Attributed to Carlo Maratti (Italian, 1625-1713),

Attributed to Carlo Maratti(Italian, 1625-1713)Madonna and Childoil on canvasunsigned9 x 7 1/2 inches (sight)27 x 23 1/2 inches (frame)

In the manner of Carlo Maratti (Italian, 1625-1713) "Adoration of Magi" oil on canvas, plaque bearing the name of C. Maratti. Image size: 25.5" x 19.5" Provenance: Cathedral Village Retirement Communi

Attributed to: Carlo Maratta (Italian, 1625-1713) Portrait of the Infant Jesus, Oil on Canvas, Unframed, Image Size: 15-1/2 x 19-1/2 inches Condition: Average for its age and type

An engraving by Carlo Maratti (1625-1713). Italian. Features the tomb of Annibale Carracci, a 16th century Italian painter leading in the Baroque style. Plate measures approx 16 1/2" x 16 1/4&#34

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

Engraving, "The Judgment of Paris," by Giovanni Girolamo Frezza, 1708. After the painting by Carlo Maratti (1625-1713). 16 3/4 x 20 inches. Very good condition overall. Unframed.

In the Manner of Carlo Maratta (Italian, 1625-1713) 'Visions of St. Anthony of Padua' Oil on Canvas Undated and unsigned depicting the saint holding the Christ Child as Mary looks on, in a gold-tone g

After Carlo Maratta (Italian 1625-1713) Augustus Closing the Temple of Janus, engraved by Johann Jakob Frey (1813-1865) after the original painting dating to 1738, matted and framed under glass with r

An Italian school print on board after studio of Carlo Maratta (Italian, 1625-1713) charcoal and pencil painting on paper depicting Madonna with children. Framed. Dimensions: Frame size: 11 3/4 x 10 i

L’Angelo mostra a San Filippo Neri un dipinto della Vergine con Bambino e San Giovannino olio su tela, senza cornice, cm 63 x 53Circle of Carlo Maratti (Camerano 1625 – Rome 1713)An angel appears

An antique Italian oil painting relined with an 18 century stretcher canvas depicting Madonna with a sleeping child, after the original painting by Carlo Maratta, Italian, 1625 to 1713. Framed. Carlo

(Camerano, 1625 - Roma, 1713) Scena mitologica Olio su tavola tonda, diam. cm 13 Sul retro della tavola è posto un cartellino recante la scritta a matita: 'Opera del Pittore Carlo Maratta' e sotto

MARIENDARSTELLUNGEN (Assumption of the Virgin), circa 1650, etching on chain laid paper, name in design, sheet 9 ½ x 7”, mat 14 x 11”.

Tapi after Carlo Maratta (1625-1713), oil on canvas, "Head of Christ", set in a very good carved and pierced gilt and gesso frame, "Alfredo Candida & Co. Florence" label on verso, painting is signed o

Antonio, Attributed to Carlo (Italian, 19th Century), Two Hand Colored Exotic Bird Engravings, image: 10.5 x 13.5 inches, gold finished red wood frame: 20.5 x 23.5 x 1 inches

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

Attributed to Carlo Nason, Italian (b. 1936) Mid Century Mazzega Seven Stacked Glass Floor Lamp. Good condition. Measures 53" H. Shipping: Third party. (estimate $800-$1200)

Museum quality oil painting of Santa Cecilia on metal attributed to Carlo Dolci (Italian,1616-1686). Carlo Dolci was an Italian painter of the Baroque period, active mainly in Florence, known for high

(pair) Italian Art Nouveau (Stile Floreale) rosewood chairs, attributed to Carlo Zen (Italian, 1851-1918) and Piero Zen (Italian, 1879-1950), Milan, c.1905, with brass and mother of pearl inlay, styli

Italian Art Nouveau (Stile Floreale) rosewood settee, attributed to Carlo Zen (Italian, 1851-1918) and Piero Zen (Italian, 1879-1950), Milan, c.1905, with brass and mother of pearl inlay, stylized clo

Italian Art Nouveau (Stile Floreale) rosewood vanity/ dressing table, attributed to Carlo Zen (Italian, 1851-1918) and Piero Zen (Italian, 1879-1950), Milan, early 20th c., triple mirror with beveled

Italian Art Nouveau (Stile Floreale) rosewood commode, attributed to Carlo Zen (Italian, 1851-1918) and Piero Zen (Italian, 1879-1950), Milan, early 20th c., mirror with three beveled plates, inset ma

Carlo Maratta (Italianate) 1625-1713. Madonna and Child with the Young St. John. Etching, 1647. Bartsch XXI-92-9, ii/II. Signed in the plate, l.l. Dated and inscribed in the plate, "INV ET SCL", l.r.