ADORATION PRINT AFTER PAOLO VERONESE (1528-1588).

Valentin Lefebre after Paolo Veronese (1528-1588), 17th century, Engraving, Assumption of the Virgin. Published by Jacobus van Campen. Approx. 18" x 12 1/4"

Italy, 16th Century. Etching on laid paper, signed on the plate. Adoration of the Shepherds with text below and "Giacomo Barri D.D.". Trimmed, toning, minor edge loss, taped along top margin. 17.25"h.

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

manner of PAOLO VERONESE (Italian 1528-1588) AN OLD MASTER STYLE PAINTING, "Feast at the House of Levi," PROBABLY PARIS, 18TH/19TH CENTURY, oil on canvas, a study of the central portion of the origina

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr

CIRCLE OF PAOLO VERONESEItaly, 1528-1588The supper at Emmaus. Signed and inscribed in ink and in period script verso “Paulus Veronese Venetia” and "N 134". Squared in pencil for

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

Three art books and albums on Italian Renaissance and Baroque painting. Caravaggio by John T. Spike, published by Abbeville Press, New York, 2001. The Art of Paolo Veronese 1528 to 1588 by W.R. Rearic

Paolo Veronese (studio) (Italian 1528-1588) Martyrdom of St Sebastian c. 1565 Drawing on laid paper; pen, ink and brown wash With an "IHS" watermark. The cross is above the "H"; 16th century watermark

Veronese, Paolo (Verona 1528–1588 Venedig) in der Art Anbetung der Könige. Öl auf Leinwand. 97,5x137 cm. - Doubliert.

After Paolo Vernese (Italian 1528-1588), Monumental Oil on Canvas Painting. The Marriage at Cana. The presentation of the virgin. 107" x 51"

After Paolo Veronese. 18th C. Sight-44"h x 38"w Overall- 4'4" h x 45-1/2"w

After Albrecht Durer (German, 1471-1528), "The Adoration of the Magi," (1511), woodcut on paper, posthumously printed, monogrammed and dated in plate, overall (with frame): 28"h x 24"w

1-Albrecht Dürer; after (German 1471-1528) Saint George Slaying the Dragon; c. 1504 Print on laid paper with watermark Size-8 3/16x5 7/16 in. 2- Jan Sadeler I (Flemish 1550-1660) The Adoration of the

Follower of Paolo Veronese St. Barbara oil on canvas 19 1/5 x 16 1/4 inches. This lot is located in Palm Beach. Property of a South Florida Collector

After Paolo Veronese, The Supper at Emmausξ original painted (c. 1555), Frame: 33 1/2 x 49 inches Canvas: 29 x 44 inches Condition: Good.

CARLETTO CALIARI; Sohn, Schuler und Mitarbeiter des Paolo Veronese. "DIE FINDUNG MOSIS" Renaissance Painting "The Finding of Moses" Oil on Canvas -- Dimensions: Image Size: H: 24 inches: W: 37.25 inch

Brown Pen And Ink With Brown Wash In Ink Outline On Paper, Being Architectural Design Studies With Notations. Attributed To A Follower Of Marco Marchetti (Circa 1528 - 1588). The Image Itself Measures

After: Albrecht Durer, German (1471 - 1528) Print "Pilate Washing his Hands" Marked Lower Left. Sight measures 4-1/2" H x 3-1/2" W, frame measures 27-1/2" H x 26" W. Condition: Good condition Estimate

2 Contemporary prints- 1). Paolo Boni (Italian 1926- )- ''Petit Soleil''- metal relief and etching in colors, 1970, signed, dated, titled and numbered 24/25 in ink. 10 7/8 x 15 1/2'' 2). Brita Molin (

Chromolithograph Published 1869-1914, London for "Vanity Fair" With accompanying biographical text. Paper Size: 15 x 10 inch (38 x 25cm) Approx. Good Condition

Pair of Paolo D'anna Prints of Male Ballet Dancers in Teak Wood Frames. Each measures 20.75 x 16.75 inches.

Pair of Paolo D'anna Prints of Male Ballet Dancers in Teak Wood Frames. Each measures 20.75 x 16.75 inches.

Albrecht Durer (German, 1471-1528) "The Adoration of the Magi- 1511" Woodcut. With Lugt collector's mark (Lugt- 3583) verso (lower left). According to Lugt, it is a handwritten mark in ink. The mark i