American Whistler Oak Frame 16 3/4" x 20 3/4"

American, ca. 1890, having reeded profile and gilt liner. Overall 20 1/4" x 24 3/4", Rabbet 16 3/4" x 20 3/4", Molding 2".

GARDEN SCENE, gouache on Brownie Board, image 10 ½ x 19 ½”, board 13 ¾ x 20”, gold leaf frame 16 x 25” with silk mat and gold-leaf filet, with glass.

American, ca. 1890. Overall 28 3/4" x 34 3/4", Rabbet 20" x 26", Molding 5".

19th century American School Tromp L'oile still life painting. Wood panel with a handing violin, key and mug. Monogrammed C.W.B. Oil on board. Oak frame. Sight size: 26" x 20". Overall size: 34" x 28"

ROSENSWEIG, Irving (American, 1915-1983) Margareville, New York. 1957 Oil on canvasboard. Signed and dated lower right. 16 x 20”. Frame: 19 ¾ x 23 ¾”. Some wear to frame. Excelle

THREE MASAI, gelatin silver print, signed in pencil, sight 6 ¾ x 6 ¾”, frame 20 ¼ x 16 ¼” with Plexiglas.

Ed Paschke (American, 1939-2004) Tampa Series Proof. Color lithograph, pencil signed lower right, dated '99, and titled 20.25" x 16.25" Frame: 34" x 26.25"

Paul J. Moses (American, 1946-2016) Barn Raising signed 'PAUL.J.MOSES' (lower right), identified, dated, and numbered '...1968/...32/...' on the artist's copyright label (affixed to the frame backing

American, ca. 1890, having gilded oak panel and flat top edge, in a great standard size. Overall 30" x 34", Rabbet 20" x 24", Molding 5 1/4".

SACRED AND PROFANE LOVE, 1986, gouache on paper, initialed and dated lower right, 12 x 16”, frame 21 ¾ x 26 ¾” with Plexiglas.

BRITTON, Sylvester (American, 1926-2009). Abstract Squares. [20th century]. Multimedia on paper. Signed at lower right corner. 5 ¾ x 6 ½”. Frame 20 ¼ x 16 ¼”. Excellent

Cruz, Mid Century Modern Latin American Abstract Oil on board painting, drip art, signed, framed. Size; 20 x 16 , outside of frame: 34 x 30

Martha Casanave ANSEL ADAMS AT PIANO, 1978, gelatin silver print mounted to card, signed and dated in pencil on card lower right, image 9 ¾ x 13 ¼”, frame 16 ¼ x 20 ¼”; Together with Photograp

SYNAGOGUE, gouache and ink on paper, signed upper right, sight 9 ¾ x 5 ¾”, frame 16 x 12” with glass.

Mary Wilson Smith (American, 1819-1874), Manner of. "3 Yellow and 2 Black Chicks, oil on canvas. Framed. Size: 8'' x 10'', 20 x 25 cm (stretcher); 13.5'' x 16'', 34 x 41 cm (frame).

CARTER THE GREAT, color lithograph poster, printed by The Otis Litho Co. Cleveland, sight 20 x 13 ½” with margins, frame 22 ¾ x 16 ¼” with glass.

American, probably by O' Hearn Furniture, unmarked, each with black finished frame, four slat back, stretcher bases, vintage style upholstery, 34 x 17 x 20-1/2 in., seat height 16 in. Provenance: Priv

William Keith (American, 1838-1911), Path Through the Oaks, oil on canvas, signed lower right, canvas: 20"h x 30"w, overall (with frame): 34"h x 4"w

Early American Modernist, Illegible Signature SLR, Oil on Canvas, Image, 20 ½ in. x 16 ½ in. Frame 26 ¾ in. x 22 ¾ in. Remnants of an exhibition label on stretcher verso.

FRANK ZAPPA VANCOUVER 3/14/74, signed and titled and numbered 16/75 in ink, blind stamp lower right margin, image 16 ½ x 13”, full margins, frame 26 ¾ x 22 ¾” with gla

GEORGE HARRISON VANCOUVER 11/2/74, color photograph, signed, dated, titled and numbered 16/75 in ink, image 16 ½ x 13”, full margins, frame 25 ½ x 21 ¾” with glass. Li

Sleeping Beauty Aurora with forest animals, 1958, multi-cel set-up, gouache on celluloid, sight 9 ½ x 13 ½”, frame 16 ¾ x 20 ¾” with Plexiglas. Provenance: Camd

Standard 16 x 20 Frame.Rabbit size 16 x 20 inches. Sight size 19 1/2 x 15 1/2 inches,

American 1890's. Rabbet Size: 34 x 20 in. Overall Framed Size: 42 x 28 in. (88-503) (22) Provenance: The historic period frame collection of Eli Wilner. The collection previously included frames adorn