DAVID ROBERTS (1796 - 1864) Camels sketched at Smyrna Coloured lithograph, 38 x 29.5cm

After David Roberts (1796-1864) British, 'Jaffa Looking South', hand coloured lithograph, published by F. G. Moon, 19th Century, 13.5" x 19.25" (34 x 49cm).

After David Roberts (1796-1864) British, 'Jacob's Well at Shechem', hand coloured lithograph, published by F. G. Moon, 19th Century, 14" x 20.25" (36 x 52cm).

David Roberts (British, 1796-1864) Hand colored stone lithograph "Hebron" from the 1839 painting. Measures 31.5" x 26.25" professionally framed.

DAVID ROBERTS (British 1796-1864) A GROUP OF TWO COLORED LITHOGRAPHS, "Scenes of Egypt," on paper, signed L/R. 9 1/2" x 13 1/2" and 13 1/2" x 9 1/2"

David Roberts, colored lithograph Thebes, After David Roberts (Scottish, 1796-1864), "A Group at the Entrance of the Temple of Amun, at Gourna, Thebes", pub. Day & Son, London, 11"h x 9.25"w (sight),

David Roberts (Scottish, 1796-1864) The Great Sphinx, Pyramids at Gizeh, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-1

David Roberts (Scottish, 1796-1864) Entrance to the Tomb of the King of Thebes,Biran El-Molook, original hand colored lithograph, published by F. G. Moon, London, 1848, Image-13 1/4" x 21", Sheet-17"

David Roberts (Scottish, 1796-1864) Thebes, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-17" x 24 7/8", in excellent co

David Roberts (Scottish, 1796-1864) Temple of Kom Ombo, Views of Egypt and Nubia, original hand colored lithograph, published by F. G. Moon, London, 1846, Image-13 1/4" x 21", Sheet-17" x 24 7/8", in

Roberts, after David (1796-1864), Shrine of the Holy Sepulchre, original hand colored lithograph on paper, titled, signed and dated in plate lower left, 19 x 12.5 inches, matted and framed 27.5 x 21 i

David Roberts (Scottish, 1796-1864) "Citadel of Jerusalem". This hand-colored lithograph depicting a view of the Citadel of Jerusalem is from a 1841 watercolor (recreating the original sketch) and was

Four framed hand coloured prints including two David Roberts lithographs of Egypt and two Thomas Daniell aquatints of India. Largest Framed Size 33" X 28"

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

David Roberts RA (British, 1796-1864) 'Moorish Tower on the bridge of Cordoba' indistinctly signed (lower left), dated 'January 18 1833' (lower left), and inscribed 'Moorish Tower on the/bridge of Cor

Salvador Dali lithograph: Drawers of Memory Signed in lower right corner Lithograph: 38" x 25" Lithograph to mat: 37 1/4" x 24 1/4" Frame: 48 5/8" x 36" The paper bears the B.F.K. Rives watermark. The

Robert Longo Jules (from the Men in the Cities series) 1982-83lithograph in colors with embossing on Arches image: 30 h x 15 w in (76 x 38 cm) sheet: 36.75 h x 21 w in (93 x 53 cm) Signed,

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Meadow Lark, Plate 136. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Guernsey's, 2

ROBERT WOOD (1889 - 1979) Sunset in the Texas Hill Country oil on canvas signed lower right: - Robert Wood Dimensions: 28 x 38 inches Framed Dimensions: 35 x 45 x 3 inches Provenance: Rainone Gallerie

AUDUBON, John James (1785 - 1851). Broad-winged Hawk, Plate 91. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 5/8" x 26 1/4" sheet. Comparables: Guernsey's, 2014 -

AUDUBON, John James (1785 - 1851). Purple Martin, Plate 22. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 1/4" x 25 5/8" sheet. Comparables: Arader Galleries, 2019

T. M. Nicholas, "Fall Morning, Peacham", oil on canvas, 30" x 34", framed 32" x 38". Provenance: Estate of Dr. David L. Vastola, Rockport, Massachusetts.

AUDUBON, John James (1785 - 1851). Green Heron, Plate 333. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 x 38 1/2 x 37 x 50 framed. Comparable: Sotheby's, 2009 - $7