AESTHETIC MOVEMENT STAND WITH TRAY

Bradley & Hubbard Attributed Aesthetic Movement Brass & Enamel Stand. The top inset with enameled floral tile; enamel cylinder to the pedestal support; on four legs at angles. {Approximate dimensions:

Vintage English Aesthetic Movement Bamboo Tray Table with inlaid wood and lacquer decoration Dimensions: 38"H x 42"W x 26"D Property from an Internationally renowned Photographer's apartment and the N

Reed & Barton Sterling Silver Aesthetic Movement Tray molded as a naturalistic Water Lily Leaf with Flowers and Buds. Marked under the "stem" handle "Reed & Barton 1400" with Boat mark for 1937. Weigh

Gorham sterling silver copper mixed metal Aesthetic Movement tray #b65, 1883. Applied silver birds and foliate. Gorham mark to the underside dating to 1880. Weight Approx., 0.5 lb Measures: 7.75 inche

James W. Tufts Aesthetic Movement tray with turned edges and a parrot perched on a branch motif, raised on melon-form feet, #3140 Boston, Massachusetts silverplate applied tag with stamped marks 6 1/8

England, c. 1890 30 1/2 x 14 x 14 in. wood, paint Aesthetic Movement stand with still life painting of a flowering chestnut.

Reed Barton, presentation tray, to Moses Gifford by First National bank of Provincetown president and directors dated 1871, 20 1/4" x 15 1/4" aesthetic design with 4 mounted medalions

Height 30 1/2 inches (each)

Attributed to Bradley & Hubbard Manufacturing Co. (1854-1940)Aesthetic Movement Stand, circa 1880sBrass, Longwy enamelled ceramic Together with Aesthetic Movement brass and mirrored glass table mirror

Circa 1880's probably Bradley & Hubbard, though possibly Charles Parker Aesthetic Movement stand with prisms. Unmarked. 31" high, 14 1/4" in diameter. CONDITION: Excellent with some imperfections. One

Gorham mixed metal silver and copper Aesthetic Movement Tray #B73, 1882. Beautiful applied birds and trees with applied textured stubble to the base. Gorham marks to the underside. Measures: 10.25 x 7

An Aesthetic Movement stand having an inset marble top resting in a round incised frame above a turned wood column and stylized carved and incised griffin legs and feet. Size: 32.5" H x 23.5" W x 21.5

Two stands. The first, an Aesthetic Movement stand with unusual spiral foot pads. Polished and lacquered. Probably 1880's or 1890's. Most likely had a tile top now absent. Stands 26 1/2 tall with an 8

Circa 1880's Silver Plated Victorian Aesthetic Movement Tray in excellent original condition. Yes, after 150 years, there are a few scratches but otherwise very clean with nearly all of its plating pr

An ebonized Aesthetic Movement stand having an inset glass top depicting an angel above a turned column resting on shaped and incised feet. Size: 33.5" H x 17" W x 16" D Provenance: Production of �

Vintage Reed & Barton aesthetic Movement tray with water lily leaf and flower and bud design, hallmarked and stamped 1400 and with boat mark date 1937 and inscribed 710/6 under the stem, 2 x 20 ½

Bradley & Hubbard Aesthetic Movement Plant Stand with Longwy Tilescirca 1875the top tile signed "Longwy" 33 1/2 x 14 inches

Bradley & Hubbard Mfg. Co.(Meriden, CT, 1852-1940)Aesthetic Movement Plant Stand with Longwy Insert and Minton, Hollins & Co. Tilecirca 1875gilt brass, earthenwaretop tile marked "Minton, Hollins & Co

Charles Parker Company(Meriden, Connecticut, 1832-1957)Aesthetic Movement Plant Standcirca 1885brass, potterywith a tile decorated with a bird and flowers32 1/2 x 12 1/2 inchesProvenance: Priv

Late 19th c. Carved Mahogany Figural Stand, having an inlaid top with floral carved edge, shaped and carved apron, small lower shelf supported by a carved standing egret and four turned corner posts,

Bradley & Hubbard Mfg. Co.(Meriden, CT, 1852-1940)Aesthetic Movement Plant Standcirca 1875gilt bronze, potterystamped "Pat. Appl'd For"33 1/2 x 13 1/2 x 13 1/2 inches

By the Bradley & Hubbard company of Meriden CT, with French Longwy Enamel Pottery inserts. In excellent Condition. 30.5" tall, 13" x 13" at the top.

Circa 1870. Having a square top above nicely carved edge and base with turned wood mid segment and carved lower base. The inside looks to be signed by the maker in pencil as seen in photographs. The t

American Aesthetic Movement Giltwood Pedestal/Plant Stand, late 19th/early 20th century, the figured onyx top over a frieze mounted with leonine masques, on fluted legs joined by arched brackets, an u