Clement Haupers drypoint

Clement Haupers (American, 1900-1982). Lithograph on paper titled "Montparnasse Dix Heures et Demi" depicting a couple window shopping along a busy street. Pencil signed, numbered 2/10, and

Clement Haupers (American 1900-1982)- ''Rainy Night''- aquatint, 1938, signed, dated, titled and annotated 'artist's proof' in pencil, very good condition. 6 7/8 x 10 7/8''

Clement Haupers (Minnesota,1900 - 1982) "Nocturne" Mixed media on paper. Image size: 16 x 8 inches. In the 1930s, Clement Haupers became the "leading figure" in the Federal Art Project of the Works Pr

Clement Haupers (American, 1900-1982). Pair of drawings in graphite on paper depicting seated nudes. Both initialed along the lower right; one is additionally dated 1932 along the lower left.(Woman Wa

Listed American Artist Clement Haupers charcoal drawing on paper.Size 11" by 13" 3/4 Frame size: 23" 3/8 x 25"

Titled in pencil 'Negro Boxer' below the image, pencil signed by the artist lower right and dated 1938. The plate size is 7.5 x 9 inches, sheet size is 11 x 15 inches, frame size is 15.5 x 16.5 inches

Women Gossiping" 1928 watercolor painting- Minnesota artist signed (Clement) Haupers 12" x 15

Clement Bernard Haupers (American, 1900-1982). Watercolor on paper painting titled "House on a Hill" depicting a lovely nature scene with a blue roof house on the top of the hill, 1925. Sign

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Clement Meadmore (Australian 1929-2005) Untitled, 1980, bronze with patination, signed and dated, numbered 1/6, raised on pedestal base. Dimensions: 18.5 x 26 x 12 in, bronze only. Ht. with pedestal

Clement Pujol de Gustavino (Spanish / French, 1850-1905). An oil on cradled wood panel titled "The Dispatch Bearer", depicting an Orientalist genre scene. Signed lower left. Contained in a gilt frame.

CLEMENT MEADMORE (American/Australian 1929-2005) A SCULPTURE, "Untitled," steel and painted finish. Height: 25" Width: 30" Depth: 29" Provenance: Estate of the late Robert Wilson. Acquired directly fr

CLEMENT MEADMORE (American/Australian 1929 - 2005) A SCULPTURE, "Blue Slip," foam filled fiberglass resin. On wooden stand. Height: 41" Width: 20" Depth: 19" Provenance: Estate of the late Robert Wils

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

Theodore Clement Steele (American, 1847–1926) On Axtell Road, 1925 oil on canvas signed TC Steele and dated (lower right); titled (stretcher) 20 x 24 inches.

Pablo Picasso (Spanish, 1881-1973) Deux femmes se reposant, from 'La Suite Vollard' (Bloch 143; Baer 210) Drypoint, 1933, on Montval laid with the Vollard watermark, signed in pencil, from the edition

Very good sight condition, as shown. 1929 drypoint on paper by American artist Peggy Bacon (1895-1987) titled "Vanity", apparently one of thirty from this edition. Pencil signed and dated 1929. Bacon

Signed lower right margin: Martin Lewis and in print the plate lower left: M. Lewis. Sight: H: 12; W: 16 1/4 inches. Frame: H: 18 7/8; W: 19 inches. Prov: Kennedy Galleries Condition: Removed from fra

MOORE, CLEMENT C. A Visit from St. Nicholas. Frontispiece, 5 full-page woodcuts, initial, borders, and vignette at end by T. C. Boyd. 8vo, publisher's wrappers printed in red and blue, supplied later

Theodore Clement Steele (American, 1847–1926) Old Law School at Dusk, IU Campus oil on canvas bears estate stamp (verso) 14 1/4 x 20 inches. Provenance: Clarence and Mildred Long Eckert & Ross F

figural pitcher of a rabbit, the ears from the handle, 12"

Subject: Autumn Landscape Medium: Oil On Canvas Size: 24 x 32 inches Frame: 30 x 38 inches Condition: Great overall for its age. Some small cracks are observed at a few places. There might be nicks on

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11