DAVID ROBERTS - ROME - SUNSET FROM THE CONVENT OF SAN

Lot 67 David Roberts Scottish (1796–1864 ) 'Convent of St. Saba', print from 'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia' (1839) hand colored lithograph signed in the print sight: 12 5/

David Roberts (England/Scotland: 1796 - 1864) original sketch lithograph in colors titled "The Convent of St. Catherine Mount Sinai". Hand pencil edition/number to verso. From David Robert's Drawings

Print: Court of the Convent of Saint Catherine Series: The Holy Land Artist: David Roberts Date: 1855-60 Size: 7.5 x 11.5 inches David Roberts (1796-1894) was a Scottish painter. He is especially know

David Roberts (Scottish, 1796-1864) "The Convent of St. Catherine, Mt. Sinai," 1844, lithograph with hand-coloring, plate signed lower right, published by F.G. Moon (London, UK), image: 13.5"h x 19.5"

3 David Roberts (1796-1864), artist, and Louis Haghe (1806-1885), engraver, lithographs of Egyptian monuments: "Temple of Karnak", "Tombs of the Mimlooks", and "Statue of Rameses II". Largest image ap

After David Roberts RA After David Roberts RA 'Isle of Graie'; 'Greek Church of the Holy Sepulchre, Jerusalem'; 'Remains of Triumphal Arch at Petra'; 'El Deir, Petra'; 'Convent of St Catherine, Mount

David Roberts (Scottish, born 1796), 19th century oil on academy board featuring about half of Roberts' original piece, depicting the Sphinx's profile against a sunset and distant pyramid, housed in a

Two lithographs by Louis Haghe after David Roberts, (Scottish 1796-1864), 1847, comprising "Boats on the Nile at Sunset, Egypt," and "Boat Approaching the Fortress of Ibrim, Egypt," both professionall

Framed hand colored color lithograph, "Encedi", "Convent of Saba, April 4th, 1839", print signed lower left David Roberts, R.A. (Scottish, 1796-1864), after Louis Haghe (Belgium, 1806-1885) "London, P

David Roberts (1796-1864), Lithograph with hand coloring dated 1839. "Convent of the Terra-Santa Nazareth". Overall: 17 1/2 x 23 1/2 in.Sight: 13 1/2 x 19 1/2 in. Please note that all sales are final.

NABULOUS ANCIENT SHECHEM, 1839; CONVENT OF THE TERRA-SANTA NAZARETH, 1839, two lithographs with hand coloring, the first signed and dated in the plate, the second titled and dated in the plate, images

David Roberts (British, 1796-1864). Antique Orientalist lithograph on paper. Titled, "Principal Court Of The Convent Of St. Catherine, Mount Sinai." From "The Holy Land" by David Roberts. Eastern Port

Lithograph Published 1855-6 by Day & Son, London for "The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia" Second Edition (First Quarto Edition) by David Roberts. Paper Size: 11.5 x 8 inch (29 x 20cm)

Robert Wood (1889-1979), Laguna Beach sunset, c. 1940. oil on canvas. sight: 24 x 36", frame: 34 x 46". Condition: Fully restored to museum quality Provenance: A San Antonio, Texas collection A

"The Mill" by David Larkin, Universe Publishing, 2000; "Nantucket; the quiet season" by Cary Hazelgrove, Chronicle Books, San Francisco, 2005; "Nantucket" by Robert Gamble, SIGNED, W.W. Norton & Co, N

Texas Bluebonnet Landscape, c. 1950, oil on canvas, 25 x 30, signed lower right: Robert Wood, Exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo M

Robert Roark (Massachusetts/New York, b. 1944), "After Sunset, Provincetown Harbor," oil on canvas, signed lower right & titled verso. Measures appx 24" x 36" image size, 30 1/2" x 42 3/4" framed.

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

David Roberts RA (British, 1796-1864) 'Moorish Tower on the bridge of Cordoba' indistinctly signed (lower left), dated 'January 18 1833' (lower left), and inscribed 'Moorish Tower on the/bridge of Cor

David Roberts (1796-1864): The Alcazar from the Mole, Malaga Pencil and wash on grey paper, unsigned, titled lower right, with label from Palser Gallery, Stratford-on-Avon; together with David Co

David Roberts' most famous work, Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detail

The Grand Canal, Venice, oil on canvas. signed lower left and dated 1851, housed in a later gold matched corner frame, OS: 24 3/4" x 28 3/4", SS: 19 1/2" x 23 1/2". Fine overall craquelure.

Exposed Egyptian Temple Façade with Figures and Goats. Unsigned. Watercolor on Paper. 40 by 34 in. (Cond: approx. 7 in. tear from center top down, partly repaired, small creases to margins, corners,

After David Roberts (Scottish 1796-1864) "Medinet Abou, Thebes December 5th 1832" Aquatint etching Signature in plate lower right "David Roberts R.A." 12 3/4" x 19"