Algodón de azúcar / Cotton Candy by Mario Algaze

(Cuban, b. 1947) printed 2005, "Platinum"/Palladium print, edition 4/12, signed, titled, dated and numbered in pencil on verso. Sight: 7-1/4"h x 7-1/4"w Overall: 16-1/2"h x 16-1/2"w Provenance: Peter

VINTAGE COLLECTION OF REVELL DIE CAST CARS - INCLUDING 1970 CHEVY MONTE CARLO COTTON CANDY - 1963 CHEVY IMPALA CHICA DE ORO - 1971 BUICK RIVIERA GREEN'S DRAGON - 1970 CHEVY MONTE CARLO GRIM REAPER - A

Robbie the Robot Coin Operated Cotton Candy Vending Machine. This item requires third party shipping or pickup arrangements to be made. Dimensions: 58 x 27 x 25

Embrace the vibrant spirit of spring and a renewed sense of optimism with the Oris Divers Sixty-Five "Cotton Candy" collection. In a world seeking solace from the challenges of the past year, these un

Coppa Philips in vetro di Murano. Prod. Venini, Italia, 1965 cm 21x18x17, Bibliografia A. Venini Diaz De Santillana, Venini Catalogo Raisonnè 1921 - 1986, p. 224 fig. 203, Skira, 2000. F. Deboni, I

Mario De Ferrante (Italian/American, 1898-1992) Abstraction oil on canvas signed lower left 24" x 30" Provenance: A Private Midwest Collection

Mario De Ferrante (Italian/American, 1898-1992) Abstraction oil on canvas signed lower left 28" x 22" Provenance: A Private Midwest Collection

MARIO BELLINI (né en 1935). Table basse en travertin, circa 1970 Edition pour Cassina. Le plateau posé sur un pied central composé de quatre cylindres. MARIO BELLINI (geb. 1935), salont

Fili di cotone e detessiture su tela di juta. 117 x 97,5 cm Firmato, tre volte, e datato al verso sul telaio. - Cotton threads and de-thretened on jute canvas. 46.06 x 38.39 in. Signed, three times, a

Will Cotton (American, b. 1965) "Candy Cane", 2002 watercolor and graphite on paper signed and dated lower right. Framed. 9-3/4" x 7", framed 12-3/4" x 9-3/4" Provenance: The Collection of Adam Lippes

Heubach Sled Candy Container holding Cotton Ball all original with wood hands 8 1/2" x 9"

1121. COTTON SANTA SITTING ON CHIMNEY CANDY CONTAINER | 11" h. x 8.5" w. | (Excellent Condition) | $1,000 - $1,500

Ann Goldthwaite (American 1875-1944)- ''Chapelle du Val de Grace''; Woman Writing; and ''Cotton Wagons in Court Square''- 3 etchings, all signed in pencil, very good condition, various sizes.

(7 lots) 4x Ningxia seat mats 1 Ningxia seat mat 2x Ningxia saddle antique, China 18 / 19thcentury, wool / cotton, from the Koos de Jong collection. Special-Auction: Antique, old and decorative rugs &

De La Serie Sanz African Drummer Mario Carreno Cuba 1943 oil on canvas 31 1/2 x 24 Please note that this lot has a confidential reserve. When you leave a bid in advance of the auction, submit your max

De La Serie Sanz African Drummer Mario Carreno Cuba 1947 oil on canvas 14 x 7 1/2 Please note that this lot has a confidential reserve. When you leave a bid in advance of the auction, submit your maxi

Pair of small club chairs by Parrish-Hadley, covered in Elsie de Wolfe-inspired botanical fern printed cotton linen, likely Brunschwig & Fils. Some light staining. 31" H x 31" W x 27" D; seat: 17.5" H

Parish-Hadley, custom floral chintz sofa, 20th c., American, Mario Buatta style over-stuffed cotton chintz upholstered sofa with scroll arms, pleated skirt, down filled cushions, 30"h x 92"l x 40"d, 2

Group of Christmas items including German candy container with snowball and cotton baby with bisque head 4"T, 6 cardboard fold-out Santas with paper Christmas trees, 3 miniature feather trees (tallest

Tubular varnished wood structure, cushions with original beige cotton fabric. 140 x 80 x 70 cm.

Tubular varnished wood structure, cushions with original beige cotton fabric. 80 x 57 x 45 cm.

SIGNÉE MARIO BUCCELLATI centrée d'une émeraude rectangulaire dans un sertissage ajouré de diamants, poinçon 750, avec écrin d'origine, l'émeraude ébréch&#2

Mario BELLINI (1935)Canapé modulable modèle « Camaleonda » garni de velours rougeProduction B&B Italia, vers 1970220 x 65 cm x 94 cm* Vendu sur désignation (disponib

Mario Carreno y Morales was a Cuban painter. He studied painting at the Academia de San Alejandro, Havana, Cuba from 1925 until 1926. In 1934, he studied at the Real Academia de Bellas Artes de San Fe