1695 HORACE Odes CARPE DIEM! Roman Literature Mythology French & Latin

1695 HORACE Odes CARPE DIEM! Roman Literature Mythology French & Latin “We are but dust and shadow.” ― Horace Horace was the most important Roman poet during the 1st-century BC. He

1752 Works of Horace ROMAN Literature Poetry Odes Rome Carpe Diem French Salmon “We are but dust and shadow” ― Horace Horace was the most important Roman poet during the 1st-century BC. He c

1735 Works of Horace ROMAN Literature Poetry Odes Rome Carpe Diem French Dacier “We are but dust and shadow” ― Horace Horace was the most important Roman poet during the 1st-century BC. He c

1794 1ed Works of Horace ROMAN Literature Poetry Odes Rome Wakefield Carpe Diem “We are but dust and shadow” ― Horace Horace was the most important Roman poet during the 1st-century BC. He c

1584 HORACE Works Roman Literature Poetry Odes Epistles Rome Carpe Diem Partenio “We are but dust and shadow” ― Horace Horace was the most important Roman poet during the 1st-century BC. He

Denuelle A Paris (French), circa 1815. Pair of Empire gilt ground cabinet plates with cameo portraits of Zenon (Zeno) and Paris, both figures in Greco-Roman mythology and history. Maker's mark stamped

after MIGNARD, Pierre the Elder, (French, 1612-1695): 18th Century recreation after the 17th Century original, Oil/Canvas, illegible notations on back, 16.5" x 13" oval, gilt frame 21.75" x 18". Condi

Studio Roche Bobois Six-part 'Voyage Immobile' sectional sofa, 21st Century Carpe Diem fabrics, stained beech. Manufactured by Roche Bobois, France. Lot comprising three straight sections, two ottoman

Follower of Horace Vernet (French, 1789-1863)Portrait of a Moor in traditional robesoil on lined canvas25 x 20in (63.5 x 50.8cm) Provenance:The Collection of the Marquis & Marquise de Ra

Lyons, Cornelius Hackius, 1762. In 2 . With 1 copper door and 112 (of 115) double-page plates engraved in copper, each numbered and with caption in Italian, Latin, French depicting Venetian palaces an

Ɵ Book of Hours, in Latin and French, illuminated manuscript on parchment [France (most probably Paris), c. 1400] 196 leaves (plus an seventeenth-century endleaf at each end), wanting single leav

ÆŸ Book of Hours, Use of Paris, in Latin and French, illuminated manuscript on parchment [France, c. 1475] 220 leaves, wanting single leaves throughout and slightly misbound in fourteenth gathering,

Ɵ Book of Hours, Use of Paris, in Latin and French, illuminated manuscript on parchment [northern France (Paris), c. 1500] 172 leaves (plus an added seventeenth-century frontispiece, and 2 paper

Attributed to Pierre Mignard (French, 1612-1695) Madame de Montespan (1640-1707) as Diana oil on canvas inscribed Francoise-Athenaes de Rochechouart - Marquise de Montespan - Par Mignard (lower center

Attributed to Pierre Mignard (French, 1612-1695)Portrait of a gentlemanoil on canvas24 x 20in (61 x 51cm)

(French, 1612-1695) Louise Renée de Penancoët de Kérouaille, Duchess of Portsmouth, in a landscape with cherubs, unsigned, oil on canvas, 43-1/2 x 43-1/2 in.; 19th century gilt wood and composition

Metal, covered with red-brown leather, oak, brass France, circa 1950 Jacques Adnet (1900-1984) – French designer, representative of French modernism Literature: comp. Hardy-Millet, p. 160 Dimensions

A set of twelve unusual hand painted 'Les Chasses de Compiegne' panoramic wallpaper panels Probably early 20th century after designs by Antoine Charles Horace Vernet aka. Carle Vernet (French, 1758-18

‡ Guillaume de Lorris and Jean de Meun, Roman de la Rose, in Middle French, illuminated manuscript on parchment [northern France (probably Paris), mid-fourteenth century] Two large leaves, each

Alabaster table clock, 2nd half 19th century, with carved floral motifs, set on alabaster discs, white enamel dial without damage with black Roman numerals and blued Breguet hands, French round moveme

Le Pho, Vietnamese, French, 1907 to 2001, oil painting on canvas depicting a still life with flowers, Hours. Signed with Hieroglyphs and in Latin lower left. Circa: 1960s to 1970s. Framed. A gold tone

Theophile Alexandre Steinlen (French, 1859-1923) Tournee du Chat Noir de Rodolphe Salis, 1896 lithograph in black and red on tan wove paper laid down on linen 54 1/2 x 39 1/4 inches. Literature: Crauz

Le Pho, Vietnamese, French, 1907 to 2001, oil painting on board depicting a still life, Flowers. Signed with Hieroglyphs and in Latin lower right. Circa: 1960s to 1970s. Framed. An original stamp of R

A late 19th century French figural floor molded clock by Samuel Marti et Cie, Paris. 8-day spring driven time and strike movement with visible escapement and two-part porcelain dial with Roman numeral