Giovanni Battista Salvi Sassoferrato (studio di) Virgin with Child

VIRGIN MARY. Oil on canvas. Framed. Glorious painting.Size: 36 inches (h) x 31 inches (w) FRAMED .24" x 16" inches only CANVAS Giovanni Battista Salvi da Sassoferrato (August 25, 1609 – August 8,

FOLLOWER OF GIOVANNI BATTISTA SALVI DA SASSOFERRATO 25 August 1609 Sassoferrato - 8 August 1685 Rome THE VIRGIN MARY Oil on canvas lay down on wooden panel. 65,5 x 54 cm. Partly damaged, paint loss, r

Giovanni Battista Sassoferrato (Giovanni Battista Salvi da Sassoferrato) (Italian, 1609-1685). The Madonna. Antique engraving on laid paper after the original painting by a Master Engraver. Year: c. 1

An early to mid-20th century pencil on board drawing after a 17th-century painting titled Santa Maria or Madonna in Prayer by Giovanni Battista Salvi da Sassoferrato, 1609 to 1685, an Italian Barocco

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

Oil on canvas. La Madre dei Dolori [Our Lady of Sorrow]," Woman with folded hands. Some wear to pain on upper right, cracks across bottom. In antique gilt painted wood frame. 28" X 22" (39" X 33"). Af

Manner of Giovanni Battista Salvi called Sassoferrato (1609-1685) Italian. The Praying Madonna, Oil on Canvas laid down, in an Ornate Outer Carved Frame, 13.5" x 11.25".

Oil on canvas. Provenance: - Private collection, Madrid. Bibliography and exhibitions: Praying “Virgin. Giovanni Battista Salvi, Il Sassoferrato”, López de Aragón 20 years in Maastri

After Giovanni Battista Salvi, called Sassoferrato (Italian 1609-1685), Italian School, 'The Madonna At Prayer' or 'Madonna In Sorrow', 19th century, oil on canvas, Old Master style painting depicting

After Giovanni Battista Salvi, painting, After Giovanni Battista Salvi, il Sassoferrato (Italian, 1609-1685), Madonna at Prayer, oil on canvas, no signature visible, 17.25"h x 13.25"w (sight), 26.25"h

(Sassoferrato, 1609 - Roma, 1685) Madonna orante Olio su tela, cm 49X39 Tra le numerose repliche e copie della Vergine orante dipinte dal Sassoferrato questa si segnala per la buona qualità. L'imma

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

Manner of Giovanni Battista CiprianiThe Virgin and Child with the Infant St. John the B

Giovanni Battista Salvi (1609-1685), known as Sassoferrato, MadonnaSassoferrato (1609-1685) created countless versions of the painting of Mary, one of the favorite objects of piety of the seventeenth

After Pierre Mignard (French 1612-1695) or Sassoferato (Giovanni Battista Salvi, Italian 1609-1685) Holy Family with Allegory of Sin and Salvation, oil on copper, framed. Dimensions: 9.5 x 12.25 in.

Piranesi (Giovanni Battista, 1720-1778) Antichita di Cora, letterpress half-title, etched and engraved title, etched vignette head-piece and nine plates only (of 10), excellent impressions, including

siglato e datato al retro "BC 1607 Genova", iscritto al retro, tempera su pergamena, W. 270 - H. 330 mm

Spanish school of the XIX century. Follower of GIOVANNI BATISTA SALVI "IL SASSOFERRATO" (Sassoferrato, 1609 - Rome, 1685). "Mater Dolorosa". Oil on canvas. It has Repainting and a hole in the canvas.

Ritratto di bimba Olio su tavola, cm 72,5X53 La tavola presenta caratteri di stile norditaliani, specificatamente lombardo-veneti che evocano modelli bergamaschi di Giovanni Battista Moroni (Albino, 1

(Venezia, 1712 - 1798) Allegoria dell'Avarizia Olio su tela, cm 60X45 L'autore di questo dipinto si può identificare in Giuseppe Angeli, il più dotato fra gli allievi di Giovanni Battista Piazzetta,

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

PIRANESI, GIOVANNI BATTISTA. 1720-1778. Varie Vedute di Roma antica, e moderna.... Rome: 1748 [but 1750 or later]. Oblong folio (220 x 330 mm). Engraved title and 93 engraved plates, including 48 by

Giovanni Battista Piranesi (1720-1778) Veduta di Campo Vaccino; Veduta del tempio di Bacco, or di S. Urbano, from Vedute di Roma (Wilton-Ely 148; 184, Hind 40; 48, Focillon 803; 753), c. 1750 A group