"A Group of Large trees"By Rembrandt Van Rijn (EK1055

Rembrandt van Rijn (Dutch 1606-1669) Landscape with a Cottage and a Large Tree Etching; 1641. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas di

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: The Large Tree. Medium: Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905).

A Group of Three Rembrandt van Rijn (1606-1669) Etching Restrikes, 20th Century, Each with a certificate of authenticity from the Park West Gallery. Largest framed dimensions: h: 24 1/4 x w: 23 1/4 in

Pair Of Metropolitan Etching Prints, lot includes one Print with writing on it "landscape with three trees, 1643. Rembrandt Harmensz van von Rijn. Dutch 1606–1669. Etching, drypoint and burin, 21.2

Artist: Rembrandt van Rijn Title: Clump of Trees with a Vista Year: 1880 Dimensions: 10.5in. by 14in. Edition: From the rare limited edition of 100 Medium: Hel

Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impress

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox

Rembrandt, Van Rijn Original Etching of Lieven Willemsz van Coppenol, Writing Master, Circa.1658. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good wi

This circa 1641 Rembrandt etching on Ingres d'Arches is titled "The Card Player" and measures 3 1/2" x 3 1/8" (plate size) on 12 7/8" x 9 3/4" off-white laid paper with watermark and large margins. Si

REMBRANDT -RARE 19TH CENTURY ETCHING Rembrandt Van Rijn (Dutch 1606-1669) “Clump of Trees with a Vista” etching, 18th/19th Century impression, bears watermark, image size 4-7/8 x 8-1/4 inches

Rembrandt Van Rijn (Dutch 1606-1669) Rare 19th Century Etching, “The Three Trees”, B212, Etching on Laid Paper with Watermark, Image Size 8 1/4 x 11 Inches

Rembrandt Van Rijn (Dutch 1606-1669) “Clump of Trees with a Vista” etching, 18th/19th Century impression, bears watermark, image size 5 x 8 ¼ “

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This is a late 19th Century impression printed on laid pape

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

After Albrecht Dürer (German, 1471–1528) Knight, Death and the Devil, 1513; together with Melencolia I, 1514; and Rembrandt van Rijn (1606-1669), Jan Wtenbogaert, 1639, later impression (a group of

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

After Rembrandt Harmensz. van Rijn, oil on canvas portrait of Hendrick Martensz Sorgh; the seated figure wears period garments with a large black hat. Unsigned, canvas relined, heavily varnished surfa

Large book consisting of etching prints of Rembrandt's paintings. Ca 1920's with introduction by Dr. Max Grisberg. Text in German. Book measures 12.5" x 17". Papers measure 12" x 16". Etchings measure

the first: Anthonie Waterloo (Flemish, circa 1610-1690), on laid paper with partial fleur-de-lis watermark; the second: Allaert van Everdingen (Dutch, 1621-1675), Sportsman Near a Large Tree, on laid

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai