Andrew Thomas Schwartz (New York, 1867 - 1942)

Signed Andrew Thomas Schwartz (New York artist, 1867 - 1942), landscape, oil on canvas, 36" x 48".

Landscape oil painting on canvas with a crab apple tree in bloom with a mountain scene with sheep by Andre Schwartz, 1906. Andrew Schwartz (1867-1942) of New York is known for mural landscapes, figure

Andrew Thomas Schwartz: 1867-1942,United States,Landscape, Signed LL, Oil on canvas, 19-1/2" x 23-1/2", framed. Condition - Good

Andrew Thomas Schwartz: 1867-1942,United States,Landscape, Signed LL, Oil on canvas, 19-1/2" x 23-1/2", framed. Condition - Good

Andrew Thomas Schwartz (1867-1942) Signed lower right. Canvas measures 16 x 20, frame is 24.25 x 28.25 inches. We happily provide seamless in-house packing and shipping services on nearly everything w

Andrew Thomas Schwartz (American 1867 - 1942) oil on canvas board, Landscape-Summer Blossoms, 16" x 20"

Andrew Thomas Schwartz (American 1867 - 1942) oil on canvas board, Landscape-rolling hills, 12" x 16"

Andrew Thomas Schwartz (NY 1867 - 1942) oil on canvas board, hillside with little white houses, approx. 12" x 16"

Painting, Oil on Board. Andrew Thomas Schwartz, American (1867-1942). "Country Home". In Original Frame. Along with Another Painting. Condition: Generally Very Good. Dimensions: Schwartz Painting Sigh

Andrew T. Schwartz (1867-1942), 'View of Annisquam, Gloucester', oil on canvas, signed L/L, 23 1/2" x 29 1/2", framed 28 1/2" x 34 1/2". Provenance: Stanton Galleries, Hampden, Massachusetts, 07-27-19

Andrew Schwartz (American 1867-1942), oil on canvas landscape signed lower right, 12'' x 16''.

Hector GUIMARD (Lyon 1867 - New York 1942) Important oblong planter in cast iron with ornate and openwork floral decoration.Weight (K): 30kgCondition: at first glance - good condition - no restoration

IRELAND. A lot of 2 volumes sold together. Including: Haverty, Martin. THE HISTORY OF IRELAND, FROM THE EARLIEST PERIOD TO THE PRESENT TIME. New York: Thomas Farrell & Son, 1867. Thick quarto. Full br

"The Last Kiss" was published circa 1867 by Fishel, Adler & Schwartz, New York. It was engraved from an image from the 1867 Paris Exhibition. The smaller image is an Art Deco color etching of a red-he

Moore, Thomas, ''The Poetical Works of Lord Byron'', Johnson, Fry and Company, New York, 1867, 1st quarto edition complete in one volume, hard bound in leather, with raised bands on spine, 740 pp.

Wyeth, N. C., Andrew, James, Hoving, Thomas et al. An American Vision. Three generations of Wyeth art. Boston: little brown and company. A new york graphics society books published in association with

1811, 1814, 1815 Andrew Beers, 1812, Robert Thomas, 1821 A. Allen, 1827, American Tract Society New York Christian Almanac, 1828, American Tract Society Hartford Christian Almanac

B. Altman & Co., New York, 1976, 83 of 200 edition limited including The Adams' Old House, George Washington's Mt. Vernon, Thomas Jefferson's Monticello, and Andrew Jackson's Hermitage, L. Hitchcock,

Original oil on canvas painting of famous Mexican artist Frida Kahlo. Work measures 24 1/2" x 32". Signed Farida Kahlo 1942 lower left.Provenance: Private New york Collection

Bruce Hannah (b. 1941) & Andrew Morrison (b. 1942) for Knoll International daybed New York, New York, 1975 coated aluminum, upholstery Knoll sticker label and upholstery label 86"w x 40"d x 17 1/2"h;

A $1,000 bank note from New York's Bull's Head Bank, dated Nov 7 1867, made out to Holmes T. (?) Wyckoff, signed by Thomas J. O'Connor. With attached George Washington 2 cent stamp, cancel

After Pierre Bonnard (1867-1947) by Jacques Villon (1875-1963) LA TAPIS ROUGE (BOUVET 125; GINISTET/POUILLON E 695) Color lithograph, 1942-46, signed with initials by Bonnard and inscribed epreuve in

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

Andrew Tavarelli, American (Born 1942). Watercolor, gouache and ink on paper, mounted in acrylic box frame. Label on verso. Provenance: Fischbach Gallery, New York. Measures 41"H x 30.75"W framed; 39"