Antonio Calderara, Untitled from 9x5 Konkret Portfolio,

Antonio Calderara (Italian, 1903-1978) Calderara Portfolio (ten prints with cloth portfolio case), 1973 screenprints each signed, dated, and inscribed in pencil (verso) 10 1/2 x 10 1/2 inches (each.)

To include an Antonio Calderara (Italian, 1903-1978) untitled lithograph pencil signed "AC 1969" lower left, and numbered 13/20; and an Aldo Mengolini (Italian, 1930) untitled lithograph pencil signed

Metropolitan Opera, untitled seven piece portfolio, color lithographs, numbered 2/2, includes "La Boheme" by Jamie Wyeth, "Don Giovanni" by Andre Masson, and others by Antonio Clave, Leonor Fini, Mari

Vija Celmins (American/Latvian, b. 1938) Galaxy (from Untitled Portfolio), 1975 lithograph signed, dated, and numbered 59/75 in pencil 12 1/2 x 16 1/2 inches. Printed by Cirrus Press, Los Angeles Publ

Jackson Pollock (American, 1912-1956) A Pair of Prints from Untitled Portfolio, 1951 (printed in 1964 by Lee Krasner and the Pollock Estate) screenprints each bearing estate blindstamp and numbered 28

(Angie). Edition 5 of 5 (+2). Barbara Gladstone Gallery, New York label affixed verso. Richard Prince (American, b. 1949). From the estate of Vera G. List, renowned art collector and philanthropist. D

Antonio CALDERARA (1903-1978), "Sans titre", huile sur carton, sbg, circa deuxième moitié des années 40. 16x22 cm

Untitled. Terracotta. Cm 43,00 x 60,00 x 29,00. Provenance: Private collection, Rome. Pablo Echaurren authenticity certificate on photo.(C)

Untitled. 1992. . Cm 49,00 x 60,00 x 30,00. Pablo Echaurren authenticity certificate on photo. Provenance: Private Collection.

Untitled. 1992. . Cm 32,00 x 60,00 x 32,00. Pablo Echaurren authenticity certificate on photo. Provenance: Private Collection. Defects.

Untitled. Mixed media on paper. Cm 35,00 x 50,00. Signed lower right. Publ. on Catalogue L'autoapocalipse by R. S. Matta, cured by Renato Nicolai. Editori Riuniti. Pag. 115.. Frame present

Untitled. 1992. . Cm 20,00 x 40,50 x 16,00. Pablo Echaurren authenticity certificate on photo. Provenance: Private Collection.

José Antonio Velásquez (Honduran, 1906-1985) 'Untitled', 1974'; Oil on canvas; Signed and dated J.A. Velásquez Honduras C.A. 74, lower right

Untitled. Oil on canvas . Cm 40,00 x 30,00. Signature upper left. Small defects. Frame present

Lot 8 Antonio Bokel Brazilian (20th Century) Untitled (four panels) oil, spray paint, cardboard and mixed media on canvas each signed verso 55 x 102 inches Provenance: A Private Brazilian Collection,

Untitled. Oil on canvas . Cm 50,00 x 60,00. Signature lower left. Small defects. Frame present

Untitled. Oil on canvas . Cm 40,00 x 30,00. Signature upper centre. Small defects. Frame present

Untitled (Catelia). 1999. Silkscreen and collage. Cm 70,00 x 70,00. 3/5 H.c. Edition lower left. Signature in pencil and Sanzanobi dry stamp at the centre. Printer: Sanzanobi, Palermo. Artwork made â

Antonio Lorenzo Untitled 1962acrylic on canvas25.5 h x 32 w in (65 x 81 cm) Signed and dated to lower left 'Lorenzo 62'. Signed and dated to verso '1962 37 G.347 Lorenzo'. Provenan

Deborah Lou Turbeville (1932-2013), untitled Versailles Portfolio (17), 1981, artist's proof, sight: 13 x 19.5", matte: 24 x 18" Deborah Lou Turbeville was born in Stoneham, Massachusetts in 1932. She

Adolph DeMeyer (1868-1943), untitled Nijinsky Portfolio, photograph portfolio (25 images) taken by DeMeyer in 1912 from the ballet, "l'Apres-Midi d'un Faune", 5/250 signed series by printer Richard Be

Richard Anuszkiewicz Untitled (from Portfolio of Reproductions, by artists in residence in N.J., issued by N.J. Volunteers for McCarthy,1968) 1968lithograph 16 h &times; 13.5 w in (41 &times; 34 cm)<

Framed aquatint and etching on paper, 1988, Untitled, from "Portfolio 12th Anniversary of Galeria Joan Prats," signed lower right Tapies (Antoni Tapies, Spain, France, 1923-2012), Galeria Joan Prats l

Lee Krasner (1911-1984) Untitled, from Peace Portfolio I, 1970 Lithograph in color on Arches paper, signed in pencil and inscribed 'for Jacques Mourlot' (an unnumbered proof from the edition of 175),