Attributed to Edwin Hayes (1819-1904) British

Edwin Hayes (1819 - 1904) French Fishing Boats Oil on canvas, 76 x 127cm (30 x 50) Signed Edwin Hayes remains one of the most illustrious of Ireland’s maritime painters. Hayes may have been bor

Attributed to Edwin Hayes, stormy seas with a small barge washed up on the shore, watercolour on paper, signed indistinctly bottom/right. Giltwood frame. 5 x 8 inches.

Painting Titled Fishing Boat off Pierre Port. Framed by Thomas Acne and Sons (1600-1950) in a wood and plaster high relief gold leaf frame. Artist signed on the back of the canvas, E. Hayes RHA as wel

Antique Attributed Edwin Cole (British, 19th c.) Framed Landscape Oil Painting. Painting depicts landscape with sunset or sunrise. With frame measures 29" x 19". Without frame measures 23.5" x 13.5".

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

Fishing boats in a storm Oil on canvas laid to canvas Signed lower right: Edwin Hayes 12.25" H x 24.25" W

Attributed to Edwin Loder, painting, Attributed to Edwin Loder (British, 1827-1885), white whippet, oil on canvas, no signature found, inscribed on stretcher verso, 15.5" x 19.5" (sight), framed

Floral oil on board painting Martin Johnson Heade (1819-1904), Attributed . Signed M. Heade on lower left. From verso, board of painting measures 14.75 inches wide by 8.5 inches high. Housed in wood f

Attributed to Sir Edwin Henry Landseer (British, 1803-1873) Three Highland Cattle, 1868 oil on paper dated by another hand (lower left) 10 1/2 x 13 1/4 inches. Provenance: Kenneth A. Lohf, New York By

Attributed to Martin Johnson Heade (1819 - 1904) Oil on Canvas. Appears to be unsigned. Provenance: Private Florida collection. Sight Size: 11 x 8 in. Overall Framed Size: 16 x 13 in.

Attributed to Queen Victoria (British, 1819-1901). Graphite on paper sketch depicting an elegant angel standing with a halo above their head and hands folded, purported to be rendered by Queen Victori

19th c. Small Watercolor Study attributed to Martin Johnson Heade (American, 1819-1904), Salt Marshes at Newbury Port c. 1860s. Rowboat in creek foreground, rows of haycocks; line of birds in sky. Not

An oil on panel, portrait of a seated woman, attributed to Martin Johnson Heade (American, 1819-1904). Marked "M.J. Meade" on back of panel, and dated 1847. 30 x 25 in.

Attributed to James Cassie (British, 1819-1879) Portrait of a Seated Man. Oil on board, unsigned. Bearing a paper label en verso which reads, 'Exhibited at Royal Academy Ltd. Aberdeen 1851, R.S. A. Ja

Attributed to Arthur Fitzwilliam Tait (British, 1819-1905) A pencil on paper illustration of hunt scene. Signed A.F. Tait center. In a gilt wood frame. Mat opening: 3in tall x 8in wide. 11in tall x 16

Attributed (1786-1866) British. oil on canvas, titled "A HUNT WE WILL GO" beautifully framed signed to bottom right. Total Measurements with frame approx 37"x 30".

Attributed to Colin Hunter (British, 1841-1904). An Orientalist oil on panel landscape titled "Nile Incidents". Unsigned and gilt framed. Panel: 12in x 18in.

ARTIST: ATTRIBUTED TO Erskine Nichol (Scottish, British, 1825 - 1904) NAME: Nowhere to Go MEDIUM: oil on canvas CONDITION: Relined. Some craquelure. Some scattered inpaintings. Minor damages to frame.

William Collingwood (British, 1819-1903), pencil and ink drawing of a dirt path through the forest, a tall tower in the distance, attributed l.c., 5" x 7" sight, 12 3/4" x 16 3/4" framed.

British- American 1819-1905. Monarch of the Glen, after Sir. Edwin Henry Landseer (1802 - 1873), original painting by Sir. Landseer located in Scottish National Gallery. Arthur Fitzwilliam Tait was bo

Circa 1899, Minton (British, founded 1793); design attributed to Christopher Dresser (British/Scottish, 1834-1904); Aesthetic Movement; turquoise ground with polychrome florals; mounted on faux wood s

Robert Carrick. (British, ca. 1829-1904). In the Highlands. Antique engraving on wove paper after the original oil on canvas by master engraver Edward Paxman Brandard (British, 1819-1898). 1869. Signe

ATTRIBUTED TO THOMAS LANDSEER (British, 1795-1880) The Monarch of the Glen, After Sir Edwin Landseer Engraving Unsigned H 24½ x W 22½ inches

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.