A George III Neoclassical silver bottle

A George III Neoclassical silver bottle coaster, with wavy-edge rim with bead edge border, the body reticulated and decorated with wriggle-work, atop a turned wood base, sponsor's mark, 'IW', possibly

A Robert Sharp George III Neoclassical Silver Hot Water Urn, London, 1801 Marks: (lion passant), (crowned leopard's head), (duty mark), F, RS 16-1/4 x 12 inches (41.3 x 30.5 cm) 132.56 troy ounces The

A GEORGE III SILVER BOTTLE LABEL, by Paul Storr, maker's mark only, c.1810, shaped oval form, with Bacchus mask and grapevine decoration, pierced 'CHAMPAGNE'. 5.8cm wide

A George III silver mounted bottle coaster, the circular form with oval bead rim above lobed banding and the turned wood base having a crest engraved button to the centre. Hallmarked London 1812, make

George III Neoclassical Sterling Silver Teapot, George (II) Smith & Thomas Hayter, London, 1799, mark reg. 1792, shaped oval with bright-cut engraving, h. 7 in., wt. 15 troy ozs.

An early George III sterling silver five bottle sauce cruet, London 1762 by Erick Romer Of cinquefoil form raised on five cast and applied ball and claw with scroll brackets. Five circular pierced gal

Set of four George III Neoclassical style sterling silver candlesticks with urn shaped sockets, repousse scrolls to the body and solid wood inner bases for weighting. A lion with raised paw is etched

George III Silver Sugar Caster, London 1773-4, maker Thomas and Jabez Daniel, marked to base and to flange of the top, probably a bottle from a cruet stand, 6 7/8" h,

George III silver inkstand attributed to silversmith Hester Bateman, London 1788, one of the few female silversmiths. The antique liquor bottle added to complement the inkstand, and fits perfectly ins

Warwick, London, Samuel Wood, 1752. Bottles possibly later with silver covers. 7-1/4"h and appx. 15 t.o. without the bottles. Provenance: James Robinson, LTD., New York; Property from the Collection o

A George III Silver and Cut Glass Cruet Set William Burwash and Richard Sibley, London, 1808-1809 the silver mountings on bottles hallmarked for Sterling and 1808, the stand hallmarked for Sterling an

TWO GEORGE III SILVER CRUET FRAMES ONE SAMUEL WOOD THE OTHER JABEZ DANIELL & JAMES MINCE RESPCTIVELY LONDON 1760 AND 1768 both of similar form each for five bottles shell supports and central handles

A George III silver desk stand of oblong form, having a gadroon rim with foliate shell borders and raised on four paw feet, the centre fitted with three silver mounts for glass ink bottles and flanked

including Stieff bourbon and vodka; George III sherry, rum and gin; and Victorian whiskey; each 1 in. H to 2 in. H, 2 in. L., 2.15 ozt.

A GEORGE III IRISH SILVER CRUET STAND, Dublin c.1760, maker's mark of Robert Calderwood, the gadrooned frame fitted with twin pierced compartment for two silver mounted cut glass bottles, with applied

George III Sterling Silver and Cut Glass Inkstand Peter and Ann Bateman, London, 1791 Navette-form with reeded rim, with rings for three bottles, all raised on reeded bracket feet. Length 10 1/4 inche

George III English Silver (925) Cruet Stand, London, 1813 Maker's Marks, IE EE for, John and Edward Edwards, Weighing 20 ozt. (620 gm) Together with six bottles. Pair French Silver (925) Gravy-Boats,

An exquisite George III English silver shell footed cruet frame executed in a conjoined circular form capable of carrying (5) cylindrical bottles. With a city mark of London, maker's mark of Jabez Dan

Very Rare pair of Late 18th Century Neoclassical Sterling Silver Open Salts with Cobalt Glass Liners made by Charles Houghman, London in 1782 - George III. Additional Set available upon request. Reser

18th Century English George III Sterling Silver | Set of four (4) sterling silver candlesticks | c. 1799 | Neoclassical style sterling silver candlesticks, fluted urn shaped sockets, repousse laurel l

Silver caddy with shell feet carry two diamond cut bottles with matching sterling flip lids, caddy marked for John Delmester circa 1762, bottles hallmarked illegible but all hardware matches the caddy

A GEORGE III BRIGHT-CUT SILVER TEA CADDY IN THE NEO-CLASSICAL TASTE, London c.1788, maker's mark of Hester Bateman, of oval form, the hinged lid with urn finial, the body with bright-cut engraved flor

A GEORGE III IRISH SILVER BRIGHT-CUT MUSTARD POT, in the Neoclassical taste, Dublin c.1790 (date mark rubbed), makers mark of Christopher Haines, of oval form, the dipped lid with urn finial, the body

Large English 18th Century Sterling Silver Soup Tureen with engraved coat of arms of Valentine Brown Lawless, Cloncurry (1773-1853). Neoclassical form with oval, fluted base raised on an oval foot, wi