(2) CHARLES BECKENDORF (TX) FRAMED PRINTS ON PAPER

(lot of 2) Framed prints on paper, Charles Beckendorf (Texas, 1930-1996), including: (1) lithograph, Mourning Doves, printed signature lower middle, dated 1966, sight: approx 7 3/8"h, 9 3/8"w, overall

Charles Beckendorf (1933-1996, TX), "East Texas Farm", print on paper, ed. 137/580, marked, signed, framed Charles Beckendorf grew up in Mathis, Texas, where he was influenced by the surrounding coun

(lot of 2) Framed prints on paper, signed lower right Andrew Saldana (Austin, Texas, 20th c.), dated 1983, including: (1) Seated Woman with Red Pottery, sight: approx: 16.5"h, 11.5"w, overall: approx

Charles Beckendorf, "Lazy Day", 1984, print on paper, ed. 62/500, signed, framed Charles Beckendorf grew up in Mathis, Texas, where he was influenced by the surrounding countryside. After enlisting

Framed Prismacolor drawing on paper, "Sky Horns #2," signed lower right Arthur Turner (Charles Arthur Turner, Texas, b.1940), titled and dated 1976 verso, sight: 9.5"h, 9.5"w, overall: 10.25"h, 10.25"

Charles Beckendorf (1930-1996), pair of prints, titled "Whitetail Fawns", "Whitetails", signed, numbered 43/100, 741/750, framed frame: 14"h x 19"w Provenance: A San Antonio, TX Collection We happily

'Yippie/Yuppie' by Charles Bragg, 1987 Matching Number print set. 10.75 x 13 Inches ea. (prints) 26.6 x 20.2 x 1.4 Inches (framed) Vintage etchings on fine art paper. Limited Edition of 300 (#102/300

(lot of 2) Framed prints on paper, each likely depicting scenes from the Battles of Algeciras, in floral accented giltwood frames, sight: approx 10.5"h, 13.5"w, overall: approx 13"h, 16"w, 6lbs total

(lot of 2) Framed prints on paper, "Contemporary Chinoiserie Diptych," in faux bamboo gilt painted frame, retaining One Kings Lane retail label verso, sight: approx 40"h, 23"w, overall: approx 42"h, 2

(lot of 2) Framed prints on paper behind glass, each signed illegibly .... Thea (?), marked Safa, The Island Club verso, including: (1) Red Abstract, (1) Blue Abstract, sight: approx 28.25"h, 20.5"w,

(lot of 2) Framed prints on paper, Leon Danchin (French, 1887-1938), including: (1) Two Horses, signed lower right, numbered 309/ 500, spotting/ foxing, (1) Two Pointers, signed lower left, numbered 3

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

(lot of 2) Framed prints on paper, including: (1) "The Maiden," signed in print Gustav Klimt (Austrian, 1862-1918), with embossed details, sight: approx 11.5"h, 8"w, overall: approx 17.5"h, 14.5"w; (1

(lot of 2) Framed prints on paper, including: (1) serigraph, "Crash", signed in pencil lower right HBarnett (Helmut Barnett, Germany, Texas, b. 1941), dated [20]06, sight: approx 12.25"

(lot of 2) Framed prints on paper, signed in print after Willy Hanft, Dresden (German, 1888-1987), centered in parcel gilt and ebonized ripple molded frames, including: (1) Still Life with Pheasant, (

(lot of 2) Framed prints on paper, including: (1) Art Deco style poster print, Hoyos New York Expo '82, stylized couple dancing, sight: approx 27.5"h, 21.5"w, overall: approx 29.5"h, 23.5"w, (1) Art N

(lot of 2) Framed prints on paper, after Gustav Klimt (Austrian, 1862-1918), including: (1) Portrait of Adele Bloch-Bauer I, (1) The Embrace, largest - sight: approx 19.75"h, 15.75"w, overall: approx

includes The London Royal Mail and The Calais Express, frame measures 24 X 34 inches, print measures 14 3/4 X 24 3/4 inches

(lot of 2) Framed woodblock prints on paper, Utagawa Kuniyoshi (Japanese, 1798-1861), including: (1) Kazusa no Shichibyoe Kagekiyo wielding a broken beam, from the series Stories of a Hundred Heroes o

(lot of 6) Continental onyx and metal fonts, all with varied Religious iconography, and glass basins, including: (1) having champleve border, (2) centering framed prints on paper, (2) patinated metal

(lot of 2) Framed offset prints on paper, equestrian subjects, including: (1) "Winners of the Triple Crown," after Stanford Fenelle (American, 1909-1995), tear to sheet lower center, sight: 11.75"h, 8

(lot of 2) Framed offset prints on paper, University of Cambridge, after William Westall (British, 1781-1850), including: (1) "Jesus College from the Close," (1) "St. John's College from Fisher's Lane

(lot of 2) Framed photographic prints on paper, including: (1) "La Quebrada, Acapulco, Mexico," (1) "Cascada Agua, Veracruz, Mexico," sight: approx 9.5"h, 7 5/8"w, overall: 16"h, 13"w; 6lbs total Star

(lot of 2) Framed offset prints on paper, after R.R. McIan (Robert Ronald McIan, Scottish, 1803-1856), including: (1) "Clan MacKinnon," (1) "Clan Graham," sight: 13.5"h, 10"w, overall: 27.25"h, 23.5"w