Two Classical mahogany and églomisé mirrors

Two similar Classical mahogany and églomisé mirrorsmid 19th centurylarger height 20 x 10 1/2in (51 x 26.5cm)

Two American Classical Carved Mahogany Overmantel Mirrors, 19th c., consisting of a vertical example, the wide frame with roundel mounted corners H.- 36 3/8 in., W.- 26 3/8 in., D.- 2 1/2 in.; and a h

Continental Mahogany Two Part Eglomise Mirror having reverse painted top part depicting man, dog and woman playing lute. Used condition, wear, worn, scratches, nicks. 45" tall x 26 1/2" wide 1 1/4" de

AMERICAN DIMINUTIVE COUNTRY CLASSICAL MAHOGANY WALL MIRROR, two-part form having projecting molded cornice fitted with acorn drops over a veneered frieze above likely original reverse-painted tablet o

American, 19th century. Carved walnut eglomise tabernacle style mirror with architectural scene; together with rectangular mahogany veneer mirror. Both apparently unsigned. Provenance: From the Lifeti

American Classical Eglomise and Mahogany Mirror, c. 1810-1815, Philadelphia, cove-molded cornice with applied foliate frieze, lobed columnar stiles, blocked base, h. 51 in., w. 25 in. Provenance: Neal

Circa 1840. Having a figured and shaped mahogany frame flanked by scrolling mirror supports atop two figured drawers, the case rests on bun feet. H28" W21 1/4"

American Classical Carved Mahogany Mirror Back Dresser, 19th c., the rectangular ogee mirror flanked by tapered supports above two glove drawers, on a base with a cavetto drawer above three drawers, o

Two female figures meeting in a landscape, 19th c., two small pieces of trim missing on sides of top. Height 33.25 inches, width of top 19.5 inches.

Classical Gilded Two-Part Eglomise Looking Glass, with reverse painted house scene, 27" high, 15 1/2" x 2". Minor gilding losses.

A New York Classical style heavily carved mahogany server with mirror back, Two (2) front carved Romanesque columns and paw feet. Dimensions: 38" X 37" X 16"

Boston, Massachusetts, circa 1820; articulating shield shaped mirror on raised drawer box with two short drawers, case with two short drawers, four columnar legs on platform base with carved melon fee

American Classical Mahogany Dresser, 19th c., with a peaked crown over tapered columnar supports flanking a rectangular mirror, over two frieze drawers, on a base with a front figured white marble, ab

Circa 1845. Having a charming form with oblique mirror supports holding looking glass in ogee frame atop one small drawer and two larger drawers flanked by full turned columns at each side and turned

Two Empire Mirrors, American, 19th C., comprising a mahogany and eglomise example and a black-painted and polychrome-decorated courting mirror, 2 pieces Eglomise mirror: 21-1/2"h x 13"w Courting mirro

late19th/early 20th century; rectangular articulating mirror with foliated scroll supports, two short and three long drawers in case, octagonal shaft on platform base with four paw feet, 68 12 in H.,

American Classical Carved Mahogany Dressing Table, 19th c., the rectangular swivel mirror on turned tapered finial topped cylindrical supports, to a base with two convex frieze drawers, on turned colu

With inset eglomise panel. Losses and wear. 4'3-1/2"h x 25-1/2"w x 4"d

American Classical dressing mirror and stand with marble top, mahogany with poplar secondary, comprising a rectangular mirror supported on two turned posts topped with urn and acorn shaped finials; th

1st item: American Classical work table consisting of mahogany, mahogany flame veneer with poplar secondary. Retangular shaped flame mahogany top with rounded corners over two flame mahogany dovetaile

Late 19th C. Centennial Salem style two part mahogany breakfront, with crotch mahogany shaped crest with a shield inlaid center panel, four sectional glass doors each with classical scene eglomise tab

Two Figured Maple and Eglomise Framed Engravings, 18th C., depicted General Schuyler and General Montgomery, stains, together with an Empire mahogany mirror, 3 pieces

American, manner of New York, 19th century. Pair of parcel gilt mahogany mirrors in the federal taste, each having a scrolled broken double pediment centering on a flowering urn above an inlaid oval w

Riley Whiting, Winchester, Connecticut, Circa 1830. The painted circular white dial with Roman numerals and centered by a floral garland, fitted with blued steel hands, within embossed gold spandrels,