David Roberts: Court of the Convent of Saint Catherine

Print: Court of the Convent of Saint Catherine Series: The Holy Land Artist: David Roberts Date: 1855-60 Size: 7.5 x 11.5 inches David Roberts (1796-1894) was a Scottish painter. He is especially know

David Roberts (British, 1796-1864). Antique Orientalist lithograph on paper. Titled, "Principal Court Of The Convent Of St. Catherine, Mount Sinai." From "The Holy Land" by David Roberts. Eastern Port

David Roberts (England/Scotland: 1796 - 1864) original sketch lithograph in colors titled "The Convent of St. Catherine Mount Sinai". Hand pencil edition/number to verso. From David Robert's Drawings

David Roberts (Scottish, 1796-1864) "The Convent of St. Catherine, Mt. Sinai," 1844, lithograph with hand-coloring, plate signed lower right, published by F.G. Moon (London, UK), image: 13.5"h x 19.5"

Print Title: Convent of Saint Catherine, Mount Sinai Artist: David Roberts Publisher: Days & Sons, London Publication Date: 1855 Medium: Lithograph Dimensions: 7.75 x 11.25 inches From "The Holy Land.

After David Roberts RA After David Roberts RA 'Isle of Graie'; 'Greek Church of the Holy Sepulchre, Jerusalem'; 'Remains of Triumphal Arch at Petra'; 'El Deir, Petra'; 'Convent of St Catherine, Mount

Lot 67 David Roberts Scottish (1796–1864 ) 'Convent of St. Saba', print from 'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia' (1839) hand colored lithograph signed in the print sight: 12 5/

Breathing In Irrespirable Atmospheres Fully Illustrated by Robert H. Davis. Published by The Saint Catherine Press Ltd., London, 1947. Hardcover with gilt letting on cover and spine and with paper dus

Framed hand colored color lithograph, "Encedi", "Convent of Saba, April 4th, 1839", print signed lower left David Roberts, R.A. (Scottish, 1796-1864), after Louis Haghe (Belgium, 1806-1885) "London, P

David Roberts (1796-1864), Lithograph with hand coloring dated 1839. "Convent of the Terra-Santa Nazareth". Overall: 17 1/2 x 23 1/2 in.Sight: 13 1/2 x 19 1/2 in. Please note that all sales are final.

NABULOUS ANCIENT SHECHEM, 1839; CONVENT OF THE TERRA-SANTA NAZARETH, 1839, two lithographs with hand coloring, the first signed and dated in the plate, the second titled and dated in the plate, images

[ART-BOOKS] HOLY IMAGE, HALLOWED GROUND: ICONS FROM SINAI by Robert S. Nelson and Kristen M. Collins, J. Paul Getty Trust, 2006* THE TREASURES OF THE MONASTERY OF SAINT CATHERINE (I Tesori del Monaste

2 trays costume jewelry, 200 pieces, 85th St. Includes pieces by Joan Rivers, Haskell, Oscar de la Renta, Tory Burch, Watene, Pauline Rader, Polcini, Alexis Bittar, Yves Saint Laurent, Robert Lee Morr

Heading: Author: Roberts, Edmund Title: Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat; In the U.S. Sloop-Of-War Peacock, David Geisinger, Commander, During the Years 1832-3-4 Place

Reserve Reduced! David Roberts Chapel of Saint Helene 1852 Duo-tone Lithograph Folio 14 3/4" x 21 7/8" Brussels La Terre Sainte. Vues et Monuments This set of Roberts' views of the Holy Land was done

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

David Roberts RA (British, 1796-1864) 'Moorish Tower on the bridge of Cordoba' indistinctly signed (lower left), dated 'January 18 1833' (lower left), and inscribed 'Moorish Tower on the/bridge of Cor

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Depicting Saint Catherine Adoring a Crucifix, egg tempera on panel, encased in a faux jeweled and gilt metal riza, 12 1/2 x 11 in.

David Roberts (1796-1864): The Alcazar from the Mole, Malaga Pencil and wash on grey paper, unsigned, titled lower right, with label from Palser Gallery, Stratford-on-Avon; together with David Co

David Roberts' most famous work, Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detail

The Grand Canal, Venice, oil on canvas. signed lower left and dated 1851, housed in a later gold matched corner frame, OS: 24 3/4" x 28 3/4", SS: 19 1/2" x 23 1/2". Fine overall craquelure.

Oil on board, measurements: 97 x 70 cm. Provenance: private collection, Spain.

Exposed Egyptian Temple Façade with Figures and Goats. Unsigned. Watercolor on Paper. 40 by 34 in. (Cond: approx. 7 in. tear from center top down, partly repaired, small creases to margins, corners,