Attr Thomas Luny, British, 1759 - 1837

Attributed To Thomas Luny, British, 1759-1837, Marine Scene, Oil On Canvas Laid On Masonite, Unsigned, 14 X 17 Inches, Giltwood Frame 19 X 24 X 3 Inches, Discolored Varnish Layer, Scattered Craquelure

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

Thomas Luny (1759-1837) English, 'The Ness at Teignmouth', oil on canvas, a Royal Navy frigate anchored off the coast under dark clouds, flying the Red Ensign, with figures on the shore and further sh

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Thomas Luny (English, 1759-1837) Seascape oil on canvas 15 1/2 x 23 1/2 inches. Property from the Estate of Beatrice Weiskopf, Buffalo Grove, Illinois

British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portraits each watercolor and gouache including (Attr.) Thomas Richmond (British, 1771-1837), "Welsh Gentleman in a Double-Br

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

After Thomas Moran (British/American, 1837-1926) Grand Canyon of Arizona, from Hermit Rim Road, 1912 color lithograph signed and dated in plate lower left copyright 1913 by the Atchison, Topeka & Sant

Artist: Thomas Lawrence, attributed toTitle: Untitled Medium: Oil on canvas Size: 22" x 20" oval approximate Date: Early 1800's

Girl Offering Bread to a Man.1884. Oil on canvas. Signed and dated at the lower left. From a Rockland County, NY collection. - Dimensions: 42" h x 30" w.

Thomas O. Hall, British 1810-1867. Oil on Canvas Interior with Mother and children. remains of an Old Label bearing artist name and exhibition notes affixed to back of stretcher. Canvas not signed, or

Oil on canvas, framed. Featuring landscape country lane scene. Signed and attributed to J. T. (John Thomas) Richardson (British, 1860-1942) on the lower right corner. 33.5 x 51 cm (13.2 x 20.1 inches)

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo

Attributed to Henry Thomas Alken, Sr. (British, 1785-1851)Over the fence, 1823watercolor on papersigned lower right H. Alken and dated13 x 18in (33 x 46cm)

Oil painting on canvas attributed to Alexander Nasmyth. Alexander Nasmyth was a British painter born in 1759-1840. The canvas is not signed but is attributed on the back of the painting to A. Nasmyth.

Mid-19th century oil painting of the Hudson River in upstate NY with boats, homes and figures attributed to Thomas Chambers (1808-1866/69). Size: 14 x 18 in, framed 16.5 x 20.5 inches.

Monumental American Renaissance Carved and Burled Walnut Breakfront Bookcase, mid-19th c., attr. to Thomas Brooks, New York, molded cornice centered by triangular pediment, six glass doors above six p

"Approaching Storm", oil on canvas, unsigned, titled on label verso, identifying artist and indicating this was part of the Collection of Harold Behrens, depicting a crowed coastal passage with a mult

Attr: Thomas Sully (1783-1872) portrait of a young girl wearing a bonnet, titled "A Windy Day". Unsigned, canvas is trimmed and relined, has inpainting and repair along the right edge and along the fi

Thomas Whitcombe (c. 1760 - c. 1824) Seascape with figures onlooking near the shore. Depicting sailing vessels in rough seas. Appears to be unsigned, has not been examined out of the frame. Provenance

Portrait of young girl in white dress. Oil on canvas, unsigned in ornate gesso frame. Image size: 77 x 64 cm. (30 1/2 x 25 in.) Frame size: 105 x 91 cm. (41 x 36 1/2 in.)

Three Ships in Rough Seas, oil on mahogany panel, signed verso and dated 1797, a study for the larger painting completed in 1805, housed in the original water gilt gesso frame, OS: 17 1/2" x 22 1/4",

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private