After Jean De Boulogne: Rape of the Sabine

bronze mounted to marble plinth; signed in casting "Vian" The bronze: 30 in. (76.2 cm.) high, Overall: 32 in. (81.3 cm.) high

The Rape of Sabine Iconic Bronze Sculpture, ca. 1930 up cycled statue into a lamp. After Jean de Boulogne (Italianized name -Giambologna). bronze sculpture; the torturous Rape of a Sabine woman, twist

A 'Mercury' gilt bronze statue after Jean de Boulogne depicting Mercury atop a raised tiered base with embossed cherub motif band. Signed near base.

patinated bronze, on stone plinth; inscribed in casting to base "Jean de Boulogne" Overall: approximately 58 in. high

After Giambologna (Jean de Boulogne, Flemish, 1529 - 1608) the original sculpture of "Hermes" (created 1580) an American "Bronzed" Spelter lamp. 33" H

After Giambologna (Jean de Boulogne, French/Italian, 1529 - 1608), "Mercury", resin sculpture, with retailers label to underside, on marble base. 15.5" H x 4" W x 2.75" D. Keywords: Italian Renaissanc

Afte Jean Boulogne bronze sculpture "The Sabine Woman", late 20th C, black marble base, 16-3/4" h, very good condition

each patinated bronze, mounted to green marble plinth, in turn mounted to square painted-wood pedestal; signed "F. de Lucca" Rape of the Sabines: 33 1/2 x 21 x 16 in., Overall: 50 in. high, The other:

Ferdinando de Luca bronze sculpture titled 'Rape of the Sabine Women.' Signed to bronze base. Measures 13 1/2" (34cm) + 1" (2.5cm) marble base.

Botanical Garden, Bois de Boulogne, 1958. Signed l/r, the reverse also signed, dated and titled. Oil on Canvas. 20 by 24 in., overall 26 by 31 in.

This contemporary matted and framed Vanity Fair print is from a fin de siècle plate by Jean Baptiste Guth. The 1897 image features a large group of French bicyclists and pedestrians, at the edge of

FERDINANDO DE LUCA (Italian 19th/20th century) "Rape of the Sabine Women" Bronze. 46 x 19 x 16 inches. Signed on base.

Attributed to Jean-Honoré Fragonard (French, 1732-1806) , "Rape of the Sabines after Pietro di Cortona (Italian, 1596-1699)", 1761, black chalk on paper, framing lines in brown ink, unsigned, pencil-

Antique large bronze, "Rape of the Sabine Women", with E. de Labroue foundry mark, 21" H x 20" W x 10" D.

Ferdinando de Luca (Italy 19-20th Century) Bronze Statue mounted on marble base, modeled after Giambologna's The Rape of the Sabine Woman, signed 'F. de luca' on base; used condition, wear/worn, chipp

Map of Kent, showing Isle of Thanet, Dover, Canterbury, Hythe. Also showing Northern France - Calais, Boulogne etc. Copper Engraved Map Published 1736-1808, Paris for "Histoire de l'Acade?mie royale d

‡ Guillaume de Lorris and Jean de Meun, Roman de la Rose, in Middle French, illuminated manuscript on parchment [northern France (probably Paris), mid-fourteenth century] Two large leaves, each

Paris, Desa in t & amp; Sail la nt, chez Durand, de l'primerie de Charles-Anto in and Jombert, 1755 -1759. 4 vols. In 2nd. vol. 1 Allegorical front door in cisa by Dupuis and Coch in on a drawing by O

Three images added, scroll through 12 images. Important Gertrude Vanderbilt Whitney Jean de Strelecki WWI sculpture 1919 exhibition original photograph survey album. Astounding photographic survey Imp

LA FONTAINE, JEAN DE. 1621-1695. Contes et nouvelles en vers. Paris: Didot l'ainé, 1795. 2 volumes, large 4to (323 x 240 mm). Engraved title vignette, 20 engraved plates after Fragonard and other

bronze, maple and oak parchment Table: 19 x 68 x 31 1/2 in. (48.3 x 172.7 x 80 cm.), Each bench: 15 x 60 x 15 1/2 in. (38.1 x 152.4 x 39.4 cm.) Provenance: Property from an Estate, Beverly Hills, Cali

Jean de Roncourt (French 19th/20th century), undated and untitled, Art Deco patinated white metal sculpture of a hunter, circa 1930, resting on a Nero Portoro marble plinth, with black marble pedestal

Serres (Jean de) The Three Partes of Commentaries, containing the whole and perfect discourse of the Civill warres of Fraunce..., 3 parts in 1, translated by Thomas Tymme, mostly black letter, each pa

Jean de Courtenay de la Ferte Loupiere. Foot Position 23. Rarest of the primary foot positions with surviving examples numbering less than 10. This actual figure is pictured on p.45 of Peter Greenhill