 25.25

William Shayer Sr (British, 1788-1879) Scene With Family & Spyglass, Oil On Canvas. Signed "Will Shayer" lower right. Framed 22.0H x 19.0W x 2.75D in. Sight 13.5H x 10.0W in. All Measur

Group of three artworks comprising a small watercolor attributed to William Etty (English, 1787-1849), and two 18th century English engravings. Sight size: 3" high, 2 5/8" to 15 1/2" high, 9 5/8" wide

Group of three artworks comprising a small watercolor attributed to William Etty (English, 1787-1849), and two 18th century English engravings. Sight size: 3" high, 2 5/8" to 15 1/2" high, 9 5/8" wide

Oil on board, depicting a girl seated at a piano. Signed "H. Williams Pinx 1825" bottom right. 19th Century. Attributed to Henry Williams (Boston, 1787 -1830). Dimensions: 36.25" H x 31" W framed, 30.

O/B Portrait of a lady with lace collar seated in chair, early 19th century. Attributed to Henry Williams (Boston 1787-1830) - similar examples in Smithsonian and the MET. Note the wood panel appears