TWO W.R. LEIGH FOUL ROPE ETCHINGS

Lot 52 William Robinson Leigh American (1866-1995) Foul Rope Left (Bronco Buster) (ca. 1910) etching signed lower right plate: 14 7/8 x 11 7/8 inches Provenance: From a New York Collection

William Robinson Leigh (American 1866-1955), "Walpi - First Mesa," or "Walpi" circa 1910, etching on paper depicting a man and child walking away from a traditional flat topped pueblo dwelling, signed

Two Grand Canyon images in differing frames, after paintings by W.R. Leigh for Santa Fe System Lines; plus a third after the painting of Red Cliffs of Western New Mexico for Santa Fe by Adolph Heinze.

Three Santa Fe Railroad Fred Harvey menus, one with cover art 'South Rim of the Grand Canyon,' by W.R. Leigh; 'San Francisco Peaks' by Louis Akin, and 'The Blanket Weaver' by E.I. Couse, N.A. Two larg

Moishe Smith (1929-1993) & W. R. Locke (1883-1947) The two etchings with original AAA labels as follows: 1. Along the Beaverkill etching by W.R. Lock from an edition of 250 prints published by Associa

Leonard Baskin (American, 1922-2000) Collection of two limited edition etchings on paper. Lot includes (1) 14" x 20" titled "Skull Of A Beast", a study of skull of a goat of sheep and foul, and demon

Moro Helmet: A Rope Moro Helmet Porbably late 18th century possibly early 14th Century, brass trim, formed in two pieces and riveted together with copper rivets in cap of Helmet. Etching throughout Si

Georges Rouault (1871-1958) - "In These Dark Times Of Vanity And Unbelief, Our Lady Of Land's End Keeps Watch." (En Ces Temps Noirs De Jactance Et D’incroyance, Notre-Dame De La Fin Des Terres Vigil

JOHN SLOAN Two etchings. The Show Case, 1905. 127x178 mm; 5x7 inches, wide margins. Third state (of 3). Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pe

Attributed to CHARLES BODMER (French, 19th Century), ''Mandeh-Pahchu, a Young Mandan Indian'' and ''Horse Racing of Sioux Indians'', two etchings with aquatint in colors, ''Young Indian'': sheet: 14 x

WILLIAM ROBINSON LEIGH (American 1866-1955) A PAINTING, "Sage," oil on board, signed L/R, "W.R. Leigh," a partial paper label on the reverse, 9 1/2" x 13 1/4", framed 17 1/2" x 22".

Oil on canvas board. Signed 'W.R. Leigh' (lower left). 20" x 16". From a Southern Collection

Giovanni Battista Piranesi (Italian, 1720-1778) two etchings, Carceri title plate and Plate VI, both matted and framed. Not examined out of frames. The smaller sight size: 21 1/2" high, 16 1/2" wide.

William R. Leigh (1866-1955), White Horse with Navajo Saddle, pastel and graphite on paper, 9 x 13 (sight), signed lower right: WR. LEIGH., Provenance: Private Collection, Arizona

Oil on canvas board. Signed 'W.R. Leigh' (lower left). 20" x 16"

nice impressionist rendition of a lush formal garden with a fountain, signed lower right W.R. Leigh, in a period gold frame. Image 13 x 16.5" Overall 16" x 19.5". "

BRAVE MEN RUN IN MY FAMILY, 1983, two etchings on one sheet, one color, signed in pencil by both artists and dated by Ruscha, numbered 31/40, Abury Press blind stamps lower right and another blind sta

(lot of 3) Diana Thorne (Russian/American, 1895-1963), Canine Portraits, two etchings and one lithograph, each signed lower margin, overall (with frame/each): 12"h x 14.5"w

Howard Norton Cook (1901-1980) Taos Plaza; Merry Go Round (Duffy 67; 159), 1927; 1931 Two etchings on wove paper, each signed in pencil and dated, each from an edition of 50 (only 25 printed), with ma

UNTITLED, 1990, oil painting on paper, signed and dated on verso, 29 ¼ x 21 ¼”. UNTITLED, 1989, two etchings, each signed and numbered 2/10 & 4/10 artist’s proof, sheets 30

TITLED, 1983-86, two etchings on chine colle on hand-made paper, each signed and dated and inscribed A. P. (artist’s proof) in pencil, both with blind stamps, images 8 x 4 ¾”, sheets 15

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

Pablo Picasso (Spanish, 1881-1973) Suea±o y Mentira de Franco (The Dream and Lie of Franco the complete set of two), 1937 etchings with aquatint each signed and numbered 49/150 in pencil 12 3/8 x 16

Sol Lewitt two aquatints/etchings on paper, horizontal and vertical stripes both titled "Horizontal Color Bands and Vertical Color Bands", sight size 17 1/2" x 34 1/2", frame size 26" x 43 1/2", Dalla